Harvey’s Tune

“Super Session” – Spotify

Bloomfield, Kooper, Stills – Super Session – 09 – Harvey’s Tune – YouTube

I was watching “Better Call Saul” and they played “Season Of The Witch.”

Does anybody know the original five minute Donovan cut today? Never mind the Al Kooper “Super Session” remake they used on this television show?

It was not a hit, but it was a standard in its original Donovan incarnation. There was the hypnotic groove, the emphatic vocal, and the indelible chorus. Made by someone denigrated by Dylan but with substance nonetheless, track down Howard Stern’s interview of a few years back, you’ll be utterly fascinated, desirous of having lived through the sixties yourself.

But the “Super Session” iteration is even slower, and more than twice as long, its eleven minute rendition was the most famous cut on the LP and dominated the nascent FM underground radio format.

You see “Super Session” ushered in the jam era. Players had done this forever, Kooper’s genius was to record it. Subsequently we got Moby Grape’s “Grape Jam” and ultimately the third record of George Harrison’s “All Things Must Pass” package. And at this late date, “Super Session” is legendary for its first side, including the playing of the long gone Michael Bloomfield. And back then playing this exquisite was plentiful, but when you listen to Bloomfield pick your jaw will drop, it’s a revelation, you wonder where all of today’s players went.

They don’t exist.

Or they’re imitating.

They’re not innovating.

It all came from the blues. They were the foundation of sixties rock and roll. They’ve been thrown overboard. Do we need to get back to the garden, do we need a blues revival to inspire a younger generation, not only bring rock back but infuse a whole swath of youngsters with soulfulness? The blues infected AM radio, but mostly they served to explode in the format known as album rock. You stretched out, you laid down your feelings, in a thirty to forty minute opus.

So when the show was done, I went to my phone, I pulled up “Super Session.”

And that’s when I saw “Harvey’s Tune.” The final track. An add-on to finish the LP.

Harvey Brooks was and still is a legendary bassist. Played with everyone from the aforementioned Dylan to Miles Davis.

And I love this tune. So I pulled it up in the darkness.

It’s dreamy, it sounds like nothing on the hit parade, nothing else on the LP. It reminded me of how broad our tastes were back then. How we had an affinity for melody, how music was about setting our minds free. Back when real horns, never mind real drums and bass, were featured on records.

This is music. A tiny slice of life. Barely two minutes long.

And it made me wonder how we got so far from the garden.

And whether we could get back.

You see there didn’t used to be so much money in music. It was just a business. One made up of hustlers and dreamers. Musicians wanted to play and enjoy the lifestyle, not get up early, stay up late and get high and blow.

Now everybody’s a mini-corporation, when they’re not bitching they are not.

There’s a lot more to classic rock than the Beatles and Led Zeppelin. It’s been fifty years, maybe it’s time for a comeback. Time to jump off from where we once were, after a revival, akin to the ones in folk and blues back then. Go back to the roots, the essence, and see if we can go down a new path of enrichment and fulfillment.

“Season Of The Witch” – Spotify

News You Can Use

Embrace streaming. Complaining about it, forwarding stories about it, getting caught up in the minutiae of it is a rearguard action that is only hurting yourself.

Either swing for the fence or own your marginality. It’s about influence. You can be on Patreon with 100 fans keeping you alive or you can try to reach millions. Just don’t be the one on Patreon with a miniscule audience bitching that you’re not reaching more and preaching that you make a difference. If you can sustain yourself, more power to you. But the game is in mass. To deny this is to delude yourself. Not only do you want to make money, you want to have an impact.

The money comes with a price. Art is about freedom of expression. Anybody who invests in you will compromise that vision. If you need to do it your way do it independently. Or amass enough juice that you can write your own contract. If you’re just a cog in the system, take the cash.

The more credibility you have the longer your career. You can take the sponsorship, but it’ll shorten your shelf life. If you’re just using music as a springboard to further riches, by all means sell out. But if you’re first and foremost a musician…

Derivative is death. That’s what killed rock. Which is why Greta Van Fleet is doing so well. It sounds like Led Zeppelin, instead of sounding like a mutation of what once was.

Exposure is trumped by quality. This is what Amazon has wrought, you’re only as good as your reviews. Prior to the internet you could snooker the public, have a turntable hit, but now everybody knows the truth.

Sour grapes is a reflection upon you. No, they’re not keeping you down, you’re just not good enough, you haven’t figured out a way to make it work.

Find what you do best, followers fail.

There is no music business authority. “Billboard” has blinked and gone consumer and Pitchfork is too inside and the best and the brightest don’t write about music anyway. And those who do are influenced by the powers-that-be, all that hogwash about Taylor Swift’s shows being successful because of the pricing and not selling out. THEN WHY ARE THE CHEAP SEATS STILL AVAILABLE???

Forget the faux pas. Mistakes are plowed under by the relentless tsunami of information. Ignore those calling foul, don’t even respond.

People are looking for an enemy, because they feel powerless. Apple was killing their old phones, all kinds of hogwash. I’m not saying the corporation is always right, but the public is never satisfied, it always believes it’s being screwed.

You’re not as big as you think you are, no one is. When you read that someone’s a superstar take it with a grain of salt. We are going to have more ubiquitous superstars in the future, within the next five years, it’s part of the inexorable march of consolidation, but we are not there yet. If you’re playing the long game, learn how to write, sing and play, and if you can do none of these three, GET OUT!

Social media is overrated. It’s a playground for the wannabes. Sure, people want to be able to find out information about you, but if you’re a musician, focus on the music.

Those talking about Blockchain are those who can’t make hit records in the new economy. Nothing wrong with a tracking system in the future, but it’s a diversion now. Music is inherently fuzzy. That’s why it’s hard to capture.

You’re either a businessman or an artist. Decide which one. They’re two different personalities and they rarely merge. If unsure, follow the money if it’s most important to you as a businessman, or walk into the wilderness as an artist.

There are no guarantees. You can put in all the time and still fail. You can be great and still fail. Own this.

Life is long. Winners know this. If you’re tattooing the name of today’s hit band on your arm…you’re gonna have regrets in the future. Winners keep their options open.

U2’s album has already failed. They got usual suspect press, but fail to realize they’re out of synch with the times. When time passes you by you retreat to who you once were, you become sui generis, you don’t follow trends. We live in a world where Tom Waits has more credibility than Bono, because Tom Waits is always sure who he is and never veers from it.

You can miss the festival. None of them are must-see anymore. It’s more like a vacation, going to summer camp, getting high, having an experience. As for the acts, no band has ever broken from a festival.

You don’t have to leave the house for entertainment. This has hurt burgeoning live music. Who wants to go to a bar to hear overloud unknown music? Don’t shoot the messenger, I’m contemplating this. But the key is not to bitch about this truism, it’d be like those complaining about MTV airing no music videos.

Americanah

“Americanah”

I’ve been on a streak of disappointing books.

I finished the David Yaffe’s Joni Mitchell tome, but tired of his analysis of her lyrics, someone who didn’t live through the era and had no context. Having said that, if you’re a Joniphile you’ll be stunned to learn so many tidbits, like the woman who drowned herself in “Song For Sharon” was Jackson Browne’s wife, metaphorically, of course. Mitchell has a real bug up her ass about Browne. Then again, anybody who has ever dealt with the woman knows she’s incredibly difficult. Then again, you don’t want to meet your heroes, not usually.

More simplistic but more interesting was Steve Katz’s autobiography. Yes, the guy from the Blues Project and Blood, Sweat & Tears. He’s so BITTER! He can’t stop saying negative things about Al Kooper and it’s been fifty years. David Clayton Thomas too. But this book is fascinating in how it all ultimately dries up. You can’t make a living from music, fewer people know who you are, and then you’re headed for the dustbin. To a great degree Steve has been subsisting on the artwork of his wife, not the first, but the one with the longest tenure. Everybody’s got a story, there are no miracles.

But the problem with both of the above books is they’re non-fiction.

If you really want to learn about real life you’ve got to read fiction.

As for those reading business books… If one more person recommends Ray Dalio’s b.s. book I’m gonna explode. So the guy made a lot of money, so what? Age and you learn that everyone is an individual, and you can only maximize what is special to yourself. To try to imitate the career of someone else is futile. But we’re all looking for answers in a world where there are fewer of them. We all want to believe we’re on the right path, when the truth is we’re in the wilderness, looking for exactly that, truth.

On paper “Americanah” is not my kind of book. Then again, I didn’t read it on paper, I read it on the Kindle. Bookstores keep going out of business, Amazon is picking up the slack, but the publishing industry and its greatest acolytes, aged baby boomers, believe they’ve turned back the tide of digital and saved the physical book. What next, the 8-track and the cassette? Oh, that’s right, the same backward-looking press talking about print says those formats are coming back too, which they absolutely are not. Have you even got a cassette player? But the news is controlled by oldsters eager to return to a simpler time, to retreat from the chaos when anybody who ever survived knows the only way out is forward.

Why am I so angry?

Because of the schism. The baby boomers who think they rule who don’t. I told everybody they needed the big iPhone and my inbox was cluttered with deniers. All telling me the same thing, they TALK on the damn phone. Connect with someone a bit younger, they never ever talk on the phone, it’s a COMPUTER! Until you see your device as a computer as opposed to a telephone you’re part of the problem and not part of the solution but the thing about self-satisfied boomers and Gen-X’ers is they have to believe they know everything and are part of the solution, otherwise their inner core is threatened.

And because of the disinformation. Never in the history of my lifetime has conventional wisdom been so wrong. Forget the people trying to spread falsehoods, too many people are clueless as to what is happening, which is why I retreat into art, that disconnected from the machine, and when it rings true I’m elated and connected even though there might be no one else in the room.

Like when I read “Americanah.”

It’s about a woman from Nigeria. Yup, intrigued you right there, didn’t I. You’re mousing to Amazon right now, not.

And they speak English, which no one in America seems to know.

And they’re black but they don’t feel racism, which Americans can’t comprehend.

But the government is corrupt and there are strikes and you just can’t get ahead.

So Ifemelu moves to the United States.

That’s right, that’s her name. Yes, it’d be easier if her name was Jennifer, but they use real Nigerian names, deal with it, read the subtitles on the foreign movie.

But she leaves behind the love of her life.

It’s a love story. It’s social parable.

It’s life.

There’s more truth about relationships in this book than a year of HBO.

I don’t want to give away the plot, but I am gonna quote a few passages I highlighted and illuminate these concepts.

“basking in the attention her face drew but flattening her personality so that her beauty did not threaten.”

You’ve got to know who you are, you’ve got to adjust, you don’t just get to go through life willy-nilly. If you’re at a party and everybody’s poor, even middle class, you cannot ramble on about flying on the private jet. Furthermore, however rich and advantaged you are there’s always someone better off. To get ahead, the beautiful have to be non-threatening. But they pay a price, you’re just so envious of their status you don’t know it.

“He made her like herself. With him she was at ease.”

Admit it. On a regular basis you hate yourself. You don’t have to say it out loud, you can even deny it, but deep inside you know it’s true. What you’re looking for is to feel comfortable, that you’re all right, that you have value. That’s what you’re looking for in a love relationship.

“She was terrified to spend money.”

I still am. Ever since I crapped out twenty five years ago. I’m not convinced more will come in. I’ve never ever seen this expressed in a book before. You’re living, you’re spending, and you can’t make any money, what is end game? Usually bad, as it is in this book.

“It was as if he believed that they shared a series of intrinsic jokes that did not need to be verbalized.”

Now that’s love.

“Still, she had had other crushes since then, minor compared to the strike on the train…”

Yup, Ifemelu gets a crush on a guy on the New Haven Railroad, going up to Yale. It always happens like this, when you least expect it. And you never ever forget it. People are powerful, even those not trying to evidence their power, you’re in their aura and you become infected, veritably lovesick. Sometimes you hopscotch to a new person, sometimes your infatuation fades, but it’s the nature of being alive, bouncing from connection to connection, it’s why you should play, it’s exciting.

“and she thought that the romance novelists were wrong and it was men, not women, who were the true romantics.”

BINGO! Women are practical, they can cope. They might verbalize their feelings, but they soldier on, men get stuck.

“His friends were like him, sunny and wealthy people who existed on the glimmering surface of things.”

Do you know anybody too wealthy to work? I do. They’re exactly like this. Always smiling, always happy, and it’s nearly impossible to pierce their surface, reveal their hopes and dreams, if they’ve got any. They’re so busy appearing marvelous that they’ve sacrificed part of their humanity. So worried about being less than and not included that they air kiss and get along with everybody.

“She was from the generation of the bewildered, who did not understand what had happened to Nigeria but allowed themselves to be swept along.”

That’s life in Trump’s America. I’m bewildered, aren’t you? What do we do, protest all day long or just try to get along? And if we don’t stand up for what’s right are we relinquishing our power to do so forevermore?

“It puzzled her the ability of romantic love to mutate, how quickly a loved one could become a stranger.”

Whew! You’ve been at it for years, and then there’s a rupture, something said or done and you just can’t reconnect. You’re different. Ifemelu is living with a man and then there’s an inflection point…the relationship never recovers.

“But she was jealous of the emotional remnants that existed between him and Paula.”

We hate that they had a history before us. We try not to be jealous, but we are.

“It was this that drew Ifemelu, the absence of apology, the promise of honesty.”

Stop being mealy-mouthed and have a backbone, have the courage of your convictions.

“Because he had last known her when she knew little of the things she blogged about, he felt a sense of loss, as though she had become a person he would no longer recognize.”

Yes, Ifemelu blogs about race, it becomes her business, she makes a living, speaks at conferences. I was stunned to come across this plotline, very weird to see yourself in a book.

“she was a literal person who did not read, she was content rather than curious about the world – but he felt grateful to her, fortunate to be with her.”

You think it’s about looks, about wealth, but it’s truly about personality. Want to hook someone of substance? Live, be curious, be open. Her old flame married the icon. As beautiful as they come. But she did not read, she went through the motions, does he have a duty to stay with her?

Duty… The boomers left their spouses for something better and rarely found it.

Today’s educated class sees marriage as merger. Combining assets. Meanwhile, the poor just have babies and don’t get married at all.

This is what popular culture does worst, illustrate love. It’s all about looks when the truth is it’s something indescribable that you feel. Which used to be captured in music, before the coarsening of society, when money trumped love, and is most eloquently detailed in the written word, in books.

So, do you live up to your obligation or do you jump ship?

That ultimately becomes the question in “Americanah.”

And I’d like to tell you it’s unputdownable. Perfect. But it’s not that great, but it is very good, and delivers for the time invested, which few books do anymore, because reading a novel means removing yourself from the fast-paced world of the internet. You’ve got to be plugged in, it’s like we’re all living in an episode of “Black Mirror,” wondering how it will all turn out. But there are no robotic dogs, no orgasmatron, many things are the same as they always were. Like people. Like love. Like life.

Chappelle On Netflix

What kind of crazy fucked-up world do we live in where a comedian has more impact than a musician?

One in which the comedians function as individuals concerned with the truth and the musicians are mini-corporations infighting for attention in an ever-dwindling pool that the public is overwhelmed by and sneers at.

I’m not that big a fan. Didn’t watch his TV show that much. Didn’t cotton to the last Netflix specials.

But I wanted to hear what he had to say. I was fascinated by his gigs with John Mayer, who needs to get props to. How does Mayer get shafted by the hit parade and end up bigger than them all? He dates Katy Perry, is angry he doesn’t have hits, fires his manager, and now is on a path to tour forever, a member of the firmament, wasn’t he supposed to be tarnished forever by his comments in “Playboy”? PLAYBOY, WHAT’S THAT?

Life is long and the goal is to last. And few in music do. Most who have got pumped up by the apparatus that has been eviscerated by the internet. That’s right, Coldplay was built by VH1. And Jay Z and Eminem got MTV airplay. Meanwhile, the labels have been asleep. Tell me one point of innovation in the last fifteen years. No, they’ve been led kicking and screaming into the future with a plan not radically different from what’s come before. Invest heavily in marketing and lean on radio. Sure, they’re more digitally-savvy, but all innovation has come from outside, mixtapes, streaming… There’s no leadership in music. Other than in Spotify, which hauled the entire enterprise into the twenty first century, but scratch a musician and they say they HATE IT! They want to go back to files, to CDs, as if you could still buy an iPod Classic and load it up with overpriced tracks.

But comedians LOVE Netflix. Because the distributor pays and delivers access. This ain’t no HBO, giving deals to few and making it hard to see the work. No, every week Netflix has a new special and you can pull them up at anytime and the biggest stars in the world are having huge impact and making beaucoup bucks. Screw playing music, you make much more money as a comedian, come on, you show up with a microphone and take ALL THE MONEY!

So the generation before was all about selling out to the sitcom. But there’s little money in that anymore and even less internal satisfaction, you’ve got to compromise who you are to get the show and the suits won’t let you be who you are. You’re a STANDUP! Seinfeld got that right, his show was one and done. Telling jokes is his skill. With insight.

And it’s Chappelle’s too.

So I’m fumbling with the remote at 2 AM to see what Dave has to say. And he starts off slowly, and he laughs at his own jokes, but then he gets into it.

He’s attacking Trump.

That’s right, he’s taking a stand. In an era where everybody with anything to risk does not.

Don’t tell me about nobodies standing up, tell me about somebodies. Especially in music. They’re afraid of alienating potential audience members, their sponsors, they don’t understand that personal truth bonds people to you. You said THAT?!!

And there are some zingers. Everybody giving Caitlyn Jenner a pass on changing her gender but up in arms about Cassius Clay changing his name.

There’s doubling-down on being black. You’re supposed to be cowered by the pushback, but no, the color of your skin in racist America marks you, and Chappelle is just being honest about it.

Like the stupid things Trump says.

And save me the blowback, the right wing wingnuts who think if they just hassle the refs we’ll all shut up. It’s not working with Chappelle. And Chappelle has much more influence than you do. Everybody’s got Netflix and everybody knows his name and the young and impressionable are gonna watch and be impacted. This is how we got out of Vietnam, only in that case it was musicians instead of comedians. There’s something happening here and you don’t know what it is, do you Mr. Jones?

And then there’s the Louis CK stuff. I HAVEN’T EVEN SEEN IT! I didn’t know there were two specials until I checked my phone at 3 AM and then I decided to crash. But the internets were blowing up with what Dave had to say. You see he pushed back at snowflakes, a woman who didn’t hang up as Louie masturbated.

That’s right, that’s what we’re talking about, masturbation, even though you now have to stop reading.

And my point here is not to defend what Chappelle had to say, but to emphasize that HE SAID IT! Every male in America has been silent. Afraid to weigh in. But not Chappelle. And we need to have a discussion. Where is the line, what is the punishment. Isn’t it funny that a comedian brings this to light.

So that’s where we are in 2018. Music is for morons. Nitwit youngsters who believe life is how you look and oldsters who remember what it was and don’t realize that you must capture the zeitgeist to succeed. But we were here in ’63 too, before the Beatles, before the Airplane, before the table was turned over.

Doesn’t matter if you watch Chappelle on Netflix. Just matters if those who are inheriting the country who can be influenced do. And they will.

Chappelle alone has more impact than a season of SNL. Because SNL is a tired formula, trying to attack a wide spectrum of society and life in a world where there’s no cohesion and we do not get the references.

But we know what Chappelle is talking about. The big issues.

Why do poor trash whites buy the b.s. He’s rich, he knows the people oppressing them.

You can’t say that on television, BUT DAVE CHAPPELLE JUST DID!