Spotify: https://spoti.fi/3yxnjpp

Your go-to track. The one you play the most, the one that makes you feel good.

Tune in today, July 6th, to Volume 106, 7 PM East, 4 PM West.

Phone #: 844-6-VOLUME, 844-686-5863

Twitter: @lefsetz or @siriusxmvolume/#lefsetzlive

Hear the episode live on SiriusXM VOLUME: siriusxm.us/HearLefsetzLive

If you miss the episode, you can hear it on demand on the SiriusXM app: siriusxm.us/LefsetzLive

Tom Rush screwed up. He sent this Vimeo link in his weekly Patreon missive, which means you can see it until he takes it down, not that I’d advise him to.

Patreon is good if you’re not looking to grow, if you want to service your hard core audience, which can’t get enough of you and is willing to support you. As for growth, Tom just turned 80, fifty years ago we thought you’d be dead by then, but now Ringo is 80, and McCartney is on the verge, and once when I asked Tom about getting older, what it all means, what choices you should make, he told me you’ve got no choice but to keep doing what you do, in his case making music.

I can’t say it felt like a July 4th weekend to me. I didn’t go anywhere, I didn’t see anybody, on Thursday I’m getting another blood test to see if I’ve got any B-cells, if so, I can get the vaccine again. The yin and the yang are…my skin is really good, which would tend to indicate I don’t have many B-cells, but I’ll see.

Anyway, by time I hit Friday afternoon I’m burnt, I recede, you see I lead a double life, one of business person and one of writer. Most people sit in front of the computer all day long, fielding e-mail, they jump from phone call to phone call, but if I do that I can’t write, and first and foremost I’m a writer. During the week I’m always anxious someone is going to be looking for me, something important is happening, so I can’t really relax and get into the groove of writing until about 11 PM, when I’m calm and relaxed and the ideas start to flow, in between the window of e-mail from the U.S. and the rest of the world. But if I write then I don’t get to sleep until the wee hours, and if I do I don’t sleep well, the next day is sacrificed. Hell, I wrote the other day and was fried for hours and hours even though it was just a list of Don Henley’s music. And it’s constantly frustrating, writing is about zing, the little something extra the audience resonates with, and you can only get that when you’re inspired, which for me happens mostly late at night.

But this afternoon…

I just went through a hundred plus e-mails, I save the important ones for last, and when I finally addressed the one from Tom I saw he was singing “Merrimack County,” which I wanted to hear, not that I expected to be…

Taken away.

That’s the experience, when you hear a record and you’re released, set free from the real world. You’re just ambling along, thinking about your troubles, what you’ve got to do, what you don’t want to do, and then a song starts to play and that all fades away.

That’s why I go to the show. Others go to hang out, feel part of the crowd, to party, but never me, I want to commune with the music, connect with the band, levitate even though I’m sitting in a seat, and I’ve always preferred sitting, giving the music respect, standing you’re always worried about getting tired, jockeying for position, music is best when you’re relaxed and open.

“Way up north by the icebound ocean

I was born I was born

Way up north in the Merrimack county

That’s my home that’s my home”

I wasn’t born way up north, but that’s where my heart is, in the country. I love the city, for the anonymity, the availability of everything, but there’s a freedom in the country, it’s just you and the land, you don’t feel like you’re in a Dodgem, it’s just you, the landscape and your thoughts, you’re still, but you’re fully alive. I know the feeling, but I can’t always get there, Tom Rush brought me there today.

All of a sudden everything fell away, it was just me and the music, the feeling, and I haven’t had that feeling for so long. You know, the feeling where you’re at a show and the music is more important than the badge of honor of being there, when your whole life is set in relief.

Now the truth is “Merrimack County” wasn’t a hit even when it was released back in 1970, the folk/troubadour sound was then at its peak, but it never goes completely away, it’s the essence, just a guitar and a voice, that’s all you really need, and if you can make it that way, you can make it any day anywhere.

You think you’ve lost yourself, you’re far away from your roots, and then you hear a song and you’re right back where you belong, comfortable, you’re in touch with your identity, you’re the same as you ever were and it feels good, because in truth we live alone in our own minds and the key is to feel comfortable there, and it’s music that calms us, makes us feel rooted and powerful in our identity.

Who even knows if I’ll get back to Merrimack County. But it’s not the place, but a state of mind, and every once in a while you’re brought right back to where you belong when you least expect it and it feels so good, it’s precious but you want to tell everybody about it, like today, when I heard Tom Rush perform “Merrimack County.”

Spotify Playlist: https://spoti.fi/2UsHOVv

1. CAPTAIN FANTASTIC AND THE BROWN DIRT COWBOY

Elton John

“Tell Me When the Whistle Blows”

The first album to enter the chart at #1, pre-Soundscan, back in the days of the manipulated chart. This was unheard of, you worked your way up the chart and reigned. “Captain Fantastic” is most certainly an album, with only one single, “Someone Saved My Life Tonight,” a ballad unlike so much of the LP. For me, it’s all about the first side, containing tracks nobody talks about anymore, like this. “Tell Me When the Whistle Blows” has a swagger, that makes it, Elton’s spitting the lyrics like he means them.

2. VENUS AND MARS

Wings

“Letting Go”

“Ah, she looks like snow

I want to put her in a Broadway show”

Never talked about anymore, “Venus and Mars” was a masterful follow-up to the comeback breakthrough, “Band on the Run.” “Letting Go” is my favorite track, this is rock before rock became something else, when power with melody was still acceptable.

“Medicine Jar”

Written (with Colin Allen) and sung by Jimmy McCulloch from Thunderclap Newman.

“What’s wrong with you

I wish I knew

You say time will tell

I hope that’s true

There’s more to life than blues and reds

I say I know how you feel

Now your friends are dead

Dead on your feet you won’t get far

If you keep on sticking your hand

In the medicine jar”

Words Jimmy himself did not heed, he died three years later as a result of heart failure caused by morphine and alcohol.

3. ONE OF THESE NIGHTS

Eagles

The song “One of These Nights” was all over the radio, this was a harder Eagles and over the summer they became the biggest act in the land, setting up expectations for “Hotel California,” which was a great leap forward, they delivered.

The ballads “Lyin’ Eyes” and “Take It to the Limit” followed up the #1 title track single, but no one listening thought the Eagles were wimpy.

The surprise, the track that still titillates me today, that brings me back to that era, is Bernie Leadon’s “Journey of the Sorcerer,” a six and a half minute journey, that had you grooving along and contemplating your life.

10. GORILLA

James Taylor

A light, breezy album standing in contrast to what came before the tone is set by the opening cut, “Mexico.”

My favorite, in my belief the best cut on “Gorilla,” is “Lighthouse.” It’s made special by Randy Newman’s hornorgan and Crosby & Nash’s background vocals but in truth, it’s the lyrics that make it special.

“But just because I might be standing here

That don’t mean I won’t be wrong this time

You could follow me and lose your mind”

I’m not always right, nobody is, gather the information and make your own decision.

And it took me years to truly appreciate the greatness of “Angry Blues,” which is made so special by the guitarwork and harmony vocals of Lowell George, who was always subtle, never overplayed, he added, he didn’t unnecessarily dominate.

13. STAMPEDE

The Doobie Brothers

The hit single was a cover of the Holland/Dozier/Holland song “Take Me in Your Arms (Rock Me),” but the best two songs on the LP were the second on each side, written and sung by Patrick Simmons, “Neal’s Fandango” and “I Cheat the Hangman.” The latter got radio airplay, the former never did, but it’s my favorite on the LP, it’s a tear that represents the freedom of California.

14. FANDANGO!

ZZ Top

You could not turn on the radio without hearing “Tush.” (I’m talking about FM radio, did anybody still listen to the AM band in 1975?) This was truly the breakthrough for ZZ Top.

16. DIAMONDS & RUST

Joan Baez

It’s taken me forty six years to be able to listen to “Diamonds & Rust” without pushing the button. Joan Baez’s last big radio track, she wrote it, a rarity, and it was well-documented it was about Bob Dylan.

24. THE ORIGINAL SOUNDTRACK

10cc

10cc was huge in the U.K. but meaningless in the U.S. until this album, which included “I’m Not In Love,” but the most memorable track if you were a fan, if you’d been following along, was the almost nine minute opener, “Une Nuit a Paris,” that’s the way the croissant crumbles after all…

35. “TOYS IN THE ATTIC

Aerosmith

This was the album that cemented their legacy, that turned them into stars, I loved its predecessor “Get Your Wings” but “Toys In the Attic” is the one that the public at large finally embraced. At this point, the most famous cut is “Walk This Way,” overplayed as a result of the Run-D.M.C. collaboration, but the biggest cut at the time, and still a killer, the essence of rock freedom in the summer, is “Sweet Emotion,” but as much as I love it it’s the following cut that was always my favorite, with that descending guitar lick and Tyler’s impassioned vocal, “No More No More.”

“Baby I’m a dreamer

Found my horse and carriage”

41. BLOW BY BLOW

Jeff Beck

Beck finally gave up on the vocalists and decided to make his guitar the lead singer and ultimately created his best LP since “Truth,” probably his best solo album ever. The standout is the cover of the little known Stevie Wonder song, “Cause We’ve Ended as Lovers,” and if you’ve never heard it you’re in for a treat.

This is the album that contains the original “Freeway Jam,” more famous in its live iteration with the Jan Hammer Group from two years later, the latter’s got more energy, it makes you want to be at the show, listen, you’ll get it.

Beck does an indelible cover of “Day In The Life,” but here he turns “She’s a Woman” into something totally new.

46. STRAIGHT SHOOTER

Bad Company

Feel like makin’ love?

A twin with “Toys In the Attic,” “Straight Shooter” was an absolute monster, an incredible, equal follow-up to Bad Company’s debut. My favorite song at the time was the first side closer, “Shooting Star,” I too was a schoolboy when I heard my first Beatles song. And I’m gonna include the hypnotic “Wild Fire Woman” just to show the magic of not only the forgotten Mick Ralphs but the exquisite vocals of Paul Rodgers, listen to him in the chorus!

51. SOAP OPERA

The Kinks

When they were still on RCA, cutting theme/musical play albums, before Clive Davis corralled them and took them out of the music hall and back to the rock stage. The opening cut, “Everybody’s a Star (Starmaker),” got some airplay, but the best cut is the closer, “You Can’t Stop the Music.”

52. TROUBLE IN PARADISE

Souther, Hillman, Furay Band

The unsuccessful follow-up to the gold debut it contains J.D. Souther singing his own “Prisoner in Disguise,” which was the title song of Linda Ronstadt’s follow-up to “Heart Like a Wheel” released in September.

54. AMBROSIA

Ambrosia

Hobbled by being on 20th Century Records, like the Alan Parsons Project’s debut, nothing could hold back the incredible single “Holdin’ on to Yesterday.” Subsequently on Warner Brothers, Ambrosia was seen as a soft rock act, but on their debut they had more of an edge, especially in the opener “Nice, Nice, Very Nice,” for which the band wrote music to Kurt Vonnegut’s words.

59. THE DARK SIDE OF THE MOON

Pink Floyd

61. NUTHIN ‘FANCY

Lynyrd Skynyrd

The third album, with “Saturday Night Special” and “Whiskey Rock-a-Roller.”

73. PHYSICAL GRAFFITI

Led Zeppelin

“Ten Years Gone,” my favorite Zeppelin track, as of today anyway.

75. FRAMPTON

Peter Frampton

The blueprint for “Frampton Comes Alive” the following year, a remarkable return to form after the disappointment of “Somethin’s Happening,” my favorite cut on the LP is “Nowhere’s Too Far (For My Baby).”

81. FIVE-A-SIDE

Ace

How long has this been goin’ on? I bought the album just for the single and became a Paul Carrack fan.

84. KATY LIED

Steely Dan

“Bad sneakers and a Pina Colada my friend

Stompin’ on the avenue

By Radio City with a

Transistor and a large sum of money to spend”

No hit singles but the album that truly made me a fan. My first favorite was “Your Gold Teeth II,” with its temp change and intimate vocal.”

96. INITIATION

Todd Rundgren

“Get your trip together

Be a real man”

97. TONIGHT’S THE NIGHT

Neil Young

“Bruce Berry was a working man

He used to load that Econoline van”

Jan Berry’s brother in case you missed rock and roll high school that day.

103. MAIN COURSE

Bee Gees

Part of the reinvention campaign before the triumph with “Saturday Night Fever” I never cottoned to “Nights on Broadway” but I LOVED and STILL LOVE “Jive Talkin’.”

105. YOUNG AMERICANS

David Bowie

From rock and roller to the R&B Thin White Duke I never liked “Fame” ever and “Young Americans” I can tolerate, but “Somebody Up There Likes Me” and “Fascination” I LOVE!!

107. SHEER HEART ATTACK

Queen

The breakthrough, the commercial set-up for “A Night At the Opera.” The hit was “Killer Queen.”

138. SNEAKIN’ SALLY THRU THE ALLEY

Robert Palmer

The solo debut, before the debonair suits and the models with guitars, the opening trilogy of “Sailling Shoes/Hey Julia/Sneakin’ Sally Through the Alley” was revelatory back then and still is today, no one seems to be making this music anymore.

140. BLOOD ON THE TRACKS

Bob Dylan

No one ever talks about the closer, “Buckets of Rain,” but I always loved it.