Travel As Equals

Speaking of magic…

This is positively majestic.

It’s the way it just doesn’t end, moves into a new groove just when you think it should be over around 4:40 and it’s positively post-coital, it’s like you’ve finally found the hidden door and you pass through and it exceeds your expectations.

I heard this yesterday on XM’s Loft. And it just kept getting better and better. I was worried about getting in an accident as I tried to send myself an e-mail with the title.

Turns out I had it wrong.

But it turns out, after research, "Travel As Equals" is not on Spotify anyway, haven’t found it on any of the services. But if you go to Mr. Arthur’s website, you can dial it up on the player there…

And you should.

He’s not exactly rapping and he’s not exactly singing but there’s something undeniable about the vocal, you’re forced to pay attention.

And this isn’t even the best part.

Meanwhile, I love the concept of the lyrics… "We travel as equals or not at all." Ain’t that the truth. You think you’re better than me because you’re rich?

You might have a greater income
Or you might be dumb and dull
But either way I won’t leave you
Travel as equals or not at all

We’re all in it together. Isn’t that what Jesse Colin Young implored us to do a long long time ago, get together? Why have we become so separated.

But it’s not about the lyrics. It’s about the feel. Like you’re on a train rolling down the tracks with your head out the open window, hair blowing in the wind.

But be sure to hang in there until after three minutes in, when the spaciness begins, when the aural adventure gets truly real.

None of the elements is that special, but put them together and there’s this amazing feel, a vibe you can only get with music.

It’s "Gimmie Shelter". It’s "Secret World".

It’s lightning in a bottle, it’s pure genius.

P.S. When you go Arthur’s homepage, wait a second for the player to load, it’ll be at the top of the page, "Travel As Equals" is all cued up, just click the triangle to play.

Quality

It’s kind of like stereo.

Does a $50,000 stereo sound ten times better than a $5,000 stereo? No, it doesn’t even sound ten times better than the buds on your iPhone. You see the last 10% is elusive. It’s easy to get to 90%. Approach 100%? Almost impossible.

In the wake of writing about Shannon Labrie, I’ve been inundated with unsolicited music, some even on major labels. And all of it’s good. But none of it’s great. None of it contains that je ne sais quoi that makes us play a track over and over again, tell all of our friends about it.

You’ve got to stay at it long enough until the doors open. What’s worse, you can’t even see the doors until you’re that good. You think you’re in a closed room, and then suddenly, there’s a door and in the next room there’s four more. You get great, you practice, you write to get ready for the possibilities. You learn how to act on inspiration. You learn how to leave in mistakes. You learn how to act without delay, you learn how to eliminate filters, all the voices in your head. You take chances. And since you’ve put in so many hours, you never suck, your stuff is never terrible, but it’s only when you hang it out there that it’s great.

But, like I just said, newbies don’t know this. They think they can see the entire field. They believe music is like baseball, that there are rules, that it’s clearly defined. But even baseball’s more complicated than that. What happens when the ball hits a rock on the way to the shortstop? Your training will allow you to reflexively adjust to field it, but you may have never thrown off-balance in this particular way again, and that’s the magic. The same way Willie Mays caught Vic Wertz’s ball running backward, over his shoulder.

People think good gets noticed.

But only by your friends and relatives.

Great has a chance. And even great has to wait for its moment. Not every classic track was an instant hit. Sometimes you’re ahead of the game, the system isn’t ready for you. Luck is involved, but you’ve got to make your own luck, you’ve got to be involved.

It’s all about magic.

And everybody knows magic when they see it. Life is about experiencing magic. That’s what keeps you doing it. The knowledge that we’re open to the incredible. But can you hang in there long enough to get that good?

Wild

"There was no way I was going to keep my pants on with a man who’d seen Michelle Shocked three times."

And that’s why I read the book, that quote right there, excerpted in a review in the "New York Times".

I’ll admit I was interested because of the adventure angle, young twentysomething decides to hike the Pacific Crest Trail, alone. But that’s not why I loved this book, why I could not put it down, why I spent all weekend reading it.

Cheryl Strayed, the author, is searching for a lesson.

I didn’t find one.

But I got a lot of insight into the female mind. And it was fascinating to see life from the perspective of another, whose upbringing was not the same. We’re all too often living in a cocoon. We read about people richer or poorer, victims of tragedy, but not those just like us but…different.

Well, not identical. Cheryl Strayed grew up the daughter of a teenage parent. Well, her mother was eighteen when she gave birth to Cheryl’s older sister. And a brother came soon after Cheryl. And not long after that their mother left their abusive father and eventually married a construction worker and the whole family became modern day homesteaders, in the wilds of Minnesota.

But Cheryl was the queen of her high school class. She went to college.

And then her mother died.

If my father had died when I was twenty one I don’t know how I’d have coped. I wonder how I’ll do when my mother dies, and I’m nearly sixty.

Cheryl’s mother’s death pushes her over the edge. She starts stepping out on her young husband, who is only good to her. She even tries heroin. She doesn’t get hooked, but I’d never make that choice. Then again, I wasn’t in my early twenties at wit’s end, with no family keeping me in line. Hell, Cheryl’s mother dies and everybody scatters to the wind.

And a couple of year later, having gotten a divorce, Cheryl decides on a whim to hike the Pacific Crest Trail, from Mojave through the Sierras up into Oregon.

But this is not "Into Thin Air". This is not a nail-biter, woman against elements, fighting for her very life. Rather Cheryl is ill-prepared, she overpacks, she wants to quit, she loses six toenails, her feet continue to hurt.

But she soldiers on.

Oh, she wavers. But just when she’s ready to give up, someone always spurs her on, inadvertently, without really knowing it. Ain’t that life. Human interaction makes all the difference.

But Cheryl wanted to be alone. She has a number of chances to hike with others, she usually passes.

And while she hikes, and she gets it right, there are few moments of bliss amongst the boredom and the pain, she fills us in on her life, how she got here.

And that’s what’s so interesting.

She tells us about the people she sleeps with, and why. Despite the ravings of self-styled sexperts like Tila Tequila, males are clueless as to what really goes through women’s minds.

I always wonder what makes women take off their clothes. Oh, you can be one of those aggressive bastards who force them to, but despite a plethora of documentation that women are demure delicate flowers, they like to do it. What inspires them?

I’ve got to tell you, if I went camping I wouldn’t pack a roll of condoms.

But Cheryl did.

And there is one moment of danger…personal danger, not elements danger, a wayward male.

But the sun shines on Cheryl. She makes it through.

And her documentation of the people she meets, and there aren’t that many, is also interesting. What kind of people undertake such an adventure, are they immune to issues of safety?

Now this all happened back in 1995, before the ubiquity of cell phones, never mind satellite phones and other devices that ensure that you’re never truly alone. Cheryl was inspired to write the book after visiting the ice cream joint she finished at in Oregon with her children fifteen years hence.

She’s looking back, but like I said, even though she’s searching for a lesson, for answers, I didn’t really see any. She recovers emotionally from her mother’s death and her divorce, but really, she would have recovered from those anyway.

But why do we do the things we do? Get old enough and you marvel at some of your choices.

Then again, too many people play it safe.

Cheryl Strayed did not play it safe.

P.S. Reading is a commitment. You’ve got to disengage and pay attention. But when done right, you enter a whole ‘nother world. Kind of like a great record, at least those of yore which were not background but doors to an alternative universe. You can bat people over the head or you can entice them with quality and word of mouth. That’s how "Wild" made it, the buzz is deafening. Assuming you’re paying attention. Don’t let it turn you off. The great thing about this book is it’s personal. And personal, when done right, is universal.

Shannon Labrie

This unsolicited stuff is never good.

But this is:

To the point where I decided to do some research.

The first Google hit was her homepage. (http://www.shannonlabrie.com/) That’s good, that’s professional, it’s hard to take you seriously unless you’ve got one.

But I had to wait for it to load, because of the dreaded Flash.

1. NO FLASH!

It doesn’t work on the iPhone. And if you read Walt Mossberg’s review of the new Nokia Lumia 900 Windows phone

you know the iPhone’s dominance is only growing. BlackBerry is toast and Android is on hold, did you see that statistic about the percentage of people who use wi-fi on the iPhone as opposed to Android…WHEW!

We live in a mobile society. Play to it.

2. INFORMATION NOT IMAGE!

People believe we still live in the eighties, with MTV dominance, get a good headshot and let people know you’re beautiful…HUH?

This website is so slick, it begs the question whether daddy’s money is involved, who could afford such a production? Or that too much time was spent on image as opposed to music.

Online, we only want the facts. Despite all the interest in Pinterest, it’s words that matter most online. Don’t they call it the "information superhighway"? Give us info, not image.

3. DON’T PLAY MUSIC AUTOMATICALLY!

I went to the site, I’m interested. Now you’re forcing me to adjust the volume of my speakers and scan your overcrowded web page for the tiny tools that allow me to stop the music.

I’m already interested, DON’T TURN ME OFF!

4. DON’T BE STATIC!

A web page is not a tombstone. It’s a living, breathing thing which should be updated constantly so people will come back. Sure, you want the facts, but you want a running dialog too.

5. THE VIDEO

I would have been more impressed if there was no makeup, no stylist, if the singer looked more like the drummer.

And cut the mugging… You’re singing a serious song! It’s not a commercial, it’s life itself.

6. THE SONG

First and foremost, it’s listenable. I love the changes. They scream everything the images are not, intimacy, meaning. Music, when done right, doesn’t bounce off the listener, it penetrates him, and sticks.

7. THE FUTURE

This woman is on to something. But what she probably doesn’t realize is she’s just at the beginning.

I see on her site that she had a song on "One Tree Hill". I don’t watch that show, and most people don’t. There’s nothing wrong with a placement, it’s just not the road to riches the music supervisors and business people tell you it is.

8. VIRALITY

I tell you about almost nothing. But this track affected me. Made me believe like the great singer-songwriters of yore, maybe this woman has something to say. That in this crazy, mixed-up, shook-up world she can illuminate her story and people can relate.

9. IT ALL COMES DOWN THE SONG!

She could be ugly, the website could be all text, the video could have been shot on an iPhone…but if the song touches us, it works.

THE PENUMBRA IS OVERRATED!