Rickie Lee Jones-This Week’s Podcast

Rickie Lee is so forthright and honest it will astound you. We talk about being on stage, insecurity, relationships…it’s like sitting down with your best friend. Amazing.

https://podcasts.apple.com/us/podcast/rickie-lee-jones/id1316200737?i=1000549158202

https://music.amazon.com/podcasts/9ff4fb19-54d4-41ae-ae7a-8a6f8d3dafa8/episodes/fda3c91e-e72c-435c-bf73-4a54a653e972/the-bob-lefsetz-podcast-rickie-lee-jones

https://www.stitcher.com/show/the-bob-lefsetz-podcast/episode/rickie-lee-jones-90024395

Re-Neil Young/Spotify

I cancelled my premium service with Spotify today.  I moving towards lossless audio anyway…gonna hang with Neil.  He’s always had my back since I’ve lived on Sugar Mountain.

Bill Cason

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You’re absolutely right that Spotify won’t listen unless users make a statement, so I just completely canceled my family plan and made sure they knew the reason was Rogan and his misinformation.

I’ll take Neil over Joe any day.

L Eilers

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I cancelled my Spotify last night and switched to Apple. I said ‘I’m with Neil’. Maybe more need to say that.

Len Cater

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Yes. Yes. Yes.  Just canceled my subscription!

LaRhonda Tracy

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Hi Bob,about time a musician came out and said something.I’m cancelling Spotify.Joined Amazon and Neil Young Archives.He’ll get alot of subscribers from this.More people should leave Spotify.Really bad press.Wall Street doesn’t like that.Stay well.It’s snowing again here in CO.Ted Keane

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Goodbye, Spotify! We’re going with Apple.

– Ralph & Becky Torres

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I left Spotify for Amazon HD about 3 years ago…Spotify has better algorithms I think (those playlists are great) but the lack of HD was the main reason for me. This news makes me feel even better about my decision.

Ric Ruiz Esparza

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I just emailed Spotify and told them I was about to cancel my membership – that they need to kick Rogan off now.

Everyone who doesn’t accept these lies and disinformation should have this email and tell Spotify to change.

support@spotify.com

Thanks Bob – I continue to appreciate and value your missives.

cheers,

Mike Sturgill

Britt Festival, Wave Form Concerts

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My friend Al McGee, who is a First Responder and an RN sent me this note he sent to Spotify.  I just turned him onto your newsletter and also have cancelled my Premium subscription to Spotify.

If enough of us do it hopefully they will take notice.  His comments below hit the mark.  He was also previously in the music business as a Manager at HMV.

Always enjoy your posts.

Mike Peters

Pacific Music & Art

 FYI…

Begin forwarded message:

From: Al McGee
Date: January 26, 2022 at 16:26:35 PST
To: office@spotify.com
Subject: Re: You’ve canceled your Spotify subscription

Dear Spotify Corporation,

Just an FYI….I canceled my premium service due to your weak policy and stance regarding Joe Rogans’ (Podcast), via his continued self promotion negating science and reality.

I am a  Fire First Responder AND work as an RN, I find the whole thing disturbing, at the least. Interestingly today “ Rogan had Jordan Peterson on his most recent episode to promote climate science denial.”

I have happily signed up for Apple Music and also understand they support their artists with a higher fee structure along with some form of moral compass.

Anyhow, I am sure this WILL NOT change anything, but I find it sad (collectively) that as a large corporation you can’t find a way to have a policy in place, at a minimum, and have basic morals and ethics regarding your talent, at a maximum..

Kind regards,

Alan McGee

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I don’t know you but have been subscribed for a long time now, avid reader.  I’m not in the music business.  I’m not a huge NYA fan and he doesn’t need my money.  I laughed at Pono.  But you know what? I subscribed for a year.  Paid my $19.99.  Good for him, making a stand.  I don’t need spotify.

Sincerely,

Gower

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I’ve considered leaving Spotify for a high-res music service over the last few months as I’ve gotten deeper into my audiophile headphone obsession. But I trusted Spotify to launch its high-res service in 2021, as promised. Ek and Co. didn’t deliver and have provided ZERO updates since the original announcement of its hi-fi streaming plans last spring, shafting customers just as it has shafted artists with miniscule streaming royalty payments since its inception.

I’m not a Neil zealot, but I like his music and commitment to causes and principle. So, when he made the accurate point that Spotify is encouraging misinformation by coddling its cash cow poster boy/village idiot Rogan, I made the jump and opened a Qobuz account. No regrets.

Spotify is a service of algorithms. But the company’s most important algorithm is one that screws the artist and the customer, all in the name of growth and profits.

Sincerely,

Paul Kelly

Marcellus, NY

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premium member Spotify since 2019.

just turned 60 yrs young.

believe in freedom of speech ……and also …. words and actions have consequences.

Good on Mr. Young. It would be interesting to hear the chatter now amongst his peers. A charitable, formidable artist taking a stand. That contact list must be pretty large. … but then again, those rich monthly royalty cheques from Spotify must be hard to turn off.

It seems I’ll be getting my streamed music elsewhere. Spotify probably doesn’t care my monthly donation has disappeared from their revenue stream …. and that’s the wonder of choice in the marketplace.

 

I was surviving listening to music pre-Spotify and I’ll survive listening to music post-Spotify…..there will be other Spotify’s.

I will continue to listen to my musical playlists via another means again as well as continue to discover new music through other means (including this e-mail) …. and hopefully will find a music stream which supports artists in a more respectful manner.

…and I’ll keep on listening to my chosen podcasts via a little app called: Podcasts … including The Lefsetz

peace

 

Ken Hunter in Vancouver

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Streaming music has become a commodity, a parity product. I subscribe to three streaming services right now and with one major exception they are all about the same. One may have a song that others don’t or one’s UI might be a little bit easier to work with, but in the end they’re all the same in many ways.

The thing that is not the same about Spotify is that their quality just blows. They promised us lossless or at least higher quality audio by the end of 2021 and here we are without it. I can get better audio from Apple, Amazon, or Tidal, so I really don’t need Spotify even though I’ve been with them since the very beginning. I dumped them because the quality of their music is terrible not because of the Neil Young thing.

Yes, I’m not happy about the Neil Young thing and the fact that Spotify went with their wallet and chose Joe Rogan over Mr Young, but they are a business and they can do what they want. But if there are other services that offer me a better quality listening experience, they will get my money and not Spotify. And bonus, I won’t have to look at my homepage full ofall of the podcasts that I will never listen to on Spotify

Businesses make decisions everyday, and they need to live with those decisions. Spotify has never really cared about its users, so I’m guessing Daniel won’t be losing any sleep tonight because me, or thousands like me, dropped his service.

Mark Edwards Edelstein

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I am a Spotify client, but this makes me question whether I will change to Apple now.  I have always been thinking about it, but just didn’t go through with it.  The outliers have taken over the airwaves.  The vast majority is doing what they need to do get through this pandemic, cause people in the end, all what the same thing…
Now we’ve tolerated people spewing falsehoods in the name of free speech….well nothing’s free in this world, and your effects on your neighbours, whether it’s taking their place in a hospital bed, or other, shouldn’t be free either….there should be a price.

I’m starting by making value based decisions….and thank you Neil for reminding me how good that feels.

Glenn Moran

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I know where I stand but the idea of giving up Spotify is hard. But he has me thinking on it.

Michael Becker

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I just wish there was a suitable alternative to Spotify. But Apple Music sucks (especially if you’re stuck on a PC instead of a Mac). What are the other ones? Tidal? Amazon Music? I don’t want a fringe service. If I pay for it, I want all the songs and the ability to seamlessly play them on any of my devices. Spotify, unfortunately, ticks the most boxes (their UX and UI is seriously taking steps backward though).

Sarah Martin

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I’m with Patagonia and Neil Young all the way. Unlike his band of hypocrites, it’s what Jesus would do.
Gay

P.S. All birthday and Christmas gifts in 2021 were purchased from Patagonia in both Canada and USA.

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I have a portrait photograph of Neil up in my house, right above my music stand. He’s an inspiration for more than music. He turned out to be the only one who meant what he said, meant what we all thought they all meant, and still stands for the truth. He never sold out. Every other major artist of that era gave in, cried uncle, (in fact we shoulda seen Clapton’s disappointing vax behavior coming way back when he sold a song to Michelob beer. He was the first).

There’s only Neil.

Paul Gigante

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Relative to your disinformation observations, anti-vaxxers can dismiss & deny the efficacy of vaccines all they want; doubt the death toll is accurate & make whatever bullshit excuse they want so they can feel better about their decision.

But here’s a microcosm of America:

One of my nephews is a funeral director in Ohio. In the two months preceding Christmas last year he had buried 88 people that suffered covid related deaths.

85 of the 88 hadn’t been vaccinated. That’s 96.6% of those deaths.

Let’s see them spin that.

Frank Palombi

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What do you mean Spotify needs a policy?

Do you hear songs on there with lyrics like “Hey kids eat detergent pods. “They’re totally safe and the good for you, good for you, good for you…”?

No?

How about this song? “Hail the Nazis. Kill the Jews. Hitler’s like God. The Holocaust is a lie. A lie. A lie.”

Have you heard a song like that on Spotify?

If not, and we can suspect how Spotify would respond to songs like that, why is it so hard to understand what Neil Young is saying: “Hey hey, my my  … Stop telling people that covid is a lie. And that if they get the vaccine which is desperately needed then maybe they’ll die.” Or something like that.

Besides this is not a dispute between the NFL and Aaron Rogers. Or the USTA vs. Novak Djokovic.  This is effing Neil Young.

This Neil Young:

“Tin soldiers and Nixon’s coming;

We’re finally on our own;

This summer I hear the drumming;

Four dead in Ohio.”

Funny thing is I just got my first smart speaker last weekend and I was enjoying using Spotify as a music source. That said I’ve canceled my subscription. F*** Spotify. And f***** Joe Rogan.

Thank you Neil.

Bill Lichtenstein

Somerville, MA

Neil Young Leaves Spotify

Who has got more to lose?

For a minute there, I thought Spotify wasn’t going to respond to Neil. The news cycle is so fast that if you let it go it oftentimes goes forever, when you respond you’re adding gasoline to the fire. Furthermore, Mr. Young removed the post from his website stating his intention. A betting man would say it was a blip on the radar screen, that by removing the post Neil had plausible deniability. But it wouldn’t do much for his credibility, just like Adele canceling her Vegas shows when only one person had Covid and she hadn’t even gone to see the sets constructed.

Lying, it’s the American way.

Also, a few years back, Mr. Young canceled a Forum show in solidarity with the employees, but sales for that show were anemic, was it a convenient excuse?

That’s the music business. Known neither for its honesty or transparency. Now more than ever. We’ve got a zillion outlets which disseminate the news, then again, is anybody interested?

It seems people are interested now that Neil’s music is going, going, gone from Spotify. After all, Spotify, rightly or wrongly, has an image problem to begin with.

And financial issues too. Music doesn’t scale. So by going into podcasting, other content distribution, Spotify gets a chance to rejigger its financials, hopefully positively. And if you’re gonna go, go big, which is why they made a deal with Joe Rogan to begin with. He’s got the number one podcast, get him exclusively, it’ll jump-start your platform.

No one thought beyond that. Believe me, nearly every decision today is data driven, it’s not like Spotify assigned an employee to listen to every Rogan podcast and get back to them with a report. And Spotify had made it clear it didn’t represent the views of the artists on its site, so why would podcasts be any different?

Well, first and foremost because Rogan’s podcast was exclusive. With a big upfront payment. And Spotify doesn’t do this for any of its musical acts. Music distribution is essentially equal on all platforms, that battle was settled half a decade ago, that there would be no exclusives. Those would be to the detriment of the label, the other platforms might not play nice when exclusivity ended and customers on other platforms would be pissed and the disadvantages outweighed the advantages.

Then again, Spotify did not launch its service aligned with one big act, it’s not like Zeppelin or the Beatles or a modern act went on a roadshow, was featured in all the ads, no, Spotify was a distribution platform, ultimately agnostic.

But not in podcasts.

So no one expected Neil Young to go through with this. At best there would be endless meetings that would come to a conclusion after Covid was gone. The issue would be put on the back burner.

But Neil doubled-down.

Doesn’t hurt Neil, he makes more money from one show than he does in a year of Spotify streams. And his fans are diehards, not casual, they approve of everything he does, and it’s not like Spotify is the only place you can hear his music.

But…

I’m already getting e-mail from people thinking about switching services. They’re pissed that Spotify still does not have HD/lossless, and they support the little guy. This was the essence of the power of the musician when Neil Young broke through. It was us versus them. We stood up for what was right and they squirmed. They were the establishment, we were the future. And rock stars made so much money they could afford to make a stand, they made more than the corporate CEOs. But that’s no longer true. Business is in charge once again. And the mores have changed, now the goal is to become a business! “Shark Tank,” apps, people are more desirous of starting a business than a band, both have long odds but you’ve got more control in business.

Spotify is a business. Daniel Ek did a phenomenal job creating it. He delivered what the public and music industry wanted before they knew they wanted it. If you’d told Daniel Ek to create a number one act in the same amount of time, there’s a very good chance he’d have come up empty. You see business has rules, facts. Art is inherently creative and vague, with no rules and no agreement on what is worthwhile and what will hit, it’s unpredictable. Which is why it’s such a hard road.

So now it’s the little guy versus the big guy. Rogan isn’t even a factor, what he is saying, the issue boils down to is Spotify artist-friendly or money-friendly? What are the company’s priorities?

And no other classic rock act has followed in Neil Young’s footsteps. But if you look at the numbers, like Neil, what have they got to lose? They make much more money on the road. And if you pull your tunes they’re screwed. Hell, Spotify didn’t launch for years in America because it couldn’t get every major music group to agree to license their music.

And you know that Spotify would gladly take you back if you left and wanted to return. It’s not like they’re banning Neil Young forever.

So what’s the advantage of having Joe Rogan? They already built their podcast business, Wall Street is impressed. Rogan can go at very little cost. They might have to pay the entire $100 million to get rid of him, but  maybe this was a lousy business model, ownership of content.

That’s right, Spotify doesn’t own all that music, it just licenses it,.

Since Apple was asleep at the wheel, Spotify is now the leading, bleeding edge of podcasting, Rogan’s work is essentially done. But Rogan isn’t the only podcast they own…

But movie studios and record labels have been distributing content and taking no responsibility for years. Why should it be different for Spotify?

Covid. Right versus left. Life or death.

The coming civil war won’t only be fought hand to hand in combat on the street, music is always the bleeding edge, and now Spotify is at the bleeding edge of the civil war. It was trying to be neutral, but now Neil Young is asking which side the company is on. Like that old aphorism, you’re either with me or against me, and it turns out Spotify is not only against Neil Young, but the distribution of accurate information. I mean Facebook is legendary as a haven of misinformation. But there’s not a Joe Rogan of Facebook or Instagram, not a single individual who can be identified and expunged. Then again, the social networks have canceled the posting privileges of individuals, most notably Trump. Why should Spotify get a pass here?

And misinformation/disinformation is a big thing here. Did you read that Russia is already fighting Ukraine with misinformation? Absolutely. Read this and weep:

“Russia Steps Up Propaganda War Amid Tensions With Ukraine

The disinformation campaign includes claims that NATO and Ukrainian forces are preparing to attack Russian speakers in Ukraine.”: https://nyti.ms/348ZryD

Misinformation/disinformation is the scourge of society, it’s bringing down democracy around the world. And vaccines have now become a litmus test, which side are you on?

No one’s got a problem with Joe Rogan bringing the issues to the fore. Then again, he’s got a long history of hosting quacks, and they should not be given bandwidth. I mean do you want Alex Jones giving editorials on the TV news every night? Of course not.

But that’s not what Joe Rogan is doing. He’s taking sides with the quacks. And these quacks have led to the breakdown of society. Measles was gone, now it’s back because of anti-vaxxers. But now it’s worse.

Joe Rogan could try and be responsible, state the truth whenever one of these bozos speaks falsehoods. But that’s not what he does, like Spotify he’s hands off, saying it’s not his responsibility, when in truth he agrees with them when it comes to the vaccine. Just like Spotify is endorsing anti-vaxxers by standing up for Joe instead of Neil. You’ve got to take responsibility.

We might as well call him Dr. Rogan. Aaron Rodgers called Joe when he got Covid. And Joe himself got Covid. And the truth is old people are more susceptible to Covid than youngsters, but people across the age spectrum, even completely healthy, die from Covid.

And vaccines have been cast as a personal choice. Do you get to go a hundred miles an hour on the freeway just because you’ve got a history of safe driving and haven’t killed anyone yet? And as good a driver as you might be, that doesn’t mean someone else won’t be a doofus, cut in front of you and then cause an accident. You see we live in a society, all together, and unless we look out for each other, we’re screwed.

And we’re screwed now. Everybody could be vaxxed, Covid would be less of an issue, but no, you’re stepping on my FREEDOM!

How was it cast this way?

Meanwhile, the guy who came up with these monikers, like the “Death Tax,” Frank Luntz, is rabidly pro-vaccine, he’s been on a mission. But it’s got no traction, because he, unlike Neil Young, does not have a voice that can reach everybody.

This is where we are in 2022. Do we let the lunatics take over the asylum? Just because a bunch of uninformed people say something is true does that make it so?

This is going to go further. Spotify is just the first, but corporations are going to have to declare themselves, which side are they on?

The leading edge here is Patagonia, which refuses to make vests for corporate retreats anymore, they don’t like their brand aligned with the viewpoints and actions of those companies. Patagonia is leaving money on the table, but the end result has been a further burnishing of the brand, and even more revenue!

That’s what taking a stand does. And you want to get out in front of the story before you get bitten in the ass. Believe me, Spotify wouldn’t make that deal with Joe Rogan today, not knowing what they know now.

But they did, and here we are.

Financially, short term, letting Neil Young go is a no-brainer. But long term? Spotify already gets heat from know-nothings about payments for streaming. It’s akin to Ticketmaster, the ticketing giant is a front for the acts and the labels and Spotify is a front for the labels, and the purveyors don’t want the truth known. And no matter how many times I write the truth about Ticketmaster or streaming payouts people don’t believe it. The artist can never be wrong, the artist is inviolate, the corporation must be at fault!

This is bigger than Joe Rogan. Spotify needs a policy, like Twitter. What is allowed and what is not. And it’s got to be damn clear.

And Spotify needs to do what is right as opposed to putting dollars first. Because if you do what is right at the beginning, you don’t have to lie and play catch-up when the truth finally outs, which it always does. You want to be ahead of the audience, which is how Spotify made it to begin with, people didn’t know they wanted streaming, and now not only is it the most prominent method of music distribution, more revenue is coming in!

People e-mail and tweet me misinformation all day long. Are we just gonna let this stand, let these people be misinformed and delusional? And where are they getting this info, FROM PEOPLE LIKE JOE ROGAN! Joe is so successful that he’s got a high profile, but now he’s got a target on his back, with the rewards also come the penalties.

But I don’t expect further action.

Unless a few more acts pull their music from Spotify, the odds of which are low.

One person can make a difference. You think it’s about a team, but usually it’s just one person, just one leader. So far it’s Neil Young. Is he imperfect? Of course! But so is everybody else. He’s all-in, he’s absorbing the loss, he’s a beacon for truth in a world where everybody puts money first.

And I ask you, which side do you want to be on? One in which money trumps everything? That’s how we got here, with mindless nitwits making bank online, with me-too “artists.” You either take a stand for truth, justice and the American Way or…

You’re the enemy.

The New Music Dilemma

You can’t get traction. And everybody who says they’re a worldwide star known by everyone is lying.

Music used to be a controlled marketplace. The big hurdle was distribution. Retail paid incredibly slowly, and they tended to only pay those with a continuing conveyor belt of product. So if you were an indie, even if you could get your record into a retail store and it sold, the odds of getting paid were low, and if you had a hit it would put you out of business. You’d be manufacturing and shipping new product to fulfill orders and then you wouldn’t get paid. Music was a sleazy business, a street business, contracts could be irrelevant. It all came down to money, force and relationships.

Relationships are everything. But when the music industry was built you had to actually see and know the people you were dealing with. Ergo conventions. You did business on the phone. Today’s younger generation does business via e-mail, iMessage…oftentimes they have never even met the people on the other side, sometimes they’ve never even talked to them! Talk to an experienced agent, they’re stunned how quiet it is in the office, everybody’s just on their computer.

And relationships were king at radio. Especially after the crackdown on payola a few decades back. Stations didn’t want to risk dealing with indies. Furthermore, radio knew major labels had the resources to support a hit if it took off.

And then MTV made hits worldwide, bigger than ever before and then…

The internet came along and blew up the whole thing, and it’s never been the same since.

We live in a pull culture. Everything is on demand. You take what you want when you want it. In addition, if someone is pushing something on you you’re turned off. You hate advertising, you do your best to avoid it. The only people you trust are your friends, even Pitchfork was sold to Condé Nast. As for online influencers? They whored themselves out for the bucks years ago, they might make entertaining content, but you can’t trust a word they say.

Now the classic rock acts made their bones in the old era, which is why they can still do such good business, why their tunes are still in demand. But if you made it after let’s say 2005, with MTV and VH1 dead, it’s a very different world. The internet turned a tight knit society into a Tower of Babel. You used to be proud you were an outsider. Now if you’re an outsider, you might as well be Pluto, which was demoted from being a planet, so far out there and so small that we don’t even care about it, never mind think about it. Rebelling in culture, being dictatorial about choices, approving what should be listened to, is completely passé. 

But there is still a hit business run by old men to appeal to young kids. Young kids haven’t seen the trick, it’s new to them. They’re susceptible to the hype. They’re building their identity. They want to own something, which is why you can’t take a kid to any kind of store, they want EVERYTHING!

As for the oldsters… They know there’s always a hit from the past that’s better than the ones in the present. Forget that the Doors and Led Zeppelin are forever, the most memorable track of the past decade was “Blurred Lines,” and I won’t get into the copyright issue whatsoever, but in truth it was based on a Marvin Gaye song that wasn’t even one of his big hits!

And now the common belief is that anybody can make music. You can buy your beats online and then rap over them. Very democratic, not very interesting. It’s like YouTube, we have endless bandwidth but very little that deserves attention, that blows up, that gets traction.

Not that the major labels don’t have some power, but they blow up what independent artists have made headway with. Think about that, the major labels don’t sign inexperienced artists, don’t develop them and only work with that which the audience has already approved of. If it’s new and different, the type of stuff the labels used to sign and stay with until it broke through, the majors want nothing to do with it. It’s too expensive and the odds are long.

This happened first in the movie business. Major studios started making and releasing fewer pictures. The marketing costs were just too high. And small pictures got smaller, they required marketing in excess of production costs and they almost never blew up and returned beaucoup bucks, so the studios got out of that business, which is now supported by the streaming services. Still, movies are more expensive to create than music and there are a limited number of slots for them. There’s an unlimited number of slots for music!

As for exhibition… Every streaming outlet promotes a top list, but most of their audience doesn’t care about it. It’s not the Top Forty of the sixties, varied, it’s all singular. And if you don’t like that kind of music you don’t listen.

And hit country music is more formulaic than pop stuff, with a lot less interesting lyrics. So, the mainstream is a backwater.

And the rest of the stuff?

There’s a great station on Sirius, XMU. It’s kind of like the college radio of yore, back before colleges sold off their stations, but you hear a great track and you wonder…AM I THE ONLY ONE WHO KNOWS ABOUT THIS?

This is a huge problem in music. We don’t want to be out there alone, we want context, we want to be a member of the club, and if there is no club, we’re probably going to go someplace where there is one. We want to belong. It’s human nature. Singularity is death. It’s the same way in politics, you’re on one side or the other. And if you’re afraid of being judged, you just say you’re an independent, even though you usually vote one way or the other, usually Republican. That’s another thing, we can’t take the temperature of the public. Trust NO research, none at all. The people who will talk to pollsters, fill out online forms, are a self-selecting group. Leaving out most people with a life who don’t want to blow time working for free. Which is why election forecasting is no longer trustworthy. But if they can’t get it right on elections, with all that money and “expertise,” what are the odds they can get it right on any other subject? Essentially nil. Which is why Steve Jobs never did research, he trusted his gut, because when something resonates with your gut, there’s a good chance it will resonate with someone else’s. And to make it in today’s overstuffed world something must be great and resonate.

Which is almost nothing in the music world.

Adele? “30” is not in the league of yesteryear’s pop music, not even close. Which is why Morgan Wallen’s “Dangerous” was the biggest album (in this case double album) of last year. Just listen to it! The songs are catchy, they’ve got changes, you can sing along. This is what people are looking for, Wallen did not blow up because of those on the right supporting him after he was canceled, it’s just the music. Aaron Lewis’s right wing b.s. song got no traction, and neither did those “Let’s Go Brandon” songs, novelties that got some ink and then promptly fell off the iTunes chart, a backwater unto itself. If someone is quoting iTunes numbers, forget them.

So how can the new music problem be solved?

NOT EASILY!

It demands great music and commitment, and we’ve got little of both.

Let’s start with the second issue. No one today takes the long view, no one can delay gratification. Stay off social media and practice your instrument alone? FORGET IT!

Take years to support a new and different artist before rewards are reaped? The label isn’t interested in that, it’s got to make its quarterly numbers.

In other words, there’s no investment in the future, and when this happens an industry withers. Like the new music industry.

A new and different hit sound? That used to happen every three or four years, maybe five. We haven’t had a new sound in TWENTY YEARS!

And it’s harder than ever to reach people and even if people bite it takes forever to spread the word, possibly years, because there’s so much in the channel, so many other choices and diversions. And people believe that music is a juvenile backwater that deserves little attention, they’d rather watch streaming television, which they can talk about. When was the last time we had a “Squid Game” in the music business…GNARLS BARKLEY? Most people are not interested in the Weeknd and they’re not listening to Adele either, if they’re listening at all it’s to the oldies, which they already know and are better.

Meanwhile, on TV singing shows, which stopped minting stars eons ago, if they did at all, songs are king, But some of today’s hits don’t even have a chorus, they’re sans melody, you can’t sing them whatsoever!

And who was the mastermind of the last big breakthrough? Lou Pearlman, who wasn’t even in the music business. A hustler crook just like the old record men. He saw a hole in the business and poured umpteen dollars into making his acts successful. And they became so, selling more CDs in their initial week than any acts before them. Just ask Clive Calder, who became a billionaire based on Pearlman’s hits and has never ventured into the music business again, who took his money and went home! Lucian Grainge? He’s not in the league of Clive Calder, who with his compatriots Ralph Simon and Mutt Lange started off making soundalike records in South Africa and then moved to the U.K. and conquered the business. You see those three knew the fundamentals, they saw the complete landscape, Mutt could make hits with AC/DC as well as Shania Twain and Michael Bolton. Who has that experience today?

Oh, that’s right, Max Martin, who Pearlman gave a chance with his bands and still rules two decades later. But Max learned in school, and not only do we not have these specialized schools in America, we’ve eradicated arts programs from the rest of them. And where they support the arts, like Canada…those are the countries that generate the hits.

So it always comes down to songs. Verses, choruses and bridges. Melody. Riffs. You start with the basics and grow from there. But we’re so far from the garden all the flowers have died.

You can’t turn the ship of new music around in a day. It will take YEARS!

First we have to show acts we’re interested in their experiments, then we have to market them, which is a slow, difficult process.

But what we’re really looking for is that one great act. One great act can change everything. Something new and different that changes the whole scene. The Beatles, Jimi Hendrix, Kurt Cobain, outsiders so great the audience flocks to them. We’re absent these artists today, and until we have them new music is gonna be in trouble, because it’s got to compete with the greats of the past, which used to fade away but now they’re just a click away on the streaming service.

As for streaming outlets? They hype what the majors will commit to, they’re the new radio stations. But it’s a circle jerk of small-minded, small market stuff, which most people don’t care about, it’s hard to grow a business on that

And it used to be music was a license to get rich. Not anymore, not on a big time level, which is why all the innovators, the square pegs in round holes, go elsewhere. And all VC money left music after the labels held them back by not licensing their music. You want innovation? Go somewhere else.

I mean the industry could band together, have a record of the week, that everybody would be interested in checking out. But the industry doesn’t want this, because the track would have to be a one listen smash and most of what they sell isn’t.

But we’ve still got the classics, just like we’ve got Beethoven, Bach and Mozart. The fact that the public wants these old classic acts is a GOOD THING! We’ve just had trouble making new classics.