Shannon Labrie

This unsolicited stuff is never good.

But this is:

To the point where I decided to do some research.

The first Google hit was her homepage. (http://www.shannonlabrie.com/) That’s good, that’s professional, it’s hard to take you seriously unless you’ve got one.

But I had to wait for it to load, because of the dreaded Flash.

1. NO FLASH!

It doesn’t work on the iPhone. And if you read Walt Mossberg’s review of the new Nokia Lumia 900 Windows phone

you know the iPhone’s dominance is only growing. BlackBerry is toast and Android is on hold, did you see that statistic about the percentage of people who use wi-fi on the iPhone as opposed to Android…WHEW!

We live in a mobile society. Play to it.

2. INFORMATION NOT IMAGE!

People believe we still live in the eighties, with MTV dominance, get a good headshot and let people know you’re beautiful…HUH?

This website is so slick, it begs the question whether daddy’s money is involved, who could afford such a production? Or that too much time was spent on image as opposed to music.

Online, we only want the facts. Despite all the interest in Pinterest, it’s words that matter most online. Don’t they call it the "information superhighway"? Give us info, not image.

3. DON’T PLAY MUSIC AUTOMATICALLY!

I went to the site, I’m interested. Now you’re forcing me to adjust the volume of my speakers and scan your overcrowded web page for the tiny tools that allow me to stop the music.

I’m already interested, DON’T TURN ME OFF!

4. DON’T BE STATIC!

A web page is not a tombstone. It’s a living, breathing thing which should be updated constantly so people will come back. Sure, you want the facts, but you want a running dialog too.

5. THE VIDEO

I would have been more impressed if there was no makeup, no stylist, if the singer looked more like the drummer.

And cut the mugging… You’re singing a serious song! It’s not a commercial, it’s life itself.

6. THE SONG

First and foremost, it’s listenable. I love the changes. They scream everything the images are not, intimacy, meaning. Music, when done right, doesn’t bounce off the listener, it penetrates him, and sticks.

7. THE FUTURE

This woman is on to something. But what she probably doesn’t realize is she’s just at the beginning.

I see on her site that she had a song on "One Tree Hill". I don’t watch that show, and most people don’t. There’s nothing wrong with a placement, it’s just not the road to riches the music supervisors and business people tell you it is.

8. VIRALITY

I tell you about almost nothing. But this track affected me. Made me believe like the great singer-songwriters of yore, maybe this woman has something to say. That in this crazy, mixed-up, shook-up world she can illuminate her story and people can relate.

9. IT ALL COMES DOWN THE SONG!

She could be ugly, the website could be all text, the video could have been shot on an iPhone…but if the song touches us, it works.

THE PENUMBRA IS OVERRATED!

Save The Country

The Top Five people on Twitter are all musicians.

Lady Gaga is number one with 22,131,698 followers.

At number five, we’ve got Shakira, with 15,264,505.

And in between, Justin Bieber, Katy Perry and Rihanna.

Britney Spears is number six.

Taylor Swift number nine.

In other words, the bankers may have all the money, but musicians have all the power.

And they didn’t get there by tying in with the financial fat cats, but by making music that resonated with their fans. Musicians are beholden to their fans, they control an army, and it’s about time they did something good for our country.

"The case decided Monday, Florence v. County of Burlington, No. 10-945, arose from the arrest of Albert W. Florence in New Jersey in 2005. Mr. Florence was in the passenger seat of his BMW when a state trooper pulled his wife, April, over for speeding. A records search revealed an outstanding warrant for Mr. Florence’s arrest based on an unpaid fine. (The information was wrong; the fine had been paid.)

Mr. Florence was held for a week in jails in Burlington and Essex Counties, and he was strip-searched in each."

Supreme Court Ruling Allows Strip-Searches for Any Arrest

My eyes bugged out when I read that.

Needless to say, Mr. Florence is African-American. He was in jail FOR A WEEK FOR A FINE HE ALREADY PAID??!!

"According to opinions in the lower courts, people may be strip-searched after arrests for violating a leash law, driving without a license and failing to pay child support. Citing examples from briefs submitted to the Supreme Court, Justice Breyer wrote that people have been subjected to ‘the humiliation of a visual strip-search’ after being arrested for driving with a noisy muffler, failing to use a turn signal and riding a bicycle without an audible bell."

Supreme Court Ruling Allows Strip-Searches for Any Arrest

I got fury in my soul
Fury’s gonna take me to the glory goal
In my mind
I can’t study war no more
Save the people
Save the children
Save the country, now

Momentarily, Laura Nyro is going to be inducted to the Rock and Roll Hall of Fame. Way too late. Poseurs have gotten in before this woman with more talent than seemingly everyone on the hit parade today. And sure, Ms. Nyro became famous for writing "Wedding Bell Blues" and "Stoned Soul Picnic", but she also wrote "Poverty Train" and "Save The Country", a huge hit for the Fifth Dimension. Back in an era where we didn’t tell the poor to pick themselves up, but we helped them.

The strip search of Mr. Florence was deemed legal by a 5-4 vote in the Supreme Court. The five empowered by Republican administrations who believed the country had taken a turn for the worse. I ask you, where does this leave us now? If you don’t think you’re liable to get strip-searched for a minor infraction, you’re wrong. We all break the law, oftentimes inadvertently.

But it gets worse. According to the American Bar Association, international treaties ban the strip-search procedures the Supreme Court just deemed legal.

What happened to our country? Are we all just in an endless dash for cash with no morality, no desire to help our brethren, no desire to live in an harmonious culture, more desirous of living in a police state where the supposedly threatening are kept in jail?

The youth have power.

And who do they take their instructions from?

MUSICIANS!

Pouring Gasoline On The Fire

It’s time for the Cousin Bobby Comparison!

That’s what I used to do back in the deep dark ages of my tenure on college radio, before I got bounced when the regime I’d made friends with graduated and I went from having coveted slots to my own lunar rotation, once every two weeks instead of college drive time, every Saturday morning from 9:30 to noon, when everybody’s waking with a hangover and actually listens to college radio.

And I was on during the week too, everybody knew who I was, but that was too much for the new powers-that-be, if you don’t think society is about keeping winners down, you’re not playing.

So I quit.

Went through withdrawal, but are any of those pricks in radio today? NO!

Anyway, back in the day, as the youngsters are wont to say, I’d play the original and the remake…

Speaking of the original and the remake, you’ve got to listen to Joe Cocker’s version of "I’ll Cry Instead", it’s almost as good as the original…who knew Joe was cutting Beatle covers back in ’64! And he didn’t make it for another half a decade, long after today’s wimps give up and go to graduate school, thinking that the public rejected them when the truth was the public didn’t know about them yet because they just weren’t good enough, they hadn’t plied the boards.

But today I’m not gonna play the original and the cover.

Then again, I’m gonna.

But this time it’s by the same damn band.

I want you to watch the Alabama Shakes legendary live version of "Hold On":

Then listen to the final studio single version here:

Or, if you’re Spotify savvy, here:

Alabama Shakes – Spotify

HEAR THE DIFFERENCE?

The original live take swings, it breathes, the band locks onto a groove, wallows in it and draws you in, they seal the deal.

As for the studio take…blecch. They were so busy getting it right they squeezed all the life out of it. Where’s the GROOVE!

There’s an original version of "Whipping Post" on the Allman Brothers’ debut. It’s good, I like it.

But it’s a distant cousin of the take on "Fillmore East". The live version has energy, it lives.

People make this mistake all the time. They think it’s about perfection.

No, it’s about capturing lightning in a bottle.

I’m reminded of Leeza Gibbons, who had so much plastic surgery she lost her identity. You think you want to be perfect, but that’s not what people want, we seek your imperfections. Who cares if the drummer speeds up a bit, if the vocal is not perfect, we’re looking for the je ne sais quoi. Something indescribable, that hooks us.

You’ve got to put your best foot forward. Good is not good enough. We’ve got to be stunned.

Whether that means you cut the whole album live or you sit in the studio until you get it right or…

I’ve got nothing against the Alabama Shakes.

But I refuse to settle for mediocrity.

And all the press in the world can’t convince those not in the echo chamber.

Sure, they’ve got a great start. It’s not like no one has noticed.

But we heard about Elton John and his first single was "Your Song".

We heard about Alanis Morissette and her first single was "You Oughta Know".

You don’t get many chances, you want to get it right, right away.

From: Al Kooper

Alabama Shakes need a good producer.
Not a high-priced, FAMOUS, in demand producer.
Simply a good producer who can guide them through their deficiencies and make them into the better band they could easily be with proper guidance.
Their first album is not on a par with what first albums should be.
You have your whole life to get your first album ready.
You only have the time between your first album and the second album’s release date to conjure that second one up. You MUST be better prepared by then or you’ll only have a three album chance.
I think of first albums that FLOORED me – U2, Black Keys, North Mississippi All-Stars, Field Music, XTC, and I can’t put Alabama Shakes in that category. They have the talent – they simply need the outside professional guidance.
Okay – I’m done now.

Al Kooper

One Direction

It’s about the song.

Richard Griffiths began as an agent. Then he went into publishing and eventually ran Epic in America and then BMG UK/Europe. He gave Simon Cowell a job.

And that’s how Richard’s company ended up managing One Direction, the hottest act in the business today.

Sure, there are more details, but my point is experience counts.

Friday night I had dinner with Richard and Will Bloomfield, the day to day manager of One Direction.

And who did they credit most for One Direction’s success in America?

SIRIUS!

Yes, the satellite outlet embraced One Direction, made the band its own.

Now we’ve been hearing satellite radio is irrelevant since its inception, that there are too many channels and too few listeners. But starting eighteen months ago I began hearing about the power of XMU, that it drove club business, people heard songs on the station and wanted to see the bands live.

What was the second driver of One Direction?

TUMBLR!

Do you know what Tumblr is? Let’s just say it’s like the web pages of old, the personal blogs that the prognosticators said we were all going to have.

Twitter is limited to 140 characters, it’s an information service. Tumblr is your home, where you evidence your identity.

And when you’re a prepubescent girl not only is who you are important, you’ve got crushes. But now you can evidence them not only on your bedroom wall, but online. You can see what your friends are into, you can gauge buzz, you can cause a conflagration.

In other words, One Direction broke without the mainstream media. It wasn’t terrestrial radio and it wasn’t the press. Because they didn’t know.

Things no longer get started on terrestrial radio or in the press, they’re last, after the fire has been lit. So where you begin is ever more important. The web world is where you get started.

But it only matters if you’ve got the right record.

They say lyrics don’t count. But they’re a key part of One Direction’s success…

You’re insecure
Don’t know what for
You’re turning heads when you walk through the door
Don’t need makeup
To cover up
Being the way that you are is enough

What’s the most important thing in junior high school?

BEING POPULAR!

And what’s the surest way to popularity? LOOKS!

How much time do you spend in front of the mirror, how much time do you agonize over what you’re gonna wear. You feel inadequate, but this song says YOU’RE ENOUGH!

Now if you go online and research the lyrics of "What Makes  You Beautiful", you’ll see they list who sings each verse. This is hard to decipher on the radio, but it’s information that fans savor, that they want to know and trade and put online.

I’ve heard better songs than "What Makes You Beautiful", but you can’t deny that it’s hooky. And sure, it’s simple, but that’s the easiest way into a kid’s heart, boil it down to the essence.

On one hand, One Direction is no different from the boy bands that preceded it. On the other, they don’t dance and they’re using the tools of the new world to break.

Look at it this way… Their fans never knew a world without the Internet. And Sirius comes standard in all new cars, the ones their parents schlep them around in.

Sure history repeats, but it’s never in the exact same way.