Gary Rossington

Every original member of Lynyrd Skynyrd is dead? I thought the Ramones were an anomaly. What happens out on the road, why is it that musicians pass before their time?

I know, I know, you’re angry that I’m not mentioning all the other performers who have recently died, most specifically David Lindley. Man, I saw him with Jackson Browne at the Bitter End back in ’72, I bought “El Rayo-X.” I even saw him live before the pandemic.

But David Lindley was normal, he lived in Claremont for God’s sake. I don’t want to denigrate his musicianship, which was superb, but Lindley was not a rock star. You know, the kind that used to rape and pillage across the country, who got drunk, did drugs, got laid… That was Lynyrd Skynyrd.

And I know I can’t say “rape and pillage” anymore. But that’s how they described the rock star lifestyle back in the seventies, and Lynyrd Skynyrd were part of the firmament of the seventies, even after the plane crash.

So…

“Free Bird” was not an immediate hit. After all, Skynyrd was on Al Kooper’s Sounds of the South label, distributed by MCA, and you remember Skynyrd’s song about MCA, right?

And just a sidenote re Al… He produced the first three LPs, the band’s best work… Better than the iconic Tom Dowd’s stuff thereafter.

So… Skynyrd penetrated the populace very slowly. This was not “Led Zeppelin IV,” where “Stairway to Heaven” was immediately added to playlists. In truth, Skynyrd didn’t really break through until the second album, “Second Helping,” with “Sweet Home Alabama.”

You’ve got to understand, Skynyrd were relatively late in the procession of southern rock bands. It started with the Allman Brothers, but then their manager had his own label, Capricorn, and was issuing product on a regular basis. The Marshall Tucker Band delivered, but Skynyrd almost arrived as also-rans, they were seen as low rent imitators. I’m talking about the perception, forget the facts.

But tracks started to permeate FM radio…

God, if today’s youngsters lived through the days of AOR in the seventies. EVERYBODY listened, the FM rock station was the heartbeat of America. If you tuned in, you learned everything you needed to survive. And you never missed a show because you were unaware of it, when a band came to town…

So as the decade wore on, and they had the Memorial 500 and other holiday countdowns, number one was always “Stairway to Heaven.” Number two was “Free Bird.” And eventually “Kashmir” was number three. Always, year after year.

You see Lynyrd Skynyrd had three lead guitarists. We’d seen two drummers, but three lead guitarists? It pushed the music over the line, made it special, magical.

And then…

That guitar figure and Ronnie Van Zant saying “Turn it up.”

“Sweet Home Alabama” was one of those one listen records. Looped you right in. I asked Al Kooper the backstory. Just after the first LP was released, the band called and asked to come up to Hot Lanta to record a new song. That wasn’t released for another year. I asked Al if he knew it was a hit. He said…IT WAS SWEET HOME ALABAMA!

Now I’m not going to write chapter and verse about Skynyrd’s career.

But one thing you’ve got to know is Ronnie Van Zant was the frontman, and not a reluctant one like Gregg Allman. Ronnie had a large personality, he was full of quotes, and he didn’t give a f*uck, he’d say whatever he wanted. Point being, the rest of the band was relatively faceless. You only knew the players from the album covers.

And the key songwriters were Van Zant, Allen Collins, occasionally Ed King and Gary Rossington, Rossington had his hands all over the hits.

And after the plane crash, Rossington united with Collins in the Rossington Collins Band, with Dale Krantz as the lead singer. How could you not buy it, you wanted another hit of the magic, at least I did, I loved “Don’t Misunderstand Me.”

But no one could replace Ronnie.

But the Skynyrd legend could not be kept down. Ultimately the band was reformed with Ronnie’s brother Johnny as lead vocalist, and over time the original players came and went, and then they ultimately passed away.

It’s not like Gary Rossington’s death is a shock. He had so many health problems, it seemed inevitable, unlike the surprise of David Lindley’s death.

But if every original member of Lynyrd Skynyrd is dead…

Today’s Skynyrd is a tribute act. But it’s not only Skynyrd, so many of the classic rock acts feature only an original or two. You know who the new players are, they’re smooth-skinned, they’re not ragged and haggard, they’re YOUNG!

But the music of Lynyrd Skynyrd is still young. Doesn’t sound dated. Sounds as fresh as the seventies, when rock ruled the world, when we thought it could never die.

Skynyrd was not background. It wasn’t the soundtrack to a video game. The band and its music stood alone. That was enough. No brand extensions were necessary. Ronnie Van Zant’s identity, the band’s image was enough. Long after all the perfumes and other chozzerai the “musicians” of today are purveying is gone, they’ll still be playing Skynyrd music.

You see our music wasn’t momentary, it was FOREVER!

And a good portion still is.

But you can only really get the hit by listening to the records. Like Journey… Arnel does a good job imitating Steve Perry, but he’s not Steve Perry. No one else could be Steve Perry. And no one else could be Ronnie Van Zant and Gary Rossington. Without them, without either of them, it’s not Skynyrd. A band. Self-contained. Living the life we all wanted to. The dream was to go on the road, at least go backstage, just to touch, to be in the presence of these giants.

So it’s the end of an era, and those of us still here are left with this empty feeling. We knew we were gonna die, but not our heroes, not the musicians, if they made it past twenty seven, they were here forever.

David Bowie? Glenn Frey? Anomalies.

But David Lindley was 78, and you might think that’s young, but pray you’ll get there, it’s quite an achievement.

And Gary Rossington was only 71. He was born in the fifties, like that old Police song, like me.

We’re being taken off the field. One by one. But it’s getting faster, and will get faster still. To the point where there will be little hoopla, to the point it will be de rigueur.

But if you were there, if you lived through it, if you broke the shinkwrap on these records and dropped the needle…you’ll never forget. When you spun records day and night, when every show sold out. When if you weren’t there, you’d have to wait a whole ‘nother year.

I mean every member of Lynyrd Skynyrd? They all were cut down? I mean the plane crash was horrible, I remember hearing the news and feeling the emptiness.

But there were some survivors.

And now those guys are gone.

Who will carry on the tradition? Who will clue in the young ‘uns?

At least we have the records to keep the dream alive. And in the case of Lynyrd Skynyrd, that’s enough.

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The Chris Rock Netflix Special

It was an event.

And everybody knew what he was talking about.

Do you know how rare that is?

I forgot it was tonight until I got a text from Daniel Glass saying he was waiting to see it, it was only ten minutes away.

So I pulled up Netflix and I didn’t see it on the homepage, which I found very surprising, but then I searched on Chris’s name and found the link and clicked, and even though it was ten minutes before the hour, there was live programming, a pre-game show.

And it was not that the pre-game was so funny, but there was this feeling, that something was going to happen. Anticipation. And we don’t get that much in today’s society, where if you miss something it’s available right thereafter, and forever, online. Adrenaline doesn’t pump like it used to. And most of what we anticipate today are the results of elections, trials, Supreme Court decisions. But then nothing really changes we go back to our regular lives. We all feel disconnected and lost.

And no one is speaking to our disconnection, trying to make us feel like we belong, it’s endless division, the flames pumped by the media. Did you read that fantastic article about Fox in the “New York Times”?

The headline says it all:

“Inside the Panic at Fox News After the 2020 Election – ‘If we hadn’t called Arizona,’ said Suzanne Scott, the network’s chief executive, according to a recording reviewed by The New York Times, ‘our ratings would have been bigger.’: https://nyti.ms/3ZmshDs

“got the bubble-headed bleached-blonde, comes on at five”

Don Henley wrote that about the local news, but now it’s national. They’re on Fox.

And you right wingers can tune out right now.

But you tuned into Chris Rock.

That’s what’s so fascinating. That the denigrated Black man is the one the whites are listening to, the one who cuts across class and racial lines. Chris Rock is for everybody. And he can speak his truth and get away with it. When you got nothing, you got nothing to lose. Yes, Chris said he saw himself as broke, even though he was rich.

So the problem today is we don’t share the same reference points. Everything is niche. It’s not the seventies when SNL made cultural references we all got. Today we don’t even know who the host is on SNL, what they’re famous for. As for the skits… They have to be really broad, or we don’t get them.

But somehow Chris Rock managed to talk about stuff we all knew. Have opinions on. And his job was to thread the needle, and he did.

There was victimhood. My inbox is full of white men complaining that they are victims, being abused. But Chris pointed out they were a majority.

And Chris talked about the women having all the power. That point about Beyonce being able to marry Jay Z if she worked at a Burger King was priceless. And how if Jay Z worked at a Burger King…no way.

But, once again, it wasn’t so much the jokes as the subjects. They were what we deal with every day, we knew what he was talking about, we wondered if anybody else felt like we do.

The Kardashian thing, the penalty the paterfamilias paid for getting O.J. off…priceless.

And talking about his rich daughter Lola.

And the delivery… It was intense. Because Chris was amped up, this was his one and only shot. And that’s rare these days, where everything is fixed in post, where everybody gets a do-over.

And I’m sitting there thinking how I wouldn’t spend an hour and ten minutes watching a live concert, not with the same intensity. And there is a difference between comedy and music, but comedy is more truthful, more visceral than music today. Comedians are not expanding their brands, they’re just cracking jokes. They may be on social media networks, but it’s always trying to be funny. At most, they’re selling tickets. It’s just more honest.

This honesty used to be in music. I know I’ve been harping on this concept. But the point is the cheese moves, and if you can’t admit it you’re the one left behind.

The king of entertainment today is streaming TV. Period. Nothing else compares. More people have talked to me about “Yellowstone” and its spinoffs than any band. Because there’s story, there’s that intensity, you can feel life lived.

We are all living, we’re looking to find ourselves in media.

And that’s what Chris Rock did tonight. It was like he was living in our brain, talking about what not only we, but everybody is thinking but is never really articulated.

Honestly, I don’t think it was Chris’s best work. That special where he talked about women baking bread in their shoes… I think about it all the time.

And most of these specials have an arc. They tell jokes for a while and then lead to one long story… And this one did too, but not the one we expected it to be.

Chris Rock told the story of the slap. He gave his perspective. He didn’t so much defend himself, as fight back. People have no idea how much it hurts to be dissed on a national stage. Even if you get some sympathy, it makes you boil. Because there’s no way you can bark back and look good. But you continue to feel the abuse.

So for those who think Chris Rock overdid it with the Will Smith blowback, put yourself in his shoes. Only you can’t. But somehow he can put himself in yours.

And this all happened live, on Netflix.

Used to happen on HBO, but Netflix is first and foremost a tech company, and tech companies know you balance the books last. You build an image and get people hooked and… Netflix is the one subscription you need. Who cares if they’re running out of potential subscribers, Netflix is the heartbeat of America. And it’s churning out product prodigiously. This is not record labels and movie studios releasing ever less product and marketing the hell out of it… Netflix commissions a lot, throws it up against the wall, and some sticks, and you never know exactly what.

But at the end of the day it’s the talent.

George Carlin premiered this concept. Well-known comedian goes on cable television and speaks truth and and their words resonate with millions. You see Carlin evolved, he just didn’t keep doing the same damn thing. Like too many musicians. Even better, he talked about more serious subjects, that we could all relate to. His last special was not up to par, but you can’t hit a grand slam every time out.

Observational comedy… You have a lot of standups doing that.

But material that is vibrant and integral to life, that sheds light on what is going on right in front of our noses, in our brains, that is rare. Because most people blink. They’re afraid of offending someone. Or they talk down to the audience. Chris may be rich, but you feel like if you bumped into him you could have a conversation.

And I ain’t gonna recite a slew of jokes. But watching there was this feeling like you were in on something. That you got the joke. That you knew what was hip. Like watching the above-mentioned SNL in the seventies.

Chris even made a couple of mistakes, but that added to the effect. Made the special human as opposed to a sleek product, like comping vocals on a big budget record.

Something happened tonight. And you can watch it tomorrow, but it won’t have the same effect.

This is what we’re now looking for, something palpable, something now, something real.

And sports provide this.

But not everybody is interested in sports. The Super Bowl is a license to party, the game is secondary.

But when comedy is done right it’s for everybody.

Chris Rock did it right tonight.

More Bonnie Raitt Originals-SiriusXM This Week

Tune in tomorrow, Saturday March 4th, to Faction Talk, channel 103, at 4 PM East, 1 PM West.

If you miss the episode, you can hear it on demand on the SiriusXM app. Search: Lefsetz