Respect Life

That’s what it says on the Colorado license plate.

After three days of precipitation, we awoke to a bright blue sky and a temperature predicted to be in the fifties.  On a day like today, you put a move on it, you get in gear, you want to get out there.  And somewhere in the hubbub, Felice left her gloves in the condo.  But not wanting to hold up Steve or myself, she purchased a new pair.  The old ones had plenty of miles on them, she was due.

But I was concerned they were not the right size.

Felice is an impulse buyer.  I’m so busy researching, making sure I get the right thing, that oftentimes I buy nothing at all.  What’s worse?  I’d say my behavior. Life is about making mistakes.  If you always have to get it right, you don’t accomplish much, you’re stuck.

But I need to make sure my girlfriend gets the exact right thing.  I want her to be happy, I don’t want her to be disappointed.  I told her we could make a run and she could go back into the store and try on a larger size, she could even return the gloves and go back to the condo for her old pair.  We’d just make a run on the Vista Bahn, Pepi’s Face was groomed, it looked so good.

But Felice doesn’t like to hold anybody back.  She insisted we ride up.

But when we got to Mid-Vail, now concerned she’d bought the wrong size, she went into the shop, also owned by Vail Resorts, but ultimately without exchange privileges.  Felice said not to worry about it, we should just ski, the Back Bowls were softening up, we didn’t want to miss them, she wanted me to be happy.

But I wanted Felice to be happy.

We exchanged the gloves, but that’s not the end of the story.

Rather than dropping down the backside, we turned our skis back from whence we came.  We blitzed down Ramshorn, which was surprisingly good.  And after negotiating the skier control fences, we entered the long catwalk to Chair 2, Avanti, the last signpost on our way to the bottom.

I wanted to make sure Felice got the right size gloves, but I’d be lying if I told you I was willing to burn any excess time.  So when I saw Felice approaching at the end of the half-mile path, I started to push off.  But something was wrong.  In retrospect, I don’t know if Steve saw something or I heard Felice yell, but after stopping I noticed a stricken countenance upon Felice’s face when she finally came into range.  She was yelling for me to stop, when she arrived she couldn’t stop crying.  What had happened?

To have an incident in this stretch of trail would be like slipping in the school hallway.  It happens, but the path is negotiated every day, it’s almost flat.  But ridden with amateurs.

Between sobs, the story came out.

A beginner fell.  And so frustrated, he threw his ski in anger.  And this metal projectile hit Felice with force.

This didn’t compute.  What kind of asshole would throw his ski in a fit of anger amongst a slew of people?

A narcissist, Steve said, a person who only cared about himself.  Aren’t there too many of those in our society today?  Isn’t it all about mine for me, from Wall Street to the playing field?  If you can bend a rule, why not?  If someone gets screwed, they’re faceless, so it doesn’t really matter.

Faceless.  I wanted to accost this spear-throwing individual.  I wanted to scream at him at the top of my lungs.  I wanted to make him feel bad, to get it through his thick skull that he’d done something wrong.

But it would be like finding the guy who bumped into you in Times Square.  The moment had passed, that individual would never be seen again.

So we exchanged the gloves at the bottom of the hill.  Felice did need a larger size.  I felt good, I’d done the right thing.  But Felice was complaining of a pain in her knee.

And two chairlifts later, when we finally got to the backside, it was baked, it was too late, the slush was too heavy.  Felice tore her ACL in the slush, in the trees, so she’s trepidatious.  Oh, she’s got the ability, the talent to ski ANY condition.  But once bitten, twice shy.

But Blue Sky Basin was beckoning.  With its forests that Felice wants no part of anymore.  How about if we split up for a while?

I was fearful Felice would quit.  I called a friend to hook up with her in the interim.  But I also wanted to ski, on this last day of Vail’s season.

We split apart.

I called Felice.  She said her run down was great, she did it non-stop.  But her knee was hurting her on the lift.

Vickie called about partying at Belle’s Camp at the farthest reach of the ski area.  We made a run.  Felice called.  She’d gone to the bottom and gone in.  Upon taking off her ski pants, she found blood.

You never know the level of someone else’s pain.  There are those who scream and go for MRI’s, but there’s no mark and ultimately nothing found.  Then there are those who refuse to go to the doctor, believing it’s better to be tough.  Like those who are depressed who’d rather commit suicide than see a psychiatrist.

I told Felice to go to the clinic.  I insisted upon it.

I said we’d return.

The only problem was we were so far away, that it would take us forty five minutes to arrive, and she was only two minutes from the clinic.  It made no sense for her to wait for us.  She said it made no sense for us to return.  It was probably nothing.  She’d know soon.  We should continue to ski.

But I couldn’t.  I had that sinking feeling.  Of a day gone wrong through no fault of our own.  I was now in shock.  Could the injury be even more severe?

We had to ski down to ride up to ski down to ride up to ski down again to get back to where we started.  But on the ski down, I lost Steve.  I thought he made a wrong turn.  But his binding pre-released and he took the worst fall of his life, he’s now hobbling, with a sprained knee and ankle.

Thank god for cell phones.  Felice and I were in constant contact.  She did not have to wait long to see a doctor.  Who injected her with a local anesthetic in preparation of stitching her up.

Yes, Felice needed five stitches.  The doctor debated x-raying her hand, but ultimately decided it was just bruised and gave her an ice pack to put upon it to reduce the swelling.

And by time the procedure was done, we were there to pick her up.  She was cheerful.  I was speechless.

Why did this happen to her?  She’d done nothing wrong!  Her twin sister would pooh-pooh her, for partaking in such a dangerous sport.  No one would understand.  It’s a war between two worlds, the one inhabited by me, the heathen, and everybody who knew her before.

So I have guilt.

I’d say why didn’t it happen to me, but I’ll be honest, I cope with this shit worse than Felice.  Maybe because I don’t come from a touchy-feely family, where attention is lavished upon you to make you feel whole.

There are no answers.  There never are, not when there are accidents.

The medical fee will exceed the price of the gloves, probably by a number of times.  If only she hadn’t returned them, this never would have happened.  That’s what Felice thought.

Just like you replay every move, every choice you made before a car accident.

I’m not looking for your sympathy.  I’m certainly not looking to be put down.  It wasn’t Felice’s fault, it wasn’t mine.  As for the decision whether to return from Blue Sky Basin, we try to make choices.  Wondering whether to soldier on or stop and evaluate.  Your life can change in an instant.  But usually, you don’t know when that instant happens.  It’s only in the aftermath.  And as you get older, there are more of these incidents, and it’s harder to soldier on.

On an absolute scale, this injury is a blip on the radar screen.  One that won’t be forgotten, but won’t be life-changing.  On one hand, you could say we were lucky.  Just like I was four days ago when that skier blasting along at forty miles an hour narrowly missed me on Northstar.  The movie can end in an instant.  But if you focus on that, and avoid all risk, the movie is already over.

So I’m at loose ends.  I don’t understand the mentality of these people.  The same drunks who bump into you at the gig, not wanting their fun spoiled.  Where’s the respect?

On the license plate.

But slogans don’t mean shit.  It’s who you are on the inside that counts.  It’s how you react in a crisis, whether you can be depended upon.

I know I can depend on Felice.  I want her to know that she can depend on me.  That I’m not taking her on adventures willy-nilly, that I am considerate.  But the nature of living is being at risk.  Or as Bob Dylan so famously sang, "He not busy being born is busy dying."

I just hope the psychological trauma is not too severe.  That Felice can shrug off this anomalous incident.  But I’m not sure I could.

But I do know that I always get back on the hill.  Because you have to.  Because that’s where the inspiration arises, that’s where the fun comes.  Unfortunately sometimes at a cost, but we really wouldn’t want it any other way.  The unknown makes us feel alive.  It’s that thrill of exhilaration as you come over the rise and see an untracked field of powder.  But you can lose your balance, catch an edge and go down injured in that pristine snowfield.  That’s the rub.  Today Felice was rubbed.

But deep inside I know she’ll recover.  Because she’s got a will.  To live life to the fullest.

Chris Isaak In The Snow

That was one of the most surreal concert experiences EVER!

We’re in Colorado, for Spring Back To Vail.  Don’t give me any recession shit.  It’s cheaper to be here than in L.A.  Maybe because Vail Resorts figured out it was better to sell everybody lift tickets cheaper than to sell a few ducats at high prices to the private jet crowd.  That’s right, an Epic Pass was $579.  Good every day of the year at not only Vail, but Beaver Creek, Breckenridge, Keystone, A-Basin and Heavenly.  While record labels RAISE prices at the iTunes Store, some industries have economic sense, and realize, especially in a recession, you’ve got to give the public more for its money, not less.  Imagine if tracks at the iTunes Store cost ten cents.  DEVALUING MUSIC!  HOW COULD YOU!  Well, Vail Resorts just devalued skiing and had some of its busiest days in years.  People not only showed up to ski, they bought food, they dropped money all over town.  Like if you lower concert ticket prices people will buy more booze and t-shirts.  Assuming it’s not ten bucks a cocktail and thirty bucks a t-shirt.

And in addition to skiing this week, they’ve got all kinds of activities, including CONCERTS!  Wednesday it was Chadzilla and…  Who knows, SOMEBODY!  An 80’s cover band.  We knew all the cuts.  If only Mutt Lange could find a moldable act and create an anthem, something everybody knows and enjoys.  Like AC/DC’s "You Shook Me All Night Long".  Or maybe Dr. Dre could weigh in.  What if we had a TV show where acts demoed their best material for a chance to work with real hitmakers, instead of has-beens like Randy Jackson and hacks like Kara DioGuardi.  Let’s demonstrate some real talent.  But the bottom line is I want more universal music.  Not Jimmy Iovine music, but something so good, everybody knows it, everybody plays it.  Not that Top Forty dreck causing people to turn off music radio permanently, but infectious shit like "Satisfaction" and Gnarls Barkley’s "Crazy".  Don’t tell me no one knows what a hit is.  How come Mutt could do it for not only AC/DC, but Def Leppard and Shania and even Michael Bolton.  He’s press-shy, but now that he’s getting a divorce maybe he can finally come out in public.

But the key thing about watching Chadzilla was the vibe.  Of live music.  For far too long the emphasis has been on studio creations.  You can’t feel a record, but you can certainly feel a live show.

And we felt it tonight, as Chris Isaak showed up to play in a near-blizzard.  He said he’d been performing for twenty five years, but had never played in the snow. They had to sweep the white stuff off the stage.  When the percussionist hit the skins, snow jumped off his drums.

And there was not a single person in the crowd I knew.  It was only about the music, the experience.

And rather than being choreographed for public consumption, the same show every night, Chris customized his rap for the evening, referencing not only the precipitation, but activities in the lodges, he personalized "Baby Did A Bad Bad Thing"…

I like Chris.  It’s hard to explain the magic of his Showtime series, but it was something you couldn’t tune out.  And he’s still working with the same band.  Not only the drummer Kenney, but Hershel Yatovitz, someone who made it in rock and roll DESPITE his name (thank you very much Chaim Witz!)

Stunningly, people talked through "Wicked Game".  But it wasn’t about hits, it was about the EXPERIENCE!  The assembled multitude feeling the sound, bonding with the performers, having a one of a kind time.

U2’s got a worldwide number one album, but it’s truly about the show.  As evidenced by the almost instant sellouts of stadiums everywhere.  In other words, has the stranglehold of the record companies been a false premise?  Maybe music is something you hear live as opposed to a concoction perfected in a studio. Maybe it’s supposed to live and breathe as opposed to being perfected to the point of sterility.  Maybe that’s why we tuned out.  Auto-tune.  It was really Chris singing tonight.  There was no fakery.  The band laughed about their cold hands.  But they played on.

I’m not saying recorded music should be free.  I’m just saying that maybe the emphasis on the record has been misplaced, and we’re only seeing the light now. Maybe the key isn’t queuing up the track, but going to the gig and not knowing what to expect, being thrilled by the covers, like Chris’ version of Cheap Trick’s "I Want You To Want Me" tonight, and overwhelmed by the guitar licks, the true sound of an acoustic guitar.

Life is for living.  It’s not something that’s got rules, that has to be done a certain way so a small elite of gatekeepers will approve.

You know the hit of a live show.  The great ones are all different.  Didn’t the Grateful Dead prove this?  The music washes over you and not only do you review your life memories, you make new ones, you can’t help yourself, life is unfolding as you’re standing there listening.  You’re catching the humans, wandering around in all their uniqueness, you’re staring at the blowing snow in the spotlights, you’re telling yourself HOW FUCKING GREAT IT IS TO BE ALIVE!

That’s music’s power.  Don’t you ever forget it.

Saving Pirate Boyle

So let me get this straight.  The Pirate Bay shuts down and suddenly all its users go legit, stop trading and start buying the wares of the entertainment companies.  What did Roger Daltrey sing in the Who’s "Naked Eye"?  IT DON’T REALLY HAPPEN THAT WAY AT ALL?

I sympathize with the rights holders.  Their wares are being stolen.  But didn’t they sue Napster ten years ago?  Did that help record sales?  We’ve learned how this works, you shut down one service and then a bunch of new ones crop up, and the RIAA is bad at playing Whack-A-Mole.

I get it, it’s the legal theory/precedent.  But wasn’t that the rationale behind the Napster suits?  Establishing the law?  So now we’ve established the law in Sweden.  Where next, Afghanistan?  Cuba?  North Korea?  You can put a server anywhere.  And the Pirate Bay is appealing and shows no willingness to shut down.

No, the only solution is new services that people want.  But this requires a change in headspace.  The rights holders must realize that the old business they used to love is kaput.  There won’t be diamond selling superstars, but a bunch of niches. Kill the Pirate Bay and suddenly U2 doesn’t sell 10 million copies of their new album, Eminem doesn’t dominate like he did a decade ago.  You probably don’t even grow any new revenue.  So until you realize that you’re living in a changed landscape, you can’t strategize for the future.

The game of charging a high price of admission is working about as well as MySpace Music.  iMeem is failing, burdened by payments to rights holders, and MySpace has got a user interface akin to Windows 3.0.  If you can find what you’re looking for on MySpace Music, you’re a better surfer than me.

As a matter of fact, the Pirate Bay verdict isn’t even the biggest story this week.

Actually, there are three big stories this week.  Amazon, Domino’s and Susan Boyle.

Amazon’s flaws, keeping gay books out of the search results, became a raging story on Twitter.  As did the Domino’s employees mucking up the company’s food.  And then Susan Boyle went on to become the biggest superstar in music today.

The lunatics are running the asylum.  It’s no longer a top-down world.  If you want to succeed, you have to realize you’re in PARTNERSHIP with your audience/consumers.  It’s the only way out.  There are a million cops, looking to bust you for the heinous policies you used to employ every day.  And these same teeming masses decide who is a star, not radio or other traditional gatekeepers.

How long would it take for radio to go on Susan Boyle?  You’d need SET-UP!  The record would have to be tested!  But none of this interference is run on the Web.  You can get an instant spike on YouTube.

Sure, Susan Boyle sprang from the platform of "Britain’s Got Talent", but they don’t air that show in the U.S. and my inbox was burning up moments after she appeared on the show.  That’s how fast you can make a star today.

Will she last?

Well, she’s got the requisite CV of a star.  She’s an outsider, a virgin who’s never been kissed.  She was dissed by her schoolmates.  She’s not a Barbie.  The same people suing the Pirate Bay are the ones who are foisting unreasonable "stars" on the public, less and less successfully.  The public knows it’s cookie-cutter, that you’ve got to be beautiful and have true desire.  Talent?  The handlers will take care of that.

The public saw something in Susan Boyle.  The same thing they see in James Hetfield.  Somebody who’s not playing by the rules, who believes in himself.

For all the bullshit about the end of civilization, the death of record companies and newspapers, those of us not employed by these entities, sans the blinders, view this as the most exciting period of our lives.  Suddenly, the Davids have power. Our lone voice now means something.  Truth holds sway in a way it has not previously.  It’s no longer who you know, but how good you are.  Anybody can be a reporter, he just has to show up at the city council meeting and write down what happened.  Meanwhile, the newspaper has cut that staffer and TV news doesn’t do any reporting anyway.

The public is hungry for music.  That’s what all that trading on the Pirate Bay is about.  The key is to figure out how to satiate this desire, not combat it.

The TV companies came up with Hulu.  Spotify’s pretty damn good.

Bring Spotify to the U.S.  License others with innovative distribution systems.  Don’t try to get back to where you once belonged, but perceive that the past is truly history, and that if you want to survive, you’re going to have to morph your company and yourself.

Selling at Wal-Mart was a start.  But CDs are dying.  Trent Reznor is innovating outside the major label system.  Same deal with Josh Freese.  Metric may have sold bupkes, but the band made a lot of money.  And isn’t that what the labels care about, money?

There’s a ton of money to be made.  Not by driving people to the past, but living in their neighborhood and realizing, just like parallel computing, the collective consciousness is smarter than the individual.  Universal Music can’t beat the Pirate Bay, can’t beat the public, it’s IMPOSSIBLE!  Universal can only try to join the fray, reinventing itself along the way.

We’re not building stars, we’re building careers.  That’s where the money has always been.  Maybe right now the percentage of revenue is higher in tour grosses and merch, but don’t fight this, know that gas stations used to be full serve, you sent a letter, not an e-mail, you bought an album and played it to death because you couldn’t AFFORD more music! We’re not going back to the days of scarcity.  Stop trying to jawbone the public into the past.  Stop laying your album-length opuses on people who don’t care.  Give us more Susan Boyles, who don’t have a fake bone in their body, who own their identity, who follow their path so independently, that we follow them.

Dylan On Buffett

You live long enough and you no longer worry about perception.  You know life is brief, that yours will soon be over and that the world is a game, where the winners lose and the losers frequently win.  Money can’t buy you love and fame doesn’t make you happy.  But a trusted companion and a good conversation will make you feel like the king of the world.  The key is to get enough distance from the tilt-a-whirl, the fire and brimstone, to see that the planet, as George Carlin so famously said, will save itself.  But people?

The artist is beholden to nobody.  He follows his muse.  He has to.  We’ve been lacking artists for far too long.  In a commercial world where private jet travel is an achievement more worthy than a perfect rhyme.  We’re all about the material, that which feeds our souls has been pushed aside.  Except by the chest beaters, often religious wingnuts, who tell us they have the answers, and insist we follow their rules.  You get old enough and you realize there’s no manual, there are no rules, we’re all here alone, and you try to make sense of it all.  Still, it’s difficult, with everybody telling you what to do and how to feel.  The role of the artist is to open the door just a little, so we can experiment, so we can take the unpopular route, so we can become enlightened.

I don’t expect Bob Dylan’s new album to be good.  I thought "Love and Theft" was unlistenable and "Modern Times" not much better.  But I’ll give it a chance, all because of "Things Have Changed", from the movie of the Michael Chabon book, "Wonder Boys".  Bob got it right.  He seems to get it right at least once a decade, sometimes two or three times.  He’s like Picasso, his flame never extinguishes, he keeps on surprising us.  While other acts were left in the folk world, Dylan went electric, Christian, took so many left turns that he ended up on his own path.

Have you been reading the Bill Flanagan interview posted to bobdylan.com?  I checked it out, seemed a bit mannered to me at first.  Did Flanagan truly come up with these questions?  How much was edited, how much was scripted?  It didn’t seem as artificial as Bob’s satellite radio show, but it seemed a put-on.  Bob gives us the Bob he wants to.  But now he’s adopting a persona no other major artist will.  Being a regular person.  Unlike Eminem, he’s not trotting out his drug problem, he’s not Steely Dan, revealing who Rikki was all in an effort to sell a new record few really want, rather he’s sitting in your living room and you’re asking him all kinds of questions, which he’s answering, in a way that you feel is so intimate that you wouldn’t dare take notes and breach the trust.  It’s like your long lost pal has come back to your house in Minnesota, and you’re drinking a beer in the basement and catching up on a few decades of history.

It’s so strange this latter Dylan period.  Reminds me of my dad.  Who had a very hard life.  But suddenly, not long before he died, but before he was stricken with cancer, my father would start revealing intimacies.  About relatives I’d never heard of, experiences in high school, my dad became more three-dimensional, just like Dylan.  Rather than pull a Salinger, the older Dylan gets, the more he lets out, and us in.

You’d think that Dylan is not a member of society.  But reading the transcript of this interview, you find out he’s got an interest in politics, and history, and is not afraid to utter an opinion.

He’s the anti-Bon Jovi.  There’s no fear of shattering his image, after all, that’s all it is, an image!  You know this if you’ve ever met any of these stars.  Personally, they’re radically different.

Bob Dylan’s opinionated.  He shits on the Stones.  Stating "They’re pretty much finished…"  Yet lauds Jimmy Buffett.  And Gordon Lightfoot.

Lightfoot’s most famous now for that old girlfriend who supplied John Belushi with his lethal dose.  Maybe his almost fatal illness.  But no one speaks of Lightfoot’s music anymore.  But Dylan does.  He says he can’t think of any of Gordon’s songs he doesn’t like, singling out "Shadows", "Sundown" and "If You Could Read My Mind".  Was Bob driving around in his car in the summer of ’74 listening to "Sundown" being banged on the radio incessantly, just like me?  Are we both two wanderers on the planet, more alike than dissimilar?

As for Buffett, he’s considered a joke.  Known as a concert blue chip and a one man conglomerate, his musical talent has been forgotten.  But did you ever listen to those early records, like "Life Is Just A Tire Swing"?  Or "Trying To Reason With Hurricane Season"?  Or "A Pirate Looks At Forty"?

Mother, mother ocean, I have heard you call
Wanted to sail upon your waters since I was three feet tall
You’ve seen it all, you’ve seen it all

We start out with dreams, we take a few chances and then we end up with the life we’ve got.  How we got from there to here is a line we can see but cannot fathom.  Chance encounters, impulsive decisions, failures to act and suddenly our skin sags, the equipment doesn’t work too well and we find ourselves closer to the end than the beginning.

But, as I stated earlier, realizing there’s only a reel or two left in the movie is liberating, if you’re willing to jump off the cliff, stop worrying about preconceptions, others’ opinions, and know that your accumulated years of living give you as much insight as anyone, that you’re just as big an expert as the talking heads on TV trying to sell you shit and infect your brain with their power games.  And being liberated, you become suddenly alive, more so than so many of your contemporaries, dying their hair and tightening their faces, and the kids who are too young to know that age brings wisdom.

Jessica Simpson got dumped by Sony Nashville.  Britney may not be able to tour Australia.  They saved a contestant on "American Idol" last night.  A couple of years from now, no one will remember these minor blips on the radar screen.  It’s cotton candy for a public those in power want to keep high on carbohydrates.

Mother, mother ocean, after all the years I’ve found
My occupational hazard is my occupation’s just not around
I feel like I’ve drowned, gonna head uptown

Realize this is where you’re at.  Stop trying to prove yourself.  Don’t worry about what others think.  Investigate the works of the poets and pirates, those who’ve rejected the game in search of answers.  If you haven’t got more questions than answers then you’re an uptight master of the universe headed for a fall.  We’re all lost, looking for a bit of direction.  That’s what artists do, nudge us.  Insist we challenge convention and think for ourselves.  How can you follow performers who do neither?