My Hometown

“Son take a good look around

This is your hometown”

Jill said she doesn’t have a reason to come back here. And that’s when it occurred to me, this could be my last time visiting Fairfield, CT. I used to tell Felice to bury me here, but I’ve been in California for nearly fifty years now, that doesn’t make sense, but we were here for the unveiling of my mother’s headstone, normally done a year after burial, but because of Covid…

The first thing I noticed was the humidity. I’m not complaining about it, just saying you don’t need a jacket at night. Even in the San Fernando Valley you need a jacket at night during the summer, a sweatshirt last week at the Neil Young concert in the Cahuenga Pass. Furthermore, it just turned summer in L.A., June had gloom, there was no sun for at least half the day and the temperatures never climbed out of the seventies, but on the east coast, summer has already begun.

That’s what I realized driving on the CT Turnpike. It was summer now, and then it would be fall, winter, spring and then summer again. There are seasons in Southern California, no one goes to the beach in December except for hard core surfers, but on the east coast it’s different. You can feel summer coming and you want to make the most of it, because it won’t be long before it’s gone.

Hot town, summer in the city, you forget if you don’t live back here anymore. I’ll let you in on another secret, you don’t feel like you’ll ever get old, ever die on the west coast. Life is endless, until it’s over. But in Connecticut…

Yesterday we went out for Pepe’s pizza. It’s a tradition. And then I drove around in the rental car to my old haunts. First the beach in Fairfield, and then to Seaside Park in Bridgeport. And that’s where I saw the field where we used to play softball every Sunday, for years and years, it was organized by the JCC. After Sunday school, I’d get my glove and my father would ferry me down there and… Even though I’d driven around Seaside Park with my mother not that long ago, somehow I hadn’t been in exactly the same spot. We played the game over fifty years ago. I’m not sure the younger generation is dedicated to the ball and the bat, but that was everything to us back in the sixties.

And then I went in search of my father’s liquor store. He’d sold it in the late seventies or early eighties. But the guy didn’t make the payments and my dad repossessed the building and it sat empty until my mother donated it to the church.

Not that I was sure exactly where it was. The problem is the greenery. You can’t see anything anymore, everything is hidden. And I got off at the wrong exit and decided to go one more…

And there it was.

The church had sold it to the automotive repair shop next door, and now it was their office. And the owners came out and interrogated me, what was I doing there on a Saturday afternoon? And then I explained and they left me alone with my thoughts and…

My father wanted to be in commercial real estate. But he had no money. So he decided to open a liquor store. The first one lasted only a couple of years, his mother worked there, before she lost both legs to diabetes, and then he opened the Bay Package Store right by the Lordship exit on I-95 and…

I was stunned how little the building was. And my mind drifted back. And I thought about how my dad brought up three kids on that store. How he bought an ice machine and had to refill it during holidays because it couldn’t make ice quickly enough. That was my father’s job.

Until he became a real estate appraiser and broke into the next economic class when they condemned property for the Route 8 connector, affectionately called “The Morris Lefsetz Memorial Highway,” and not only by our family. My dad made a lot of money for lawyers and their clients, a lot more than he made, and they were grateful.

And I drove up to Aspetuck Farms for an apple. And then down Black Rock Turnpike across the lake and up the hill to my first alma mater, Fairfield Woods. Now a middle school, but in my day an elementary and junior high school. It was opened in 1951. Brand new back then. And it doesn’t look like they’ve put in a dollar since. The concrete has faded, as have the bricks, what was once young is now old, just like me.

And then I drove down Farist Road to our old house and…

I just about missed it.

It was confusing. The greenery. And then I saw the street sign for Coral Drive and I realized I’d just passed our old house, how could that be?

And I looked up and there was a huge tree in the front yard that I don’t even remember and the hill I hid behind in the front yard when I ran away looked so short and on one hand I wanted to knock on the door and go inside, but I didn’t think I could handle it. Meanwhile, the residents were unloading groceries and I was afraid they would see me staring so…

I drove around the block.

And the same thing happened. I’d drive right by houses my friends lived in. I’d be looking for them and I’d already passed them. It was like someone shrunk the neighborhood down to 3/4 size. I saw where the Levys lived. And the Gallaghers. And the Romes. And the people who hosted a first grade birthday party and had a relative perform tricks and I called out the black thread, it was easily visible, and I was creeped out. Because it was me. And I’m still me, yet different. If you don’t change as you grow up your life will be very tough. You need to gain insight, self-knowledge, or else you’re an adolescent buffoon repeating the mistakes of the past, not realizing everybody is rolling their eyes when you speak.

And after passing by my house again I drove down Coral to Bobby Hickey’s house, where we used to ski in the backyard. If there was a vertical drop of ten feet I’d be amazed, certainly not fifteen, the hill was so short, but that’s where it all began.

And then by my high school, which looks pretty similar but is different, they changed mascots, wiped out all of that history. But it was so long ago.

And on the drive back to the hotel I passed houses I wouldn’t want to live in and…

Almost all of the buildings were still there, but the businesses were different. I guess I expected them to be the same, to be passed down through the generations, but really they were all just toeholds, a way to get ahead for those who’d survived the war. That was the generation. It built my town. Every neighborhood had kids. We’d ride our bikes and roam in packs and our parents wouldn’t know where we were and they wouldn’t care. Not that anybody remembers.

And today we went to the cemetery. My mother never went to visit my father there, but now she’s lying right next to him. And as I looked around, I saw the parents of my old friends. That generation is almost fully done.

Bridgeport, CT is heavily populated by Italians. So I saw more pizza joints than I’ve ever seen before, more than I grew up with. And there’s an arena and an amphitheater and you can even take the train to the show but downtown Bridgeport, adjacent to the venues, is still bombed out. My father kept saying it would come back, but it hasn’t.

So tomorrow I’m out of here. Not a minute too soon. I understand the east coast, I lived it, but I escaped it.

Kind of like the Cantor who performed the ceremony. He’d been an engineer, his father told him religion was not a good way to pay the bills. But after twenty years he pivoted and has never been happier, even though he’s now not that far from retirement. And he would have talked to me all day, I could have talked to him all day. That’s the difference between the east coast and the west, the people. East coast people are verbal. Sure, what you own is important. But not as much as where you went to school and whether you can hold up your end of a conversation. It’s the intelligentsia. But ultimately it’s emotional death. You’ve got your place in the firmament and can’t try to be something different, you’ll be denigrated, you have to go somewhere else for that.

No one cares who I am in Southern California. And no one asks me where I went to college, never mind what I got on my SATs. That’s all irrelevant. You make your own life. And you can ring a bell that can’t be rung on the east coast, at least not in the suburbs. The goal isn’t to set the world on fire back here. You find your place in the landscape and stay there. I want no part of that.

So I’m not holding on to yesterday.

Then again, my generation will be the next one in the ground.

It’s the way of the world.

But it’s very weird.

My parents’ parents were born in the old country. They came to America for a better life. It wasn’t about emotional fulfillment, it was about putting bread on the table. And they paved the way for us. Drove us hard to achieve. So we could live out our dreams, be who we wanted to be. But that turned out to be who they wanted us to be. And it was totally different from today. Everybody didn’t plan on going to graduate school, people drifted and found their place in society. They figured they’d have enough money to make it work and then the eighties came along and either you partook in the greed or were left behind. And now our kids are straighter than we were. They know how hard life is. They want a good job. They want what our parents wanted for us.

The world has changed since I grew up. Now nobody dominates, there is no center, all we’ve got is little groups. No one is in control. Facts don’t matter. And when you leave home and are too busy to read the news you realize there’s a whole ‘nother life out there. Like the one in Fairfield.

That’s not the life I want.

I want a bigger playing field. I need to be at the center. I want to make a difference, put a dent in the universe. And for that you have to leave the suburbs. And I did.

Alcohol/Drinking Songs-SiriusXM This Week

Tune in Saturday July 8th, to Faction Talk, channel 103, at 4 PM East, 1 PM West.

If you miss the episode, you can hear it on demand on the SiriusXM app. Search: Lefsetz

James Montgomery?!

YouTube: https://tinyurl.com/ye2yyv8s

We got Duke and the Drivers.

You’d be surprised how many people in the music business got their start with the concert committee at their college. They tell tales of student apathy, as in they had no problem getting on the board, and then they booked and promoted concerts, made contacts, got a toehold in the industry.

Not at Middlebury College.

I looked forward to Winter Carnival. Well, I’m going to tell you, just like après ski, if you think the Carnival is going to bring its own fun, you’re wrong. These events are just for those already partying to get down harder. Well, at Winter Carnival it’s even worse. Really, it’s just an excuse to have a few events, like a concert.

But Middlebury College didn’t have enough money to pay the people I wanted to see.

But having said that, we did have a few big shows. We got Mahavishnu Orchestra, can you believe that? Not long after “The Inner Mounting Flame.” But when bands played my out of the way college, they were punching the clock, they weren’t truly into it. Want to see a great show? Go to a gig in L.A. or New York, or London or Paris or Berlin. You’ve got to go where the press is. That’s when the act turns it up and delivers. Most acts save L.A. for last, others start in L.A., which I think is a big mistake. You see the band usually isn’t ready at the beginning, and the reviews are less than stellar. But, you say, you need those reviews to sell tickets! I get that, but if you end the tour with raves people are primed to come next time around.

We got Poco after Jimmy Messina had left, right after the live album “Deliverin’,” when it was clear the act was never going to break through. And, of course, the band ultimately jumped from Epic to ABC and did have hits. I love “Heart of the Night.” There’s that one great line…

“Shining down on the Ponchartrain”

That album also contained “Crazy Love.”

But the track I love most from the ABC era was not a hit, it was the opening cut from “Head Over Heels,” the first album on the label, Timothy B. Schmit’s “Keep on Tryin’.” I had to buy that album just to be able to hear the song at will.

Wow, “Head Over Heels” is not on Spotify, what’s up with that? I just wrote about it and I needed to hear it.

But it is on Qoboz, and in hi-res!

But it’s not on Amazon. Meanwhile, while I’m at it, the Free stuff is in hi-res on Amazon, sounds amazing.

But “Keep on Tryin'”?

“I’ve been thinkin’ ’bout

All the times you told me

You’re so full of doubt

You just can’t let it be

But I know

If you keep comin’ back for more

Then I’ll keep on tryin’

Keep on tryin'”

Check it out on YouTube: https://tinyurl.com/5cd482yp

The word that comes to mind is EXQUISITE! Believe me, back in the day when we all saved our pennies for big rig stereos, to hear this emanating from the JBL L100’s was utterly delicious, a transcendent experience, an acoustic guitar with Timothy B. like an angel on top, WHEW!

Did I ever tell you I saw Illinois Speed Press at the Fillmore, before Paul Cotton decamped for Poco? Only a few will know that band, and now Cotton is dead and no one seems to care, just like no one seems to care about posting “Head Over Heels” on all the streaming services.

This was Timothy B.’s last hurrah. Enough already. He decamped for the Eagles, and now he’s known for “I Can’t Tell You Why,” but there’s so much more. Listen to the Poco compilation “The Forgotten Trail,” that’s on all the streaming services, the best of the Epic years, like with Free’s “Molten Gold: The Anthology” you’ll realize how good Poco actually was, both in the Furay days and thereafter. But having said that, I loved the first Souther, Hillman, Furay Band album. “Border Town”? EXCELLENT!

Oh, we did get Brewer & Shipley. I mean who cares. This was long after “One Toke Over the Line.” However, on that first album, the almost seven minute closer “Fifty States of Freedom” is great, check it out, that’s on Spotify: https://tinyurl.com/z6h3y74n

Now it may sound like we actually had a decent number of acts at Middlebury. Oh yeah, we also had “It’s A Beautiful Day,” long after “White Bird,” however I must say “Don & Dewey” from the second album is a killer. What the hell, I’ll post that too… Well, it turns out that “Don & Dewey” is not on Spotify, probably a Matthew Katz thing, but here it is on YouTube, and you really should give it a listen. I doubt most people know it, but it’s a tear, hang in there for thirty seconds until it starts to explode: https://tinyurl.com/mwjazakv (There is a live take of the song on Spotify, you don’t have to e-mail me about it, it’s nowhere near as good.)

So I was at Middlebury College for four years. I did not take a semester abroad, I could not sacrifice any ski time, I’m just that into it. And if you look at the above shows that’s a piss-poor track record when you compare it to what other colleges presented. I remember driving to Colgate to see Bonnie Raitt and Randy Newman on one bill!

Anyway, at the aforementioned Winter Carnival the last year I was in Vermont…yes, we’d get name talent for Winter Carnival and Spring Weekend if we were lucky, rumor had it that we were going to get a band from Boston. J. Geils? They’d put out “Give it to Me,” but the legend was built on the live album, “Full House.” And then the rumor was we were going to get James Montgomery, fronting one of the hottest bands in Boston. But like I said above, we got Duke and the Drivers. And almost nobody went, I know, because I was there. It was kinda like that moment in Spinal Tap with the miniature Stonehenge. It’s all about perspective. This was a loser show. Driving ‘cross country the following fall I saw Ry Cooder in Teton Village, at the base of Jackson Hole ski area, and Little Feat at the Troubadour in L.A… In the real world, there was a plethora of talent available, but in the wilds of Vermont…

Montgomery had an album on Capricorn, his career was burgeoning, but when I left the east coast I never heard of him again. To tell you the truth, I thought he’d given up, or was dead.

And then I saw him on Tom Rush’s Patreon channel.

Tom’s been hosting some of these legends recently. Like Tom Paxton, and Jim Kweskin. These guys are still around, they’ve got amazing stories. And they tell them on Tom’s channel, and I thought I was the only one watching, but unsolicited Jack Tempchin testified how great these videos were, and then on Sunday…

James Montgomery. And the man looks good! He’s not ragged and wasted, like so many of these guys. And I looked him up on Wikipedia and saw that he’d graduated from Boston University. This is so rare, if they started, they dropped out. But not James…

And he’s still doing it.

So they’re talking about James doing gigs with his Capricorn labelmates the Allman Brothers. And this guy is totally lucid, telling a good tale, and I’m into it, and then ten minutes into it, Tom talks about playing a song. They’re going to do “Statesboro Blues.”

James says he’s not sure he remembers all the lyrics, but he’ll give it a whack. And then Tom starts strumming his guitar, and then James comes in on his harp… JAMES COME IN ON HIS HARP!

Man, this is the sound that launched a million careers. The blues of yore. We heard it, locked into the groove, and were influenced by it. We played the blues, we listened to the blues, but the blues are nowhere in today’s modern music world. Oh, you can hear influences. But the pure element? That’s gone. But Tom and James are locked right into it.

And then James starts to sing and…

Man, this is good!

So I go back to Wikipedia, to find out more details, I mean where’s this guy been? Performing! But in the Boston area. He’s still doing it, like a bluesman of yore. And he’s got it.

And just like pornography, you know it when you hear it, and I’m hearing it. I’m woken right up. James is positively wailing on that harp, like a pro, not an amateur, it’s everything it used to be, BUT IT’S NOW!

Now every boomer of my vintage knows “Statesboro Blues,” BECAUSE IT OPENED UP “AT FILLMORE EAST”!

You’ve got to know, it took another two years for the Allman Brothers to become ubiquitous, with “Ramblin’ Man” and “Brothers & Sisters.” But if you were in the know, if you were a fan of the music, if you believed, you were aware that Bill Graham hired the Allman Brothers to close Fillmore East. They simulcast it on the radio, no way could you get a ticket.

And a couple of months later, “Fillmore East” was released. I knew “Idlewild South” by heart, it was a dorm room staple. But “At Fillmore East”? It blew the roof off the joint.

And that’s how I learned “Statesboro Blues.” I’d heard of Blind Wille McTell, its composer, but I hadn’t heard his performance. And yes, Taj Mahal cut the song on his first album, Jesse Ed Davis and Ry Cooder accompanied him, but I didn’t buy that album and no one I knew did either. This was the old days, when you had to buy it to hear it, and you couldn’t buy everything. Now the third album, with the cover of “Take a Giant Step,” that I knew, people owned that. But when you dropped the needle on “At Fillmore East” at the end of the summer of ’71, wow, Duane’s slide immediately slid, the notes were jumping, the drums were pounding, Gregg ended up singing, WHAT WAS THAT??

“Wake up mama, turn your lamp down low”

But these were the lines that truly resonated:

“I woke up this morning, I had them Statesboro blues

I woke up this morning, I had them Statesboro blues”

And the deal was sealed a few lines later with…

“But if you can’t make it baby, your sister Lucille said she wanna go”

LUCILLE!

This is the sound that got people to travel to gigs. Before Springsteen. Sure, the Dead were on the road, but the Allmans were together, never sloppy, it was streamlined, it was a powerhouse, just to be in proximity was a peak experience of your life.

Now James Montgomery/Tom Rush’s take on “Statesboro Blues” is closer to Blind Willie McTell’s than the Allmans’, it’s rootsy, it’s got its own magic. And I was blown away and I told Tom to post the performance to YouTube. And here it is.

Sammy Hagar-This Week’s Podcast

From Fontana to Montrose to Capitol to Geffen to Van Halen to Cabo to tequila and rum, we cover it all!

https://music.amazon.com/podcasts/9ff4fb19-54d4-41ae-ae7a-8a6f8d3dafa8/episodes/eb06293c-ee42-46a7-bad4-a508ad418a34/the-bob-lefsetz-podcast-sammy-hagar

https://www.stitcher.com/show/the-bob-lefsetz-podcast/episode/sammy-hagar-305038680