These should really be three separate posts, but since many people don’t want to read about books at all, I’m consolidating them, to avoid cluttering people’s inboxes. But having said that, as a result I know I won’t do any of them justice, but at least you’ll hear about them.
THE MOST
By Jessica Anthony
https://t.ly/0utyz
If this book were five dollars, or maybe $7.50, I’d tell you to buy it immediately. But since even the Kindle version is $14.99, I’d tell you to get it from Libby, the library app.
If you’re caught up in dead tree world, you might not be aware that the Kindle is burgeoning, as a result of BookTok. Customizing your e-reader is even a thing. But if you do have a Kindle, you can use Libby, and it’s an amazing service. Sure, you might not get the books you want immediately, you might even have to wait months for the books you want, then again I just got the new Rachel Kushner, and that’s hot and barely out.
“The Most” came out on July 30th, but I got it a few weeks back, and I just read it last night. I was not ready to tackle the Kushner, whose previous book was great, despite its predecessor being as about as readable as “Ulysses,” so I looked at what I hadn’t read and found “The Most” and saw it would take just over two hours to read it and I dug in.
It was my kind of book from sentence one. Very readable, very direct, not overladen with description. And I started and finished it last night. And it has stuck with me. But, once again, I can’t advise you spend retail for it unless money doesn’t mean that much to you.
“The Most” is set on November 3, 1957, the day Sputnik 2 was launched, and everybody is talking about it, the way we were infatuated with the Space Race back then.
And at first you think it’s “Revolutionary Road,” but it’s not quite that heavy.
Kathleen was a tennis player… Was she good enough for the majors? Unclear, but back then there was little infrastructure and setting was not the anathema it is today and she gets married to Virgil.
Who is too good-looking for his own good.
They graduate from college and move to Pawtucket and…
Do you ever forget the first one? Does your present love not deliver what your memory of the past focuses on?
What you’ve got here is two people living separate lives together.
And they wrestle with their choices and don’t ultimately come to the conclusions you think they will.
This is your life. This is everybody’s life. We’re making decisions all the time, are they the right ones?
And while I’ve got you, I want to quote a couple of sentences.
“Virgil knew his youngest son would likely suffer until he left school altogether.”
School is a game where those who conform win. But once you graduate it’s the opposite, it’s those who don’t obey boundaries, who color outside the lines, who break tradition, who succeed.
“…and because Colson Beckett was the sort of man who believed his opinion was so good it was always worth repeating…”
We all know people like this.
SAME AS IT EVER WAS
Claire Lombardo
https://t.ly/ZlDmj
I was wary of this book, because the best reviews came from “People” and “Parade,” and often what is recommended by these mainstream publications is lowbrow which I find unfulfilling and…the book is 496 pages long.
But I realized I’d read Lombardo’s previous book, “The Most Fun We Ever Had,” and had enjoyed it, so I dug in.
I am not recommending “Same As It Ever Was” to the casual reader. I won’t say it’s a slog, but it’s not a page-turner, it’s not laden with explosions.
What we’ve got here is a wife who doesn’t believe she fits in and the choices she makes, which are not always good ones.
And there are certain plot points that take the entire book to play out, to be revealed, and that is ultimately satisfying, but according to my Kindle it took twelve hours and change to read this book, and that may just be too much for many people.
Just like with “His Three Daughters,” unless you’ve been in the situation, you may not be able to fully relate. But what we’ve got here is a husband and his friends who come from well-adjusted families, whereas Julia was raised by a single parent who seemed resentful of her existence.
How does someone cope with Julia, and how does Julia cope herself?
This is a good book. But not the best book. If you’re a dedicated reader of family/relationship fiction, who loves to be engrossed in a long story, you will like “Same As It Ever Was.” Family life plays out in unpredictable ways. There are victories and losses. How do you cope with the choices your children make, how do you keep a relationship together?
Ultimately I liked “Same At It Ever Was,” more than liked it. But when I thought it was predictable a quarter of the way through, I winced and almost gave up, but ultimately it’s not predictable.
“Same At It Ever Was” is not lowbrow. It’s just not the kind of literary fiction the big kahunas trumpet. It is rewarding. You know if this is your kind of book.
BANAL NIGHTMARE
Halle Butler
https://t.ly/2re0a
Ultimately I was riveted by this book, it has stuck with me for weeks. I read it on a long plane ride and didn’t have time to write about it and all the online scuttlebutt said it was all about the previous book, “The New Me,” supposedly the definitive millennial statement, so I figured I’d write about “Banal Nightmare” when I finished “The New Me.” But I may never finish “The New Me,” it is similar in style to “Banal Nightmare,” but nowhere near as good, so I’m writing about “Banal Nightmare” now.
The style will trip you up. The perspective, the speaker can change in the middle of a chapter. You’re reading one paragraph and then in the next paragraph you have no idea what is going on, and you don’t understand until a few paragraphs later. This is off-putting, I almost gave up, I’m glad I didn’t.
What we’ve got here is a woman who breaks up with her boyfriend, realizes it’s not for the long haul, and moves back to her college town, where her friends still live.
There are cliques. She doesn’t adjust her personality and doesn’t fit in.
And the people in the cliques… Some are in good marriages, some are in bad. Some people are oblivious and some people have a good grip on their situation. Do you take dramatic steps and change your life or ride with what you’ve got, afraid of risk?
But the main reason I’m recommending this book is because I have never, NEVER seen such an accurate description of relationships in the late twenty-early thirtysomething time frame.
Sure, there are a lot of people writing about this, but they usually get it wrong.
Sure, the perspective is that of millennials, but I could completely relate, and was glad I was no longer in that situation.
Not only are you navigating friend groups, not only are you pondering your “career,” you’re looking for the one, are you ever going to find the one?
Do you click or not? Everything in life is about clicking, and it’s something you feel, not something you can plot out on paper.
Some might find “Banal Nightmare” frustrating. They don’t like life to be messy. They like to make a choice and move on, forgetting about the past, assuming anybody can really do that.
You’re so lost at that age.
Oh, you can buy the b.s., the same one sold by the system I was referencing above, in “The Most,” you can color inside the lines, as a boomer become a doctor or lawyer, as a millennial become a financier or a programmer, but are you going to wake up one day and be dissatisfied?
And then there are those who are forging their own path, it’s so murky.
“Banal Nightmare” has stuck with me. But I think two-thirds of the people will reject it on style alone. And then there are those who hate whining.
But in “The Most” Kathleen was involved with an intellectual, forget what he looked like, she was stimulated by him. Was he the right one?
And Virgil can screw any woman he wants, he’s that good-looking, and he does. But does that fulfill him?
We’re all asking ourselves these questions, or variations on them, our entire lives. And we don’t want to miss it, we don’t want to wake up and find our complacency has limited our outcomes.
This is why we read, this is why fiction is so great, you’re confronted with life and your own choices, you are forced to think. And in truth, we’re all thinking all the time.
I’d recommend “The Most” to all, not that I think everybody will get through it.
If you remember being tortured by life, relationships and career choices in your twenties or thirties, or are still that age, I’d recommend “Banal Nightmare,” but still, because of the style, it’s not for everyone.
If you’re the kind of person who always has a book on the nightstand, who reads every evening, enjoys a long family saga, I recommend “Same At It Ever Was.”
If you’re someone who only reads one or two books a year, don’t bother with any of these, I’ve got better recommendations.
But if you’re a regular reader and looking for what’s next, check them out.
But the media keeps focusing on films, most of which go unseen.
Distribution is king but everybody still thinks it’s content.
You can do something great and no one can see it/hear it these days. Once upon a time the great surfaced by itself, but today something can be really good and get no traction. The question is how do you put something great in front of the public such that people see it.
You put it on Netflix.
And you don’t decry Spotify, you embrace it.
Or as Sam Kinison once said about starving people in Africa…send them suitcases, not food, they need to move where the food is!
But I feel like a lone voice in the wilderness. Because the aged Boomers and Gen-X’ers need to feel superior to the young ‘uns, so they keep trumpeting foreign and indie films in the theatre, abhor anything to do with the smartphone and for reasons of status, displaying their ignorance, pooh-pooh anything with a hint of the mainstream.
But this us vs. them paradigm is dead. We’re all foraging for content. It’s a journey through the Sargasso Sea, and one must not be afraid of jumping in and swimming.
And now back to the movie…
I guess I just get angry. You just can’t change conventional wisdom, which is controlled by those who don’t know what is going on. The same people who missed Trump the first time around, the people who keep telling us they know better, who are in a bubble but don’t even realize it, never mind admit it.
The most powerful device you own is your smartphone. Get the latest and the greatest, keep it for a couple of years and get a new one. You want the power and the features.
And assuming you’re not a young ‘un who watches everything on that same small device or a laptop, buy the largest, highest quality flat screen television for your abode, this is the heart of today’s long form entertainment. The script has flipped. You needed a good stereo in the seventies, today you need a good television.
Finally the movie…
Felice thought Natasha Lyonne always plays the same character, and the entire film was too stagey.
I’ll agree on both counts, but it did not detract from my enjoyment of the movie.
What we’ve got here is siblings, in the apartment of their youth, waiting for their father to die.
I’m not sure someone without siblings will have the same experience. But if you’ve got two or more brothers or sisters, and the second parent is on their way out, you’ll get it completely.
It’s usually the older sibling who demands control. Who becomes exasperated with the inadequacies of the youngest sibling. Who ponders the future of this youngster and says they must face the future themselves and but still meddles.
Meanwhile, the youngest was the last person to leave the nest, if at all. He or she has a special relationship with the parent. The dynamic is different once the other two are gone. The parents are usually tired, there is largesse with the youngest sibling, whereas they were strict with the oldest, placed all their hopes and dreams upon them.
Carrie Coon is exceptional in this movie. I’m not saying you’ll like her, I’m just saying she nails the character. She believes if she doesn’t do everything, the whole thing will fall apart. Meanwhile, she is not happy that she’s carrying the weight of the enterprise on her shoulders, and she keeps telling you so.
As for the youngest… She has been denigrated, pushed aside for so many years, that she alternately stays quiet or yells out.
Meanwhile, the person in the middle is lost in the shuffle.
Elizabeth Olsen is the child in the middle. Her character is not wholly believable, she’s always upbeat, followed the Grateful Dead but appears to be straight out of a Lululemon ad. She wants to make peace. She’s invested in her daughter. She is so fearful of being overwhelmed that she lives a circumscribed life. And although she can get overloaded, she refuses to dominate, although she will blow the whistle.
The eldest, Carrie Coon, thinks her sh*t doesn’t stink. She thinks she knows and everybody else does not. She doesn’t even think of questioning her beliefs and actions. She’s the oldest, she’s the most together, she’s right. Period. And when confronted with facts she has overlooked, she fights back.
That’s what you rarely see in movies, characters doubling-down. Usually when someone is confronted with the truth, they immediately go into self-doubt, they admit they’re wrong and there’s a kumbaya moment, a coming together. But in real life, the one in power doesn’t do this at all, he or she amps it up, becomes emphatic, is intense and oftentimes employs a scorched-earth strategy. When Benjy tells Katie (Carrie Coon) that Rachel (Natasha Lyonne) has been there all the while, doing all the work, taking the father to the bathroom, that even he spent a lot of time watching sports with the father… Katie/Carrie doesn’t buy it, and insists that he leave the house, immediately.
Family dynamics, they don’t comport with the rest of the world. It’s a world unto itself. And he or she who yells loudest often wins.
And then there’s the money. I’ve got a friend who says you never really know your siblings until you share an inheritance.
Katie and Christina (Elizabeth Olsen) don’t like it that Rachel will inherit the rent-controlled apartment, that her name is on the lease.
Doesn’t matter how much Katie and Christina have, that their lives are richer in many ways, especially economically, than Rachel’s, they’re unhappy that they’re not getting more, at heart they believe they’re getting screwed.
And Rachel refuses to accept this dynamic. Two sisters are playing a game that Rachel doesn’t. Rachel has checked out, and the sisters deride her for it and insist she must play their game.
But Vincent is Rachel’s father too.
Katie can’t see emotions, even though she thinks she does. Everything is viewed through a prism of math. What she’s done, what she’s entitled to. And no one has as much responsibility as she does, NO ONE! You could never convince her otherwise.
A nice evening’s entertainment.
Now despite the festivals, despite some of these films playing in art houses, indie cinema, as an exhibition form, is in the doghouse. Because no one wants to go. The Boomers, who grew up on it, know that it’s a bad economic proposition. You’ve got to go on the theatre’s schedule, overpay for a ticket and maybe parking too. Meanwhile, at home you can watch nearly whatever you want whenever you want. Movies in a theatre are an ancient paradigm. In order to work the theatre must be right next door and the film needs to start as soon as you get there. But that’s not how it works.
Don’t equate this with music. A show is a one time event. A film is static, it’s the same wherever you see it. Why not see it at home?
The major studios have realized this, so it’s all about event pictures, sequels and superhero movies, mostly attended by youngsters who need to get out of the house.
But what if you’re looking for a bit more from a visual experience. What if you’re looking to be touched internally, to still be thinking when the credits roll…
For that you need to go to your streaming outlet, and Netflix is king. If you don’t have a subscription, you’re completely out of the loop.
But many feel superior. Many of the educated don’t have an account, still think television is the idiot box.
But the joke is on them.
Do I think the general public wants to watch “His Three Daughters”?
No. Just a certain subsegment of the public. That’s the key to winning entertainment today. Don’t try to appeal to everybody, that is death.
I see Sabrina Carpenter and Travis Scott are battling for number one on the chart. I don’t care to listen to either of them. And I’m in the majority here. But rather than try to assess what the majority is interested in, which is a cornucopia of offerings, choice, traditional record labels and major media still keep trying to corral us into one pen, listening to the same songs and watching the same movies as if it’s still 1985. But the internet blew that world apart.
I’m hipping you to “His Three Daughters.”
And when “intellectuals” boast about going to the movie theatre, laugh at them. Who has that much time to burn? To get in the car, sit through all those trailers? I certainly don’t. In a world of so many offerings, I want to partake of as many as I can.
Unfortunately, it’s hard to wade through and find what stimulates and satiates.
If you’re fascinated by family dynamics, identity and behavior, I highly recommend “His Three Daughters.” Sure, it could almost as easily play on a stage, the cinematography is nothing special, but the humanity, the essence of life, the questions are right there in front of you.
What you wrote about Steve is equal parts genuine, and generous. Â We both know he deserves it. Â But you really did him well. Â You captured his spirit so beautifully. Â Bravo.
Very nice to meet you, and to chat, and to laugh…what a most lovely time. Â Thanks for including me w/ such a positive light in your story, as well. Â You have a lot of reach. Â Deservedly so. Â I see it as a match for your thoughtfulness, your intelligence and your scruples. Â Bravo, again.
I look forward to the next time, Bob.  We’ll see you down the road.
Kenneth Pattengale
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Hey Bob, I’m so glad you got to see Steve, I co-wrote the Petrichor song with him.
We made friends instantly when I went to see Tommy Prine, John’s son, and it turned out Tommy was sick and Steve took his place at the show. I had never seen Steve before and I was there with a couple of songwriter bluegrass pals Shawn Camp and Nick Forster, who had never seen him either.
We were gonna leave when he started his set because there are no harsher judges than bluegrasser songwriters. Shawn was looking at his watch and pointing at the door and then Steve took us over and we were blown away. When he told the Prine story we were all in, cause we were pals with John and I got to co-write and play on his Lost Dogs and Mixed Blessings record. I could just see John in the van, realizing that the Disney store was right next to his hotel, the whole story is a wonder. Just as you described, I told everybody about Steve, and I’m still telling everybody, and we’ve written a big pile of songs together. I told my wife about him and insisted on taking her to see him, cause I couldn’t wait to see her reaction. I’ve been making music for a living my whole 74 years and it’s very rare that I’m as entertained as I am by Steve. He is a brave man with no set list that trusts his talent and goes for it every show. I’ve been reading your stuff for years and I’m thrilled that you championed Steve. I was pleased to see that you included my post the other day about the loss of my longtime pal JD Souther. Another recent loss was my friend Will Jennings, and too many more. It’s that time of life, still hard to take. Thank you so much for what you do, I’ll be reading along and probably agreeing.
Gary Nicholson
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Steve Poltz did one of the most amazing in-store performances we’ve ever hosted at Grimey’s. He’s supposed to be promoting his new album at the time (Shine On, produced by my friend Will Kimbrough, who also wrote Jimmy Buffet’s ‘Bubbles Up’ and accompanies Steve on this performance), but he pretty much just does his thing – telling stories, making songs up on the spot, engaging and interacting with the audience and ENTERTAINING. He pulls Molly Tuttle and Grant Lee-Philips out of the audience and up to the stage to join in and even convinces Grant to do his Neil Diamond impersonation! It’s big fun and his bit with the kids is genuinely heart-touching. The performance is pro-shot and still up on youtube:Â https://www.youtube.com/watch?v=D30vn1upUwU
I love that you’re championing Steve Poltz. He’s a genuine treasure.
Doyle Davis
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As a performer in San Diego people always ask me “who should I see first” I say “Poltz”. “Who should I see 2nd?” “Poltz”.  I’ve seen him two days in row where he didn’t play the same song. I’ve spent days with him on white water rafting trips and he always had something positive to say.  Just being around, him for a few days at his songwriting camp. inspired me to write some of my popular songs. I just saw him here in Reno and for the first hour he played new songs that I didn’t know, and nobody was bored.
He’s one of my few true heroes.
Ronald Hill
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Thanks, Bob, for shedding even more light on San Diego fixture Steve Poltz. And he’s everywhere at once! Just ran into him again here in town during the Americana Music Week last Wednesday, appearing at the Madison House Agency function – outside, during the day – and he killed (as usual).
Larry Butler
Nashville
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Thank you for the Poltz piece. I’ve been following him since the mid 90s when we toured with the Rugburns. We’ve recorded 4 of his songs and are about to release another. His absurdist humor is spot on & makes the coldest hipsters laugh. He’s also one of the best acoustic guitar players alive.
And he shook hands with Elvis.
TCB
Bill Davis
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Steve Poltz is indeed terrific and I’m glad you wrote about him. He’s a pal. but despite that I’ll insist he’s the best live one-man-with-guitar artist I have EVER seen, and I’m 90 (i.e. older than most dirt) and seen a LOT of music over the last 75 years.
The only person who’s even come close — as a story teller and entertainer — was Loudon Wainwright III in his early years.
Cheers,
Richard Flohil
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Bob, facts: He’s a national treasure. I’m going to his show at the Ark in Ann Arbor, and I should bring a seat belt for my chair; who knows where this trip he’s driving us will take us.
Mike Vial
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I met Steve in 2002 when he played at my house with Beaver Nelson, Scrappy Jud Newcomb and Adam Carroll. It was the beginning of what has become a very long journey. I have now seen Steve perform 113 times, in 20 states, DC and Ontario, travelled cross country with him, gone to baseball games with him, stayed in his apartment, he has stayed with us, and my wife and I were with him the night of his stroke in Wilmington Delaware and took him to the hospital in Princeton NJ. I have introduced him on more than a few occasions and to say that each show has been great is an understatement. As he says, “this is the greatest show I have ever played”…. he truly believes that!! He is a dear friend who should be as big as the biggest rock star, but no matter it doesn’t bother him in the least! He is a dear friend and I can’t wait to see him the next time because every show is different. Thanks for being in my life Steve…..you make it better!!
lou DeMarco
Momentary Love Management
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I’ve been writing about Steve Poltz since he released his solo debut One Left Shoe in 1998, when he was encouraging audiences to sing along like Chewbacca and regaling us with stories about how he and Jewel wound up on a boat with Mexican narcotics officers arresting drug smugglers right before they wrote You Were Meant for Me. And every word of it was true, there are photos to prove it. Somehow he wanders the globe in a cloud of fairy dust, picking up inspiration as he goes along and building audiences bit by bit along the way, he really is a one-of-a-kind mutant, hard-wired to entertain, a 21st Century song-and-dance man who never uses a setlist and can go off in any one of a million directions at once.
Amazingly, he recorded his 2010 album Dreamhouse in my hometown of Dartmouth, Nova Scotia (with Canadian rocker extraordinaire Joel Plaskett), before heading to my partner Jordanna’s hometown of Perth, Australia to make his next album Noineen Noiny Noin (the Aussie pronunciation of “1999”), basically two polar opposite ends of the planet. We go to see him every chance we get, and if he spots us in the crowd, he’ll perform From the Top of Her Head with the line “from COOKEtown to Perth, to the ends of the Earth” with a wink and a smile (on the album it’s “from Darwin to Perth”), so it’s become “our song” in the popular parlance. How do you top that?
~Stephen Cooke
Halifax, NS
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He is a favorite of ours! Â Â Love the Prine story – it is hysterical in its full story! Â Â Love his guitar story and he is a good player too! Â Love Poltz
Terri Williams
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One of the 10 best shows I’ve ever seen was Poltz at McCabe’s a few years back, before the pandemic. He is my kind of religion, boy howdy.
Sorry to have missed this past Sunday. I could have used some of that, even if it does leave me a dishrag for the rest of the week.
Colleen Wainwright
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Truth. Â Â Thx for writing about him.
I’ve seen him 30+ times.  He’s terrific.  One of the best storytellers.   He’s hilarious.  Non-stop laughter.  The best kind.    And so talented.   I love the crowd participation how he involves everyone and nobody in the audience feels left out.
Fiona Bloom
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Ok I will go see him!!!
Peter Noone
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Thank you a thousand times for singing the praises of Steve Poltz, a true gem. I was stage managing the Angeline’s Bakery stage at the Sisters Folk Festival many years ago on a Sunday afternoon, the last show of the festival. We cleared the chairs and packed ’em in, thank God the fire marshall didn’t arrive. Poltzy made ’em laugh, made ’em cry, crowd surfed and played way over his allotted time, until he had nothing left. Incredible, amazing, unforgettable. He deserves every accolade!
Sean McGowan
Portland, OR
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Steve Poltz is the genuine article and one of my favorite people.
Our company managed Steve for several years in the mid-2000s. It was a difficult time in the music business as managers and artists were trying to figure out a path forward, especially hard for an artist who had previously been on a major label.
I signed Steve because the talent was undeniable, but he was basically starting over again and it was a tough climb. To Steve’s credit, he persevered for the last 15 years and became that show business rarity – a late career success story. We are still friends and I couldn’t be happier for him!
Charles Driebe, Esq.
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Poltz is amazing, and a friend of a friend (I think that’s probably Steve’s relationship to everyone on Earth at this point).
Saw him a few years ago at Largo. Couldn’t believe how good the show was or how lucky I was to see it.
He’s also an VERY fun follow on the old Facebook.
Probably the best troubadour you’ll ever see. Even though Bob Schneider is in the conversation.
Tim Wood
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Kenneth Pattengale would be a perfect compliment to this guy. I have neever seen Steve Politz, but was fortunate to see the Milk Carton Kids maybe 10 years ago at a Studio 519 show in Redondo Beach. They were incredible, and I have kept an eye out for them ever since. Glad they are all making it in a niche genre.
Terry Watson
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Oh Bob! Thanks so much for lauding the Saturday afternoon folk festival killer that is Steve Poltz. My son was out with the brunette Joni named Heather Maloney a few years back (I couldn’t get Heather to call their full band act “Heather Maloney and the New Stone Poniesâ€)and they were sharing the stage with Poltzie often.
I used to bump into him at 3rd and Lindsley in Nashville hanging and listening to the Long Players rip thru the white album with Pat Sansone of Wilco stepping up to sing the high ones…
He’s the essence of what live music is supposed to be …. FUN! I hope you’re sides recover from the good splitting.
Enjoy your emails so…
Blaine
Dr. Blaine Leeds
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I had the good fortune of seeing Steve perform twice last week in Nashville – first, at an intimate house concert of singer/songwriters hosted by my buddy Craig Lackey (a songwriter and neighbor of Steve), and then again 4 days later when he performed as part of the lineup for Americanfest. He performed at the club 3rd & Lindsley, doing a full set right before the headline act of Dave Alvin and The Guilty Ones with Jimmie Dale Gilmore.
Both performances from Steve that I saw were uniquely different and equally entertaining. I’ve seen him perform 4 times now, and I can attest that each show is different and captivating – and all are HILARIOUS ! After each and every show, I indeed felt like I had witnessed “the greatest show he’s ever done”.
Hope you’re well.
Phil Stanley
P.S. Dave Alvin and Jimmie Dale Gilmore were AMAZING. I highly recommend seeing them whenever and wherever you can.
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A much loved San Diego treasure his annual 50th birthday parties at the Belly Up in Solana Beach, CA are one’s of legend! Â This review is stellar and as longtime supporter of local music in San Diego, I appreciate your support of this unique human that can change your life, such an entertainer. Â Comedy and Music all from the mind of one person…
THX
Tim Pyles
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I have seen Poltz twice, once at a club in Nashville and once at a house concert in Phoenix, and you are spot on-he owns his stage. I have a few of his albums, but they are no substitute for his live show. The stories are as important as the songs.
Laurence Cavanaugh
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Poltz is amazing. Just saw him in Nashville at AMA.
Donald Cohen
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The greatest aspect of your podcast is that it opens up my eyes to new and not so new artists. I missed the boat on Steve Poltz until I heard him on your show. I have listened to it three times in its entirety and I have sent it to all of the music fans I know.
I am now scouting a Steve Poltz show near me or in Nashville so I can see him in person. Thank you for always finding fascinating guests and for opening my eyes to artists who have so much to offer.
You facilitate opening the lid to so many new rabbit holes the listener gets to climb down. Every podcast sends me on a deep dive that leads to a world of musical treasures!
Thank you!
Stephen Jones
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Thank you for the thoughtful review or my client.  I as well as our entire team appreciate it and couldn’t agree more with your sentiment.
Sincerely,
Adam Bauer
Madison House, LLC
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Yup. Poltz is a force of nature. Thank you for giving Steve his due.  I haven’t been to a major concert in years – just for this reason.  House concerts. Small clubs – McCabes. The Coach House. Belly Up, Winstons. These are the places music truly comes alive. Ellis Paul. Lisa Sanders, Poltz, T Sisters, Jeff Berkley, Calman Hart just to name a few. Betcha never heard any of these folks and you are worse for it. The road is full of ’small acts’ that’ll blow your socks off.  Dave Alvin used to come to a local venue, AMSD (Acoustic Music San Diego) and give you one of those shows you talk about to, as you said, all your friends. And these smaller venues will expose you to music that you (probably) wouldn’t give a shot.  I’m a rock and roller to the core but that started changing when I saw the likes of Dave Stamey (Cowboy), Led Kaapana (Slack Key guitar), and Ray LaMontaigne (in a room with 40 people before he ‘made it). The only person I’ll see in an arena environment is Springsteen. Like him or not his shows are never less than spectacular.  Point being, see Poltz and adventure to those other acts that don’t blip on the radar and you will be richer for it.
Robert Tussey
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Steve Poltz is awesome.
I saw Steve at a house show the night he ran the sausage race in Milwaukee. It was a perfect night. During our break, we chatted about Obama and politics. Later, he sang me a birthday song because he thought I was cool. Â I had been a fan for a while and believe I may have everything he has recorded.
He is way cool. The show was in the basement rec room of a home in suburban Milwaukee. Cozy and fun. He played his heart out. It is one of the best shows I have ever seen.
Once again, Bob, you are correct. Find the closet (or fly cross country) show and see Poltz.
Your pal,
Kevin Lampe
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I love both of these men. Thanks for writing them up!
Auyon Mukharji
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Known him for years and years in San Diego, he’s a real character
Marty Schwartz
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In 2012, I remember strongly urging you to join us at the Swallow Hill room at Folk Alliance to experience Steve and his massive talent. We also had some other musical luminaries including the Wood Brothers, Elephant Revival, and Tim and Nikki Blum.
I wish I had taken a photo of your smile. It was the same one we were all wearing as we got “Poltz-edâ€.
I’m so glad you included him in your blog this week. His stories and songs in a live setting surpass every live show I’ve attended. And you’re right, all the stories he tells are true, and unbelievable. Stories like him and Jewel joining Federales on a huge drug bust in Mexico. Or a Poltz/David Cassidy collaboration that went absurdly awry in the front row of a venue in Las Vegas. He can even make a story about winding his watch hilarious.
But it’s not just the humor. Songs like “Brief History of My Life†and “Medical Career†are deep and so touching as to bring tears.
Poltz earned his kudos through years and years of touring and expert song craft. It’s something he must do, not just something he simply wants to do.
I remember sitting with him in an auditorium in a Toronto while you were speaking about the music business to a large assembly of music industry peeps. When you were taking questions, Poltz asked you how many people subscribed to “The Lefsetz Letter.†You smiled and said “I can’t tell you exactly, but it’s the population of a good-sized city.â€
Bob, I hope your city of subscribers gets a chance to see Steve Poltz, to experience his energy, his stories and his songs.
Thanks for your work.
Tom Scharf
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Ok, thanks!
Steve Poltz – 2024 Tucson Folk Festival
Tom Martin
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After years of reading your column, this is the first time I felt a need to respond. Â Mainly because I have a very personal attachment to Steve Polz which I will explain, but also because I agree with you the days of artist development and believing in your gut an Artist has talent and are not swayed by any analytics or lack thereof has diminished.
The Artist and the music should always come first. Â If you believe in a talent, there’s a belief and a magic about them you are inclined to see it through and come up with a long-term plan to see them succeed.
You nailed it with Steve Polz and thank you for giving him the recognition he deserves. Â No one works harder than him. Â That should not change with the new ways of doing business and should always be about a connection emotionally with an audience and Steve Polz has that.
I met Steve Poltz in the late 90’s. Â I had been a manager for such artists as Gregg Allman, Ronnie Spector, and the great Jeff Buckley, among others. Â When Buckley passed tragically, Danny Goldberg, who I co-managed the Allman Brothers Band with and because I was very successful with Artists internationally, (many of them you would have not heard about because they were not popular in the U.S), asked if I would be interested in running the international department at the Mercury Records Group.
This was my first corporate job, and I applied the same management philosophy I always had to my new role. In a short period of time, we took the label from one million seller to many, including Cake, The Mighty, Mighty Bosstones and the most controversial project, was David Munns and myself set on making Shania Twain a huge pop star internationally before she broke in the U.S. Â We re-imagined her and with redoing her country album into a pop album. Â We also gave her a new image and worldwide they all said we were crazy it would never happen. Â However we believed and it happened.
Everyone thought I was crazy around the world for wanting to release these artists internationally, but we succeeded with all and became the number one label in the world with this focus at that time.
Therein comes Steve Polz. Â When I met him at the record company and even without hearing him perform, I found him infectious. Â Then when I did see him perform, I knew he had what it took. Â I then came up with a plan for him to break internationally because my gut believed in him.
Fortunately, with my new role, I had a President in Danny Goldberg, that allowed me to do as I thought was best for the label and the Artists and no one had a say in what I wanted to do but myself. Â This was why we became successful. Â No one was questioning me with the decisions I was making either artistically or financially. Â Steve Polz was one of those decisions I am proud to play a small part in wanting to make him successful. We began building his fan base one fan at a time with live shows and very little support from the affiliates around the world. Â It did not matter. He began building the base that he has today.
I knew if people saw Steve Polz perform live, they would fall in love with him. Â Not only newfound fans, but media and others at the labels around the world. Â Because it was just Steve and a guitar, the costs were low and we began booking shows in small venues in the UK, Europe, and Australia. Â Audiences fell in love with him like you and I have.
I still talk to Steve occasionally and follow him on the social media platforms. Â I am so proud of what he has accomplished. Â He always had the attitude to do what it took to succeed. Â He also was not a huge expenditure for the label. Â Did he sell millions of what they then called albums, no! Â What he did do was build a real career for himself internationally.
You hit the nail on the head with Steve Polz and thanks for highlighting him in your column. Â You are right…..Go see Steve Polz live and you will be transfixed by his talent and keep coming to his live shows.
Thanks Bob. Â Artist development is not dead to some of us.
Dave Lory
President
Worldwide Entertainment Group
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Bob,
Thank you. It was fantastic to see you.
I’m honored that you wrote all those words about the evening.  I hope we can one day eat some food together.  I would like that.
