My favorite game show was “Kideo Village.” The junior version of “Video Village,” it aired on Saturday morning, along with “Crusader Rabbit” and “Andy Devine”…PLUNK YOUR MAGIC TWANGER, FROGGY! Boy did I hate that show. And there were no other choices. I’d sit in front of the TV with the can of Charles Chips and wait for the hour to go by so I could watch something else.

We were addicted to television. It was the internet of yore. New. Remember when there was COLOR? Maybe not. Maybe you don’t even remember when computer monitors went from black and white to color, never mind flat screens. Steve Jobs stuck with black and white, it’s one of the many reasons he got kicked out of his own company, but he thought the screen was sharper and it cost less.

We knew every show. There were three networks and in the New York market, three independents. The independents aired stuff like Claude Kirshner’s circus show and Soupy Sales and Zacherle, but at 7:30 PM, prime time began, and we all tuned in.

And there were some game shows at night, but most aired in the afternoon.

Let’s see, “Password.” We used to play the home version in the car, my father always refused to play and then blurted out the answer.

“To Tell The Truth.”

“The Price Is Right.”

“Queen For A Day.”

And Monty Hall’s “Let’s Make A Deal.”

That’s right, we not only knew the shows, but the hosts. Bud Collyer. Bill Cullen.

And Art Fleming.

“Jeopardy” was different, it wasn’t about laughs, like the idiotic “Family Feud,” it was about knowledge. But it ran its course and was taken off the air and when it came back after its encore, it had a new host, Alex Trebek, and everybody forgot about Art Fleming. That’s the weird thing about getting older, youngsters don’t get the references and they don’t care, furthermore you realize fame is evanescent. You can’t leave your hotel room and then you’re seen in the grocery store and no one even comes up to say hi.

Now I went to college in a TV-free zone. It cured my addiction. I didn’t have a TV until seventeen years after I left home. Of course we’d go to other people’s houses to watch “Saturday Night Live,” when it was still pushing the envelope and it made cultural history, but I missed so many of the sitcoms and to be honest, I don’t feel like I missed anything, especially in this era of overwhelming product.

That’s modern society, we’re all in our niches.

“Laugh-In” came on on Monday night, and then Tuesday you were all telling the same jokes in school and everybody got ’em, because everybody watched.

Our nation was united. Even Richard Nixon implored the cast to sock it to him.

But now the networks are dying and we feel so alone. We can watch or listen to whatever we want, but it’s unfulfilling, because we’re a party of one. Last night I read “Relix,” you might not even know what that is, but it contained a huge cross-section of bands I’d never heard of. But they’re part of that scene. I don’t even know where to start. No one is telling me what’s important, what’s worth not only my attention, but my time. I’ve got the world at my fingertips but I can’t speak the same language to anybody. I was with friends who work for a classic metal band and I read them the Mediabase Active Rock chart and they didn’t know six of the Top Ten. Anybody who tells you they know what’s going on is lying.

But we know about Trump.

And Tiger.

And now James Holzhauer.

Hell, I wanted Tiger to win, because I love dominance, the same way I enjoy Holzhauer succeeding, but all this fawning bugs me. Tiger’s an automaton, he plays golf, that’s all, he won’t even admit he’s black, he doesn’t stand for anything but himself and his sponsors. So now we’re saying he embodies American values? Oh, come on, this is a manufactured story. Furthermore, today sports stars are seen as narrow identities, able to do only one thing well, except for the players in the NBA, they have views and they express them, that’s what happens when you set people free. America is all about keeping people under control, to their and society’s detriment. It’s best when you let your freak flag fly, evidence your personality.

And to tell you the truth, I never watch “Jeopardy.” I was stunned tonight that the values of the clues have doubled. Hell, I remember when the top value was a hundred bucks instead of two thousand. And video clues?

But I had to see James Holzhauer in action.

And he’s not warm and fuzzy, kind of cold in fact. But the fact that he keeps winning and keeps betting…word on the street is he’s broken the game.

He wagers absurd amounts on the Daily Double. He starts with the expensive clues, he jumps around the board, and we’re riveted. How come in nearly sixty years no one else has done this?

It’s kind of like the Beatles. You can remember before and after. Kind of like the internet. One day there was emptiness, vapidity, and the next day the whole world changed. People off the radar screen turned it upside down. Not the celebrities in the media, but unheralded people. It’s about taking a risk and doing it differently, we’re attracted to that.

And we’re attracted to anything that brings the country together, that gives us the ability to connect with others. We can talk about James Holzhauer and others can express amazement, dig a bit deeper into his technique, whereas with seemingly every other subject, we can’t find alignment.

These moments are the backbones of society. And they always come from left field.

For decades it’s been about being rich. Or the rags to riches story. Alex asked James if he could take care of his parents with his winnings. James said they were already comfortable. Everybody else is poor-mouthing, this guy is owning his middle class status.

And a million bucks really isn’t that much in today’s market. But compared to everybody else? He’s trumped Ken Jennings’s winnings per game. And Jennings is not crying the game is fixed, changed, that he still deserves the title, he’s amazed and supportive. What a class act.

Now the weird thing is “Jeopardy” is pre-taped. People know what happens to Holzhauer. Imagine if it was in real time, then it’d truly be must-see TV.

But still, it’s pretty riveting. A guy making it on his intelligence. Not a drone at the bank, but a sports bettor.

And his parents weren’t criminals paying to get James into USC or Stanford, rather he went to the University of Illinois, that was enough.

And I’m sure James can’t do everything. Maybe he can’t throw a ball, or do quantum mechanics, or maybe even cook, but he’s really good at trivia. He seems to know something about this world. Which is a far cry from the influencers who are selling style rather than substance.

This is an American story, this is what America is about, not the rah-rah crap, but the rugged individual who triumphs employing his own strategy. It’s not about the team or the coach, it’s like Bob Dylan writing “Blowin’ In The Wind”…HOW DID HE DO THAT?

It inspires you to get off the couch and try to put a dent in the universe yourself.

It gives you hope.

And that’s what we need in America today.

What kind of crazy fucked-up world do we live in where politicians eschew corporate donations but musicians are in bed with the companies?

One in which music, normally the pusher of the envelope, has lost touch with its audience.

Credibility is key. That’s why people have stopped believing Elon Musk. You’re supposed to over deliver and under promise, not over promise and under deliver. Musk has yet to establish a deadline he can meet. Sure, the short-sellers are hurting Tesla, but Musk is also culpable.

But credibility left the music business once recording royalties declined and acts believed they had to make up the cash somewhere else. It used to be taboo to tie up with the man, but now it’s de rigueur.

But not in politics. HOW DID THIS HAPPEN?

The Democratic Party was not prepared. That’s the story of 2016 and quite possibly the story of 2020. The usual suspects kept Bernie Sanders down, and now they’re freaking out about his lead in fund-raising, all from small donors. Turns out there’s more money in speaking to the people than speaking to the man. This is how the Republicans lost control of their party. Today it’s all about the individual, the grass roots, even on the right, that’s how Trump beat the anointed candidate, Jeb Bush. Sure, Trump is still serving corporate interests, but that’s not what he ran on. His only hope of staying in power is continuing to point to minorities and immigrants as the problem, appealing to his constituents’ xenophobia, but the truth is America is changing, and the politicians are in the lead.

You speak your truth and appeal to the bottom, not the top. And this adds to your cred and ends up growing not only your pocketbook, but your image.

Think about that. You can make as much money, if not more, by not playing the game.

Think long term. Great acts are forever. Comets fade away. And we’ve got so many evanescent acts these days.

It’s the 1960s all over again.

Then it was about Vietnam, today it’s about income inequality. Those bragging how rich they are are missing the point. They appeal to nitwits who are soon on to the next thing anyway. Today you’ve got to have a soul, you’ve got to be able to say no. If you take the check, expect to pay the price.

That’s how Beto O’Rourke got his name. By appealing to the individual donor.

And never forget, it’s the individual who keeps you alive. Sure, you get a big Amex check for the pre-sale, but the real money is in selling the tickets themselves. Meanwhile, you just piss off the audience by keeping the ticketing process opaque.

Look at Pearl Jam, they’re still selling arenas and they haven’t had a hit in eons. But they appeal to their fans, who have rock solid belief in the act. One can argue the best thing Pearl Jam ever did was sue Ticketmaster. Standing up to the man pays dividends.

Sure, sell merch. But know there’s a limit to what you can sell without looking like you’re whoring yourself out.

Then again, the business has shifted over the decades. Used to be the acts were in charge, now the business infrastructure is in charge. Labels will reject music. Agents and managers will say to take the corporate deal because they want their commission.

There’s a change brewing in America. On both the left and the right. The average American trusts neither the corporations nor the government. They believe the game is rigged and the odds are stacked against them. You succeed by appealing to their beliefs, not by making deals with their enemies.

As for becoming a billionaire… The odds are almost nil, and the truth is billionaires are now anxious about the public blowback.

It’s a veritable revolution I tell you. And it’s noticeable in politics because that’s where the reporters are, they tell the tale.

Whereas in music, all we’ve got is sycophants, stoking the fires, propping up the beast.

The next big acts in the business will be the ones slugging it out on the road and the internet. We’re going to see a whole new set of acts from different genres emerge. Because the public demands this. That’ll be the story of the coming years, the demolition of the divide between mega-popular and everybody else. The popular will mean less. They will be seen as part of the machine. Whereas the other acts on the sidelines will be truly driving the culture, and we’ll realize it a step after it happens, but we’ll realize it nonetheless.

You’ve got to pay your dues, you’ve got to have something to sell, it’ll be regional before it’s national. Bubbling under before it is dominant.

And this is not only in music, but all other walks of life. It’ll be about feelings, not bucks. It’ll be about usefulness, not disposability.

These new people funded politicians are monoliths.

The acts will come next.

But it won’t come from the industry, but outside. That’s the story of disruption, Clayton Christensen said that corporations should disrupt themselves, but they never do, it’s always outside entrepreneurs who can smell where it’s going as opposed to where it’s at.

Leave some money on the table, become fan first.

It’ll pay dividends, that’s the story of the future.

Tune in today, Tuesday April 23rd, to Volume 106, 7 PM East, 4 PM West.

Phone #: 844-6-VOLUME, 844-686-5863

Twitter: @lefetz or @siriusxmvolume/#lefsetzlive

Hear the episode live on SiriusXM VOLUME: HearLefsetzLive

If you miss the episode, you can hear it on demand on the SiriusXM app: LefsetzLive

I saw Mayor Pete on “CBS Sunday Morning.”

I was not impressed.

Actually, this is the first time I’ve watched the show. And now I get it, it’s appointment television for those who still remember appointment television. Oldsters. Youngsters expect the world to operate on their own schedule, on demand.

I’ve got nothing against Pete Buttigieg, it’s just that he lacks EXPERIENCE!

There used to be two threads in the music business. Overnight sensation pop stars proffered by the major labels and radio, and acts which practiced, rehearsed, wrote their own songs and made it over time.

Now we primarily have the former. Overnight sensations. Who we’re supposed to give credence to because they are young. Let’s take Billie Eilish. The youngest performer we had in the classic rock era was Peter Noone, aka Herman. It was believed you had to have experience, you had to have lived in order to have something to say, in order to be great.

Let’s be honest, America has lived through a tech revolution in the past thirty years. And most boomers are not up to speed. They can post to Facebook, they can iMessage, but they don’t know how the software works, as a matter of fact, they’re still into hardware, gadgets. Whereas youngsters have grown up in an era of no tech help, where you figure it out by yourself and the landscape always changes. The youngsters don’t know everything, but they ride the tiger, unlike the ignorant congressman who complained to the Google exec that his iPhone didn’t work properly. The answer was obvious, it’s a different OS, Android vs. iOS, but this oldster didn’t get it.

And Joe Biden doesn’t get it, he doesn’t realize that unwanted touch is taboo, he’s just saying he didn’t mean it, and that it was meaningless. Kinda like someone who employs epithets against blacks and Jews and claims as an excuse that they’ve never met one before.

And Bernie Sanders has experience, but he’s old too. Let’s be honest, if you’re in Congress you don’t have time to play Fortnite, you’re so busy you oftentimes don’t know how the world truly works. You’re aware of the big concepts, but not the little events that burgeon and change society.

So where do we go from here?

Somehow, experience has been denigrated, and fresh and new exalted. Oldsters can’t get their music heard, no matter how good it might be. The system is biased against it. Then again, so many of these acts do boffo at the b.o.

In other words is Mayor Pete Lil Nas X, someone who captures the public imagination for a moment but has very little beneath the surface?

Come on, being mayor is not like being governor, or a congressperson, but our nation has changed. It’s a combination of veneration of the new and young and the lack of hope. We’re holding on to hope wherever we can get it.

I understand the appeal of Mayor Pete. Especially in the way he stood up to Pence. But you listen to him talk and you realize Trump is gonna mow him right down in the debates. We need someone battle tested. Not in Afghanistan, but government.

As for the right, the CONSERVATIVES, they just want to go back to the past. As if iOS 2 was as good as iOS 12. As if electric cars are not the future and coal is not fading. The right criticizes, but has no new ideas.

And the media wants eyeballs. They want action. And if you’re boring but great, no one cares.

Now boomers are not going to live forever, but there’s no plan for handing over the baton. In the live business, it’s almost all alta kachers, no one’s letting go. And at the labels, there’s a dearth of young talent because there’s no upward mobility. The youth are unnecessarily stifled.

But the youth are the ones who oftentimes push the envelope, unaware of what they don’t know, and change the world. But when they’re on top, like Mark Zuckerberg, they’re out of touch with reality, they can’t manage what they’ve built. Never forget, Steve Jobs wasn’t the man you know until he went off into the the wilderness and lost with NeXT and gained some experience, especially in how you deal with people.

Government is a job. Not anybody can do it. But the public and the media think everybody’s able. Do you want Oprah flying your plane? Doing your taxes? Defending you in court? OF COURSE NOT! You want someone who’s been in the field for decades to handle those jobs. Why do we think anybody can be President? Why do we think anybody can be a pop star?

And the truth is experienced studio musicians played on the pop hits of yore. And the Beatles slugged it out in Hamburg before anybody knew who they were, playing essentially all day.

Now you get to the 10,000 hour rule. But those who are truly aware of it know it’s 10,000 hours of HARD PRACTICE! Not dicking around. We want pros behind the wheel.

Which is why so many oldsters can’t understand the music of today. The players/singers/rappers have so little experience that they don’t resonate with them.

So if Mayor Pete goes to Congress, or becomes Governor, maybe he’ll be ready. But what’s next, the student council president running for Senate? Or maybe the Presidency itself!

But that’s America, there’s no center.

There used to Rockefeller Republicans, who were fiscally conservative, but socially progressive.

There used to be the fairness rule in media. It all wasn’t about clicks. The press was a public trust. Now it’s oftentimes no different from reality television, and the wankers at home can’t tell true from false.

Which is why a strongman like Trump appeals. He’s gonna boil it down to those damn foreigners and a few other bogeymen and tell you if you give him all the power, he’ll eliminate the problem.

And the left is so busy fighting over everybody’s personal rights that they’ve lost sight of the big picture.

It’s like we’ve got all this technology, but it hasn’t been integrated into the world. The major labels run their operations like it’s still the twentieth century, radio too. There are just a few hits, which are either pop or hip-hop, when the truth is there are more scenes than ever but they just don’t get major traction. And the irony is those fighting it out in the trenches survive on experience. Because you’ve got to be good to survive all by your lonesome.

But that’s not the game anymore. It’s all about flash. As if we’re supposed to take the influencers, whored out to the corporations, seriously.

We need new vision, we need hope, but it can’t be based on a rickety foundation. You’ve got to give the Republicans one thing, they think long term, like with the Federalist Society. Why is everything so immediate when life is long and we must think of the future?

We’re just investing in pop stars.

But people want to see holograms of dead musicians.

But we’re supposed to be convinced the new acts are nascent Frank Zappas or Roy Orbisons.

I don’t think so.