The Hustle

No, not the seventies dance craze, but that classic Southern California interaction wherein an optimistic girl or gent spins their dream and tries to convince you to get on board.

Last night I had dinner at the Soho House, a private club of which I am not a member, speaking to its exclusivity. Upon arrival in L.A. the rooftop joint was seen as a gathering place for the connected, to see and be seen, because L.A. is a visual culture, how you look, showing off, is key.

But now the place has been overrun with wannabes. People strutting around like they’re somebody even though they’re unrecognizable. Yes, that’s one of the Los Angeles sports, we may not have a playing professional football team, but we look for stars every day, and we find them. At the grocery store, the car wash and at dinner. We’re all looky-loos.

And last night I did see someone, it was Miley Cyrus. Didn’t she have somewhere better to go?

It’s one thing to see someone famous at a fine dining establishment. It’s another to be up close and personal with a famous face at a place I can get into. I always thought the rich and famous hung where we did not.

True.

But mostly they’re techies and bankers, people with real money.

Entertainers ain’t got that cash.

But they used to.

Used to be you went to L.A. to make your dream come true. Didn’t matter if you had an Ivy League degree or were a graduate of the school of hard knocks. You shined up your personality and started doing the hustle. The only people who went to the head of the line were those with famous parents. And if you met one, you did your best to attach your star to them.

But most people were nobody from nowhere just like you. And you listened to the stories and had meetings and hung out thinking that you were getting ahead and living the life, that if you just paid enough dues you were gonna make it.

But then the dream changed.

Movies became about comic books. No one even knows who runs the studios anymore, they used to be the most famous people in town.

As for music, the record labels consolidated and the billboards were excised from the Sunset Strip, soon to go are the clubs. All that’s left is condos and restaurants.

And it turns out people have to hang somewhere, I was stunned how crowded the boulevard was at midnight, with lanes blocked off for pedestrians waiting to get in. What is so enticing? What are they trying to achieve? Is this just a second tier tryst for those destined to dash their dreams and end up living in a far-off valley doing day jobs?

That’s another element of Hollywood, it weeds out those not up to par. There’s an endless supply of new faces and if you don’t gain a toehold you’re squeezed out. Some go home, most rationalize their decline. Their day job becomes their real job or they or their significant other gets pregnant and suddenly you’re buying real estate and you find out it’s far from your old haunts.

But until that fall from grace… You go to the gym, a toned body is everything in L.A., you go to the right places and you try to get ahead.

But now if you’re educated, if you’ve paid your dues, you want nothing to do with this game, with its false hopes and culling of the herd.

Used to be doctors and lawyers, professionals around the world, looked with envy at the shenanigans in Los Angeles. They did what their parents told them, they played it safe, they had their nest egg, but they did not have fun, they did not live free and easy, their dreams were things they only thought of at night, when they put their heads on their pillows.

But then something changed. Life became tougher. The bottom was nowhere to reside. Hell, you used to be able to live in L.A. on far less than a grand a month, now that’s a couple of dinners for you and your buddies. So those with brains trained their sights on new locations. Watergate killed the gravitas of attorneys, you refrain from telling people you’re a member of the Bar and law school applications are way down, why spend so much to make so little, if you can make any at all? And the doctors themselves helped kill the status of the medical profession, bitching that they were only making hundreds of thousands instead of millions. And all that science was too hard anyway. So the truly gifted went into tech and the mules, those who know how to jump through hoops but need the hoops laid out for them, went into consulting, or banking, They wanted to make that money.

And there’s a whole hell of a lot more money in those fields than entertainment. And a star ain’t what it used to be. They’re not looked up to and they’re not rich. They’re just striving to eat some of the crumbs falling off of the table of those with the true dough.

And if it’s solely glamour you’re interested in, you can go to Miami, it’s much closer to New York anyway.

And if you just want to spend money and party, nothing is better than Vegas, where you can throw off your inhibitions and nothing is written down, although you may appear on Instagram.

And if you’ve got no education, if you’ve got no CV whatsoever, you come to Hollywood, to try to make it on your wits, charm and good looks. It’s every person for themselves, hustlers abound.

They’ll tell you where they’ve been, who they’ve seen, who they’ve hung with. Locations and personalities are the hustler’s currency. And the great thing is none of this can be checked. There’s no LinkedIn for parties. And Facebook won’t tell you what you want to know. Is this person really engaged to so and so? Do they really have a development deal at the studio? Are they rich or broke and just waiting for you to buy them a drink?

Who the hell knows.

It’s disconcerting. In the old days it was the only way to play. Now it appears to be a complete waste of time. An endless reality show where you lie, cheat and steal for attention, and then are instantly forgotten.

And in today’s world where nothing lasts it’s all about the money. And if they had any would they really be showing up here?

Tracks

Tracks – Spotify playlist

“Dark Necessities”
Red Hot Chili Peppers

It doesn’t sound quite like anything else.

I didn’t even know this was out until I got an email about it from somebody.

This is intriguing, listen to it. The worst part is Anthony Kiedis’ vocal, not that it’s bad, but the rest of the sounds resonate so, especially Flea’s bass, but also the sounds that you can’t quite place the genesis of.

This is a work track, not the kind of thing that you hear once and have to hear a hundred times, I doubt it will escape the Active Rock ghetto, but if you don’t listen to that format, and few do, you’ll be surprised how entrancing and inviting this is. Credit Danger Mouse. Sometimes you’ve just got to mix it up, but best to work with someone with experience, that’s Donald Trump’s number one weakness, his lack of experience. You wouldn’t want an amateur to perform surgery after watching YouTube videos and if you’re a superstar act, and the Chili Peppers certainly are, you want to work with someone who’s been there, who you have faith in.

But I don’t understand the release paradigm here, it’s so last decade.

In the old days you released a single way in advance and then ramped up publicity to generate first week sales. But now it’s about continuing streams. Your first challenge is getting people to be aware of your music, the second is to get them to listen to it.

Which is why people drop their albums with no advance warning all on one day, the sound waves from the bomb erupt, it’s the best way to create awareness these days.

I’m not a fan of the Chili Peppers, I thought they were done when Frusciante left for good, but this not only gives me hope, I LIKE IT!

“Fragile”
Prince Fox, featuring Hailee Steinfeld

I discovered this by listening to Spotify’s New Music Friday playlist.

I’d like to tell you I heard a ton of winners, but I heard a ton of me-too tracks. Today it’s all about incorporating non-organic sounds, it’s become formulaic. Although this is a bit different, more EDM, and if I didn’t know Ms. Steinfeld was an actress I’d cut her a break, she’s good here.

This is on Republic (Casablanca to be exact, but same thing). And it’s having almost zero impact. Is it because the track doesn’t resonate or it hasn’t been worked yet.

I’m leaning more towards the latter.

The YouTube clip only has 25,806 viewings as of this writing, it’s got more impact on Spotify, where it’s got 492,209 streams, but it begs the question whether YouTube is really the premier platform.

But what I’ll tell you after listening to the New Music Friday playlist is today music discovery is overwhelming. There are a ton of playlists and even if you know which ones interest you, there’s still too much to digest. Hell, I clicked on Afternoon Acoustic and didn’t know one single artist. The sounds were good, but the songs were not revelatory, did I really want to listen to them all to uncover the couple of good ones, couldn’t someone do this for me?

We’re still at the advent of curation. Used to be radio culled the best tracks and those outside the formula got a lot of ink. The universe was comprehensible, now it’s not.

“Adore”
Jasmine Thompson

This is a bit better than the Prince Fox track, maybe that’s why it’s got 23,258,655 views on YouTube…AND I’VE NEVER HEARD OF IT!

But today I got an email about it clicked through and immediately liked it.

What hope do I have in this world?

Granted, this track had no chart impact in the U.S., although it did go to number 4 in Poland…

Doing my research I found out that Ms. Thompson made her bones by singing covers on YouTube, the means of success are in your own hands, it’s like the actors who start off in commercials, you can’t be afraid to begin at the beginning, doing stuff theoretically beneath you, finding yourself along the way.

Unlike “Fragile,” “Adore” did not come out last week, it was released almost a year ago. Thompson is signed to Atlantic. And something is going on, “Adore” has 21,443,192 streams on Spotify, it grabs you immediately, it’s hooky, it makes me want to see her live, to bask in the sound, the mood, the introspection, the darkness.

P.S. I just discovered on Spotify there’s an acoustic take of this song, it’s got a second side of “Tumbleweed Connection” feel, and that’s a good thing!

“Stay Downtown”
Cole Swindell

I found out the new album was out on the Spotify new release page and I immediately put it on my phone, I was a big fan of his track “Ain’t Worth The Whiskey.”

Like Keith Urban’s new album, “You Should Be Here” ain’t really country, not by the traditional definition. There’s not the upfront banjo and fiddle, although Swindell does have a twang, but without it this would be classic AOR music.

The best song on the new album was already a hit single, “You Should Be Here,” check it out, it’s got a great sound, and a great message, although it could use another verse, that’s a problem with too much of the material on the new album, it’s unfinished, it could use more. And it’s safe, but that’s Nashville today. Still…

I’m listening and thinking this is another Nashville booty call song, you know, like Lady Antebellum’s “Need You Now,” but it’s not.

She calls, but he tells her to stay in the bar, downtown.

How refreshing.

I’ve been there, you know you’re gonna get laid, but you know your heart is gonna hurt thereafter, otherwise you’d still be together, doing it on a regular basis.

But I like this, I like Cole’s sound.

“Getaway Car”
Alyssa Micaela

I discovered this about a month ago, on the Spotify Hot Country playlist, I was waiting for it either to fall off or to blow up, so far neither has happened. But I felt the same way about Jana Kramer’s “I Got The Boy,” which I heard on Sirius XM’s Highway back in February of 2015 and didn’t break on terrestrial radio for nearly six months, that’s what’s wrong with terrestrial, it’s so slow, so far behind!

And what the Highway and Hot Country have in common is John Marks, who left radio for the streaming service, he champions new artists, he’ll take a chance.

Kramer’s song is an almost classic country lament, of regret, that someone else got her man, but she was there first, she got something. It’s a ballad, with clever lyrics, whereas…

“Getaway Car”‘s a tear.

Well I heard you’re gettin’ married
How far along is she?

Ha! I love a woman with sass. Obviously she’s pissed, but she’s spinning it her way, positively, and continues to do so.

My god you’re only twenty and she’s not even pretty

It’s guys who focus on looks, but women always play the looks card when they want to put someone down.

I’ve got the getaway car, I’m thankin’ my lucky stars
Top down, foot on the gas
Nothin’ here to hold me back
Don’t wanna catch what’s goin’ around
‘Cause everybody is barefoot and pregnant in this town

HILARIOUS!

Why is it the women in Nashville are clever, but the men are dullards. This is right out of Miranda Lambert’s playbook, if she sang it, it’d be a hit.

What is a hit?

Something I like?

Something everybody else likes?

Something radio plays?

Something that gets awards?

I’ve got no idea, I want to belong, but I can’t find my club.

YouTube links:

“Dark Necessities”

“Fragile”

“Adore”

“Adore” (acoustic)

“Stay Downtown”

“Getaway Car”: not on YouTube

Twitter War!

It’s all about access.

Today people want to reach out and touch you, Facebook has flattened the earth, everyone feels equal, and if you stand above the fray…

It’s only a matter of time before you’re taken down.

This is how Donald Trump can get away with the sappy comments about his family, and his inane statements regarding minority groups, i.e the taco bowl, and the uneducated…people speak first and are analyzed never online. It’s only the old wave players, working the refs, who believe that gotcha politics still plays. That’s so last century, today you keep talking and adjust along the way. Everybody makes mistakes! Social media is riddled with the cookies of your humanity, being inappropriate, misstating facts, but we all know the truth will out in the end. At least enough of it to make a difference. Wikipedia rules the fact-based world, even though there are inaccuracies on my own damn page, but better the wisdom of the crowd than the wisdom of Karl Rove and the rest of the fat cats who think they can sway society. That’s what’s utterly laughable, the big time news media and inside the beltway movers and shakers who have utter faith, however misplaced, that they can shape the minds
of Americans.

No, we’re all a compendium of our influences. Most of us are riddled with falsehoods, because there’s truly no consensus, most people won’t go to Wikipedia, they don’t want to be shown up, but when the issues become really important, then it’s necessary that we shine light upon the truth.

And Hillary Clinton has done a poor job of doing this.

But Elizabeth Warren is a Power Ranger, a member of the Fantastic Four, she’s beating Donald Trump at his own game.

Trump owns Twitter. Anybody on the site knows that accumulating followers is a long hard slog. But you can get a leg up by ATTACKING someone with a ton of followers. Who, of course, could refuse to acknowledge your poke and leave you in the wilderness but…

The Donald can’t do that.

Elizabeth Warren took on Trump on his own turf and eviscerated him.

IT WAS ALL OVER THE NEWS!

That’s right, even if you can’t comprehend Twitter, you heard about the war. How could Warren be so smart and Hillary so dumb? Hillary’s so busy triangulating that she’s not even playing. As for Bernie… Love ya man, but some people are just too elderly, you can’t teach an old dog new tricks and most boomers, today’s alta kachers, have all the technology but are clueless as to how to use it. But the truth is this is a battle amongst the younger generation, the ones who not only have downloaded Snapchat but know how to use it. And they’re aware of this Twitter war. It may not be as high profile as Kanye’s shenanigans, but it’s much more important.

Trump is Kanye. A guy most people hate but think everybody loves because he’s all over the news and constantly get a pass. But Warren is not afraid. She waded into waters she did not need to and then walloped the Donald.

Who even knew she had a Twitter account?

She’s only got 426,000 followers. A mere pittance compared to Trump’s 8.18 million.

But she knows Trump can tolerate no negativity, not when it comes to his brand.

So Elizabeth weighed in.

And didn’t pull any punches.

And the Donald fell for the bait.

Mistake number one. You never punch down.

He calls her “Goofy Elizabeth Warren.”

She says: “Goofy,’ @real DonaldTrump? For a guy with ‘the best words’ that’s a pretty lame nickname. Weak”

Whew, Warren turns the have a beer paradigm on its head, she’s the one we want to hang with. By using the vernacular, she humanizes herself. But this is secondary to the fact that she’s giving it right back, demonstrating that she knows Trump’s games, with “the best words” reference, and ultimately the Donald looks small, because we all know you never win a Twitter war by calling people names, it just goes back and forth.

Warren attacks the Donald’s identity and politics and…

Trump just comes back with pejoratives, says she’s playing the “woman card,” accuses her of not doing her job, wasting time on Twitter, but he’s RUNNING FOR PRESIDENT AND IS ALL OVER TWITTER? And who’s running Trump, Inc?

Warren’s got balls.

And unlike Clinton, she’s not afraid to show them. Hillary’s been castigated so much for not being a milk and cookies mom that she now fakes it and says she is. No Hillary, you’re not warm and fuzzy. And we don’t want warm and fuzzy, we want to see your killer instinct, something the Donald demonstrates not only day by day, but hour by hour.

So stay off social media at your peril. If you intentionally want to be removed, if that’s your shtick, fine. But if you’re stuck in the last century doing it the old way you’re doomed. Everybody knows everybody and everything these days. Mystery is history. When you try to float above the fray you look like a doofus. Stop complaining someone moved your cheese and play by the new rules.

And Hillary Clinton… Don’t you get it? We live in a new era, talk first and think later. No one remembers what you said yesterday. It’s all about mindshare, which is why Trump tweets constantly. Hell, ever since he sewed up the nomination ten days ago it’s been all Trump all the time in the media. Hillary’s losing the war because she doesn’t know she’s in it. It’s like America not realizing guerrilla warfare can’t be defeated by bombs in Vietnam. It’s like Republican bozos asking for more warships when the future of combat is in cyberspace.

Our heroes come and go ever faster in today’s world. You establish your reputation by participating and then cement it by continuing to play. We only want winners, who are unafraid of the powers-that-be, who speak their mind, who go for the jugular when appropriate, because we all know social media is the land of bullies.

Elizabeth Warren took one down this week. When are her Democratic minions gonna wake up and follow her lead?

Keith Urban’s “Ripcord”

Keith Urban’s “Ripcord” – Spotify

It’s not country.

But the picking on the opening track, “Gone Tomorrow (Here Today),” reminds me of one of my favorite Urban cuts, “Who Wouldn’t Wanna Be Me,” which starts off on a tear and then explodes, a veritable zero to sixty run down the highway that thrills you as you hold on to your hat. The verses are generic, but this predates bro country, and the chorus is so spectacular you can’t help but smile and sing along, you know those moments when your life is perfect and you wouldn’t change a thing, “Who Wouldn’t Wanna Be Me” encapsulates that, and when I’m not vying for the role of the Prince of Darkness I like to live in the land of elation. “Gone Tomorrow (Here Today)” is not quite as good, but although slower it’s got a similar energy, like Urban is fully aware of his powers and is refusing to hold back, you want to go along for the ride. Let this be a lesson, if the best track is not first, at least make the opener a killer, learn from the Rolling Stones.

And there is a ganjo on “Gone Tomorrow (Here Today),” but if you excised that the track would not make you think of Nashville whatsoever.

And I wanted to listen to “Gone Tomorrow (Here Today)” again, that’s when you know you’re hooked, but I let the album play, to see what other goodies were contained on “Ripcord.”

I skipped “John Cougar, John Deere, John 3:16” last year’s hit single, I never cottoned to it, but it did make it to number two on the country chart.

But what came after…WAS COMPLETELY CONFOUNDING!

“Wasted Time” is closer to EDC than Fan Fair. With electronic pulsing that can’t help but bring your blood to a boil. They say EDM is dead, but it’s about as gone as disco, which didn’t disappear but ultimately infiltrated rock. We love the beat and we love the pulse and “Wasted Time” is throbbing and you’re along for the ride from the get-go. And if the lyrics weren’t so generic, so pedestrian, you’d put “Wasted Time” in the summer song canon. As it is, you can’t help but throw your hands in the air in exaltation… If only the lyrics were as realistic and engaging as those of Kid Rock’s “All Summer Long.” Maybe Rock was right all along, that it’s about merging the old with the new, the rock with the country, because until you get to the break you’d be hard-pressed to call “Wasted Time” a country song. If Top Forty weren’t so afraid of breaking the formula they’d have a field day with this, because we all love an airy, happy summer song.

But then comes the piece-de-resistance, “Habit Of You,” which is closer to Hall & Oates than Brooks & Dunn. It’s almost like when the Doobie Brothers moved to the mainstream with “Minute By Minute,” put this on when you’re lying on the couch with your honey sipping wine, reflecting and contemplating getting frisky.

I could make a habit of you
Waking up in my bed
Staying up till two
‘Cause you’re stuck in my head

Whew! The story of my life, all the good things happen late at night, when the world stops intruding and you can get down to it.

And country is playing “Wasted Time,” even though it’s closer to Hot AC, there’s no twang involved, this is mainstream music.

And that’s where Keith Urban lives, on the Australian “Voice” and the American “Idol.” Moving to the mainstream for the paycheck and the attention, Urban ultimately delivered an LP to appeal to this audience, albeit hedging his bets. There are just enough country elements involved not to alienate the Nashville powers, he didn’t pull the full Taylor Swift, but he did work with Nile Rodgers, why not Max Martin, was he unavailable?

And Martin was originally a metalhead and Urban was a rocker and we live in a land of mish-mash where rock and country and EDM all fit under the same umbrella, because the world is smaller than ever before, if you’re paying attention you know all the hits, not only those in your genre. And having said that, the Rodgers track, “Sun Don’t Let Me Down,” featuring Pitbull, is execrable. Reminds me of when the Beach Boys went disco with “Here Comes The Night.” Go all the way or don’t go at all, otherwise you look like you’re dabbling, following trends, and the greats either jump feet first, like Neil Young, who is not married to the past, or they remain true blue to what got them here, like AC/DC.

And I’d like to tell you the rest of the album is incredible, but it’s closer to mediocre. “Gettin’ In The Way” is another one of those cuts that country radio might play but is really much more pop, it doesn’t have the signifying instrumentation that shows it’s from Nashville, it’s more MTV than CMT.

“Blue Ain’t Your Color”‘s got the feel of country, the old country, pre-Luke Bryan, more akin to the sixties than the twenty first century. But, it’s reminiscent of fifties pop just as much. And it’s good, but it’s not great.

“The Fighter” features Carrie Underwood, but that’s the only country thing about it. It’s more Kenny Loggins than Kenny Rogers, with a bit of “Flashdance” thrown in, but it’s too paint by numbers.

“Boy Gets A Truck” resonates sonically, but the lyrics are so pedestrian, winking so much at present day Nashville, that you wince. Still, this is more Red Rider than Red Headed Stranger. If Tom Cochrane changed the chorus he could have had a hit with it way back when.

“That Could Still Be Us” hearkens back to the sensibility of classic country but sounds like it not a whit. There’s the yearning, but not the instrumentation. And if Urban were judging the track on one of his TV shows he’d give it a solid B, but we’re looking for A’s.

And “Wasted Time” and “Habit Of You” are solid B pluses or A minuses, they’re close, but no cigar. And we’re looking to partake of the elixir of excellence.

And it arrives now and again. Justin Bieber has hit the peaks recently. Justin Timberlake and the Chili Peppers are close. But we want Lorde’s “Royals” or Avicii’s “Wake Me Up,” and there’s none of that on “Ripcord,” which is too long and plays it too safe at the same time it’s testing limits, but it is better than the dreck Keith Urban has been purveying recently in search of hits, ending up with music neither fish nor fowl.

So, what we’ve learned is the barriers are breaking down. Acts are taking risks, especially in country, they’re including raps, electronic elements, despite the bro lyrics and too much rote there are new sonic ingredients, and that’s a good thing.

If you’re a fan and buy “Ripcord” you’ll be satisfied. You won’t be overwhelmed, but you’ll be glad to go to the show and hear these songs live.

And if you’re from Nashville you’re gonna wonder if Keith was ever one of you, or was he an Aussie infiltrator who needs to be excommunicated.

But if you’re a student of the game, you’re gonna find “Ripcord” very interesting. Because you’re gonna see a guy taking chances and sometimes succeeding. And hopefully you’ll be inspired and jump completely off the cliff.

We’re waiting for you.

YouTube links:

“Gone Tomorrow (Here Today)

“Wasted Time”

“Habit Of You”