Found

Trailer: https://bit.ly/3EZMSTp

If you want to detach from cyberspace and dive into real life…

Streaming television has been a boon for documentaries. Actually, credit Sheila Nevins at HBO, she nurtured the trend and now Netflix and other outlets have maxed it out.

Used to be you had to go to the theatre to see documentaries. Of course there were some on PBS, but their number was de minimis, as was the breadth of their subjects. Used to be a special treat. You read about a doc and you went to see it and then you were part of the discussion, as it wove its way through the public. The best example? “Capturing the Friedmans.” I remember leaving the theatre with more questions than answers, needing to discuss it, thinking about it for days. And then there was “Sherman’s March,” which I loved, and is recognized as one of the greats, but most people still haven’t seen it. Then again, you’ve got to appreciate the journey of a young man unsure about love searching for direction and his personal truth. And that’s what appeals to me most. The interior. What are people thinking. I must say, when I scan the landscape I don’t find many people I can identify with, I’m always looking to make connection.

Not that I have any children, never mind ones adopted from China.

That’s the story of “Found.” Three Chinese children, cousins, adopted at birth, in search of their story.

The three are so normal. Not that they don’t experience racism. But they always wonder…where do they come from? When the doctor asks about familial diseases there’s only a question mark, but now there’s DNA testing.

I haven’t done it. I’m unafraid of finding half-siblings, my father wasn’t that kind of guy. And my older sister looks like my father and my younger sister and I look just like my mother so there’s no doubt about our biological lineage. It’s just that…I don’t really want to make contact with any found relatives. Does that make me a bad person? Maybe it’s growing up in a female dominated extended family, being the only boy. All grown up I can now see I could have said no, but I never did. I remember spending Thanksgiving with my mother’s brother’s family in Stamford on a rainy day, wearing an itchy turtleneck, staring out the window. Who was I gonna talk to? Then again, in my family, you hewed the line. Not that it was narrowly rigid, but when my parents laid down restrictions, insisted on behaviors, you obeyed or paid the price, which started out as the hand and then evolved to the belt and then the hairbrush.

So, you’ve got three Chinese girls in different situations. One, raised as Jewish going to a Jewish school. Another the daughter of a single parent. Another the daughter of divorced parents. In Seattle/Phoenix, Oklahoma and Nashville. And on one level all teenagers are the same, on another every family is different. So you’ve got these girls deposited in life situations they had no part in choosing and that’s the world they live in. Strange.

Not that they’re all not happy with their families. Then again, what else do they know?

So, they go in search of their roots.

They employ Liu Hao in Beijing to excavate their story.

Hao is the star of the film. As one teen immediately says upon seeing her, she is beautiful. But she’s dedicated to being a genealogist. In America, if you’re beautiful, you’re supposed to be an actress, or an influencer. But Liu is college educated and loves her job, doing her best to make connections.

Liu spreads the word, seeding pictures into the landscape, and then waits to see what comes back. She gets responses from families that gave up their girls under the one child per family law. And when she goes to visit them, the interest and then pain they express…whew! Can you imagine giving up your baby at birth? Who then lives in an orphanage in some cases over a year waiting for adoption?

Yes, Liu also researches where the babies were left and what orphanages they were in, and even the “aunties” that took care of them.

So on one hand you’ve got the DNA search.

On another the contradiction between the girls’ modern lives in the U.S. and their parents’ less than modern ones in China, and…

There are so many differences. One of the Chinese women predicts that all the adopted girls will have long hair, which they do, that’s the American way. But not in China, most of the women have short-cropped hair.

And in the U.S. today China has been demonized. Yet so many of the products we use, like our computers, are manufactured there. To see the footage of cities and rural areas is utterly fascinating. These are people, just like you and me, speaking a different language, having a different life, but at the core the same. Makes me want to go. Then again, I want to go everywhere and meet everyone.

So the girls venture to China…

This is not a Netflix extravaganza, this is a movie, just a tad longer than an hour and a half. And “Found” is not sensationalistic, like “Tiger King.” No, “Found” is about regular life. In reality, the three Chinese girls just want to be happy Americans. But I resonated with Liu Hao the most. How much can she be making being a genealogist, not much, but she loves it! If you’re educated today in America, you’re expected to pursue the money. Wasn’t like that when I went to college, my parents didn’t care what I studied as long as I passed. College was about broadening your horizons, it was not a finishing school preparing you for the working world.

But today if you don’t go for the bucks you can quickly fall behind, and you don’t want to live in America without bucks, you want that profession, otherwise… It’s the lower, uneducated classes who are taking risks, making music, going on reality television shows…sure, some wealthy, educated people participate too, but it’s a lark, not everything if it doesn’t work out, and it almost never does, they get back on track while those of the lower classes fall back into…unfulfilling, low-paid jobs and maybe drink and do drugs to numb the pain.

The longer you live, the more you realize so much of what you’ve been told is b.s. Like achievement, moving up the ladder. At the end of the day there is no summation, life is not a test, you don’t get a grade, in truth you grade yourself, and the sooner you wake up to this the happier you will be.

Liu Hao loves talking to the people. Getting their stories. Those who abandoned their children.

That’s what I love best, getting people’s stories.

And there are plenty of stories in “Found.”

I really dug it.

Fantasy Band-Drummer-This Week On SiriusXM

Who would you pick to be the drummer of the fantasy band?

This is not necessarily the best drummer, but the best drummer for a BAND!

Tune in today, Novemver 9th, to Volume 106, 7 PM East, 4 PM West.

Phone #: 844-6-VOLUME, 844-686-5863

Twitter: @lefsetz or @siriusxmvolume/#lefsetzlive

Hear the episode live on SiriusXM VOLUME: siriusxm.us/HearLefsetzLive

If you miss the episode, you can hear it on demand on the SiriusXM app: siriusxm.us/LefsetzLive

Re-Astroworld

Thank you for your comments.  As a 55 year old metalhead who has attended hundreds and hundreds of GA shows with thousands of kids, mosh pits, and often violent behavior I know this kind of tragedy can be avoided. I spent many years on the road with Slayer, who has historically had some of the most aggressive and violent crowds out there. There are many ways to limit this kind of problem. One example are barricades (think breakwaters off-shore) that break up the density of the crowd (running both parallel and perpendicular to the stage) always helped. The trick is the people in charge have to take the possibility of such a problem seriously and be proactive. Slayer had a specific person on the road who was trained in doing this and would have a conversation with the entire venue security staff before every show.  I think often at non-metal shows this kind of preparation does not happen.

Thanks

Marc Paschke

_________________________________

at GA shows in the UK and Europe, in arenas, there are often barriers across the floor so that only a maximum number of people are allowed into each section.  No price difference, first come first served.  Prevents overcrowding in any one section.

And, yes, the labor shortage is one of the biggest problems, in so many industries.  Tour after tour, concert after concert, I see people desperate for more local workers.

Hadn’t seen an issue with gate-crashers in years; that does seem like something that should be under control.

Toby Mamis

_________________________________

It’s not just festivals.

We saw Phish at the Gorge this summer. First night, a security crew walked off (we were later told) closing down a venue exit gate after the show. While this was a minor inconvenience to a few thousand people, in 25 years of concerts I had never seen that happen, and it smelled like a much larger, lurking staffing issue.

James Coburn

Rose Ganache

_________________________________

The video you linked to only shows a portion of the mayhem at the gates. Start watching at 1:42 and you’ll people literally being trampled.

https://youtu.be/eKzcNZ7m43k

Ty Velde

_________________________________

I worked the Travis Scott concert in Detroit before Covid.

I am in my 60’s and remember looking down on the floor with the mass of young people and being very concerned.  They moved as one swaying forward, back, side to side.

At the time I thought this is so dangerous. Then I thought, I must be getting old because I probably would have been down there as a teen.

But I would say the people in charge of safety must have felt the same way and every concert like this they breathed a sigh of relief nothing bad happened.

At the Twenty One Pilots it was the same. They started lining up early for early entry. It was cold so they all had heavy jackets on. Then they rushed the stage to get as close as they could. Then spent a couple hours there waiting for the warm up act to finish to see Twenty One Pilots. Trying to hang on to a bunch of jackets and getting hotter and hotter.

These are young people who have not ate or drank much in their quest to not miss out.

I was working the service desk that night next to the medic office and quite a few from up front ended up there. Some had fainted, some just  exhausted and could not get out of the pack. They would send in medical to get the out and bring them up.

They know this is happening and has been a disaster waiting to happen for years.

Lily Morozow

_________________________________

Safe standing needs to be a thing yesterday. Look into them for soccer stadia. Put 4 barricades across the crowd, have a rough capacity for each section, and let people through until it’s full. Crazy to me that this isn’t already in place. Sad to hear about this but these kinds of things can and should be prevented in the future.

Thanks,
Adam Sliger

_________________________________

After Roskilde, “D” barriers were made mandatory at Australian festivals that had no seating (ie had mosh pits). And we have waaay less attendees than the staggering ticket numbers sold in the US. Is this not a regulation over there? I guess we prefer to kill the vibe rather than kill our concert goers…

Megan Butler

_________________________________

Mott the Hoople Kings College 5/3/1974, opening act Queen.  There was a scary crush of people before doors were opened.  I thought I’d be crushed, there were injuries.  Inside, glass bottles being thrown onto the stage until the band had to threaten to walk off.  I remember venues requiring assigned seating ever since.

Susan Rad Dorsey

_________________________________

Back when my Dad was in the concert promotion business, he refused to do festival seating; he just didn’t think it was safe for the fans. Thousands of shows and no stampedes. He was proven right in 1979 and again several times since.

Michael Weintraub

_________________________________

Ten years ago after the Indianapolis roof collapse, production managers, touring professional and production vendors started the Event Safety Alliance, to enacted guidelines and safety standards for all aspects of the concert touring industry.

There is a lot of great stuff on this web site.

Take care,

Kent Black

https://www.eventsafetyalliance.org/

_________________________________

Hi Bob,

I just read your post regarding the deaths and injuries at Astroworld.

I want to bring your attention to the work of the Event Safety Alliance, ESTA and the TSP.

Please take some time to read ANSI ES1.9.

ANSI ES1.9 – 2020 Event Safety – Crowd Management

https://tsp.esta.org/tsp/documents/published_docs.php

I hope you can share this with your readers.

https://tsp.esta.org/tsp/index.html

https://esta.org/

The Event Safety Alliance® (ESA) is a 501(c)(6) non-profit organization dedicated to promoting “Life Safety First” throughout all phases of event production and execution. We strive to eliminate the knowledge barrier that often contributes to unsafe conditions and behaviors through the promotion and teaching of good practices and the development of training and planning resources.

Best,

Boxer

Jahn ‘Boxer’ Hardison

Treasurer, Event Safety Alliance

https://www.eventsafetyalliance.org/

James Austin Johnson

We’re starved for new talent.

I know, that sounds ridiculous, with more talent available all the time, we’re overloaded. Yet as a result of the tyranny of choice, we all turn to quality, which there is very little of. And what we’re really looking for is quality that transcends the niches, something everybody can cotton to and enjoy.

Like James Austin Johnson playing Donald Trump on SNL tonight.

I feel for SNL. If you wiped out the past four decades, the show might have a chance, but it pales in comparison to history. People don’t want the latest work of classic rock bands, why should they want a skit show with the same format it has always had. In the past, when network television still ruled, while pay cable was making its bones, if anything was successful you got an imitation, hopefully with a twist. Which is how we got “In Living Color,” a Fox show racier than SNL and better, who knew the Wayans brothers had this much talent? I mean I’d seen some of Keenan Ivory Wayans’s work, but I had no exposure to his brother Damon, the breakout star of “In Living Color.” Actually, I’d seen him in “Beverly Hills Cop” and “Roxanne” but I only knew his face, when set free he was amazing, I mean Homey D. Clown? And the Head Detective? You see you have to match the right performer with the right material in the right place for them to break through, now more than ever.

As for networks competing with each other…that’s so last century. Now networks are competing not only with other networks, but cable, streaming, YouTube, videogames, outlets are just trying to get a slice of the audience. It isn’t a matter of beating your competitor, it’s a matter of trying to compete with EVERY competitor. And the first breakout star was HBO, with its run to quality. HBO made shows no network would, that were closer to truth, to reality, than any network show. As a result, HBO burgeoned. Thursday night might have been NBC, but Sunday night was HBO. And if you’re still watching in real time, you’re over the hill, today everything is on demand, you watch what you want to when you want to.

Which is why awards shows and SNL are so challenged. Why blow all that time when you know when the show is over you can watch the clips that appeal to you, the internet will tell you what’s worth it, assuming you care.

But the problem with SNL is not so much its old format, cassette in an era of streaming, but the lack of uniformity in the culture, the lack of touchstones. You can’t do inside references if people don’t know the most obvious cultural elements that you’re digging into deeply. So today SNL must play very broad, and still there’s a lot most people don’t know about and don’t care about. I mean I don’t ever remember seeing Judge Jeannine Pirro. Why should I? She’s on Fox and I’m a Democrat! I mean I know the name, but I couldn’t pick her out of a lineup. So when Cecily Strong, who I love, plays Ms. Pirro, all I see is exaggerated acting. It doesn’t resonate, I do not laugh.

As for Pete Davidson as Aaron Rodgers… Tonight a millennial who actually follows football told me they were hazy on the Rogers details, whereas I’ve been following the story closely. Then again, this guy can run circles around me when it comes to Esports.

As for Youngkin… I’ve never ever seen him on TV. I don’t live in Virginia and I rarely watch television news. I’m hoovering up the news, but in print, online, not on TV, where you get too much opinion and not enough facts. And that woman talking about the Toni Morrison book… I know the controversy, but was she playing the actual mother of the AP student who lost his marbles over “Beloved”? I mean I know the story, but not the personalities. Whereas in the sixties I’d know everybody, because there was so much less in the food chain and we all ate from the same trough.

So then they throw it to the only man we all know, the only person with universal mindshare, Donald Trump.

My first reaction is…is Alec Baldwin gonna come out of hiding to play the role? That can’t happen, right? Too much levity too soon after a tragic situation. So, the camera goes to a guy…

Who looks  almost nothing like Trump.

That’s how you cast today, you find someone who looks the part, it’s more important than acting. I mean couldn’t they find a better actor to play young Tony Soprano than James Gandolfini’s son? Of course!

I mean this guy had the hair, but his face was nothing like the Donald’s.

And then he started to talk.

It took a second to register, this guy sounded just like Trump. HE WAS TRUMP! This was the SNL of old, the seventies SNL, in which the performances were uncanny, where you laughed from the inside out. On today’s SNL everything is overbroad, whereas the best performers can be small.

And they let him go on. Or should I say this new Trump kept asking for more time and…the shtick of connecting to Virginia and Youngkin was funny, but it was that little reference in the middle that sealed the deal. He was talking about Mario, whose name was up on screen, and then, almost sotto voce, as a throwaway, he mentioned LUIGI!

Now this is funny stuff. Subtle stuff. This was a laugh buried deep in the routine, only there for those paying attention. But the truth is Mario and Luigi have been around for decades, they’ve got more name recognition than Drake! And who doesn’t love Mario and Luigi, the stars of Nintendo?

And this guy playing Trump never loses it, he stays in character, he doesn’t laugh at himself, he just keeps playing the role. And there are further asides, further minor laughs, and I’m saying to myself this guy is better than Alec Baldwin ever was. This guy WAS Trump, Alec Baldwin is Alec Baldwin, doing a broad, unbelievable characterization.

Now I had no idea who this guy was, I immediately went to my phone.

Turns out I was not the only person who got the message, there were numerous stories about James Austin Johnson and how he killed it as Trump on tonight’s SNL.

That’s the performer’s name. Turns out he’s famous for doing Trump, and now he’s graduated to SNL.

Are you getting this? It’s not like Johnson’s performances weren’t good enough on YouTube, he just needed to be plucked out of relative obscurity and put on TV. The idea of becoming an overnight star is passé. You hone your craft independently utilizing the free tools of the internet and you hang in there, for years, and wait for your lucky break, further recognition, which rarely happens anyway.

And I’m telling you about Mr. Johnson’s performance, but the truth is the reach of SNL is miniscule. Oh, it’s larger than so many other productions, but compared to its strength in the pre-internet world, IT’S DE MINIMIS!

But at least I saw James. And since it is the internet era, I went down the rabbit hole online to excavate his bio and performances, that’s one thing we couldn’t do in the days of yore.

So I don’t know what the future holds for Johnson, but I’m watching him, walking the tightrope, continuing to be excellent, for minutes, and I’m marveling at the performance, I immediately tell myself that I must tell my audience. Because I haven’t seen anything this good for a while, certainly not on SNL.

So check it out.

More of this please.

You can watch all of the opening, but to just catch James Austin Johnson start around four minutes in: https://bit.ly/3qjZMrv