Suze Orman

She reminds me of my father.

I never watched her CNBC show, I really had no idea who she was, but Felice kept turning her on at 6 every Saturday and I’ve become hooked. Because she’s the voice of reason in an unreasonable world.

I like to think I know everything. But I was stunned last week when Suze came down on variable annuities. I have no children, I’ve got no debt, I’m not in the market for one of these financial products, but I thought they were a reasonable thing, turns out they’re not. And that’s what keeps me watching Suze, the way she counters conventional wisdom.

My father used to have a rap. Actually, we’d call it the “Morris Lefsetz Philosophy.” We’d hear it on long car drives, after a good meal, my dad would kick back and smile and tell us how we didn’t have a fancy house, we didn’t drive the latest cars, but our house was paid for, we could go on vacation, we could eat out, we had each other.

That’s right, when I was in junior high, everybody decamped for a better neighborhood. The split level we lived in shook when someone shut the front door. But to get my dad to sell that house and take on debt would be akin to asking him to cut off his left arm. He told us he could sleep at night. Now I understand.

My relationships have been riddled with financial issues. Not only how the money is spent, but how much of it there is. We all have different values, and I’ll admit it’s hard to accept those of others, but when it comes to blowing money I’m intolerant, and when you’ve got two people struggling it adds tension and it breaks you up, I know from experience.

I also know that the fantasy of loading up credit cards to pursue your dreams is just that, a fantasy. Sure, some people break through and get rich and pay the debt off, but most don’t. My experience has turned me into a depression baby just like my dad, I live on a cash only basis, I don’t believe in borrowing, because belief that life will get better is oftentimes just that, a belief, and beliefs are often wrong.

But my dad was not fake like Suze. Actually, I don’t think Suze’s like the show at all. She makes nice, talks about her life, when the truth is she’s probably tough as nails, like my dad. Who loved bestowing gifts and picking up the tab, but would tolerate no dishonesty, no b.s.

He also didn’t care what people thought of him. He kept on telling everybody he was a poor immigrant boy, when the truth is he was born in Bridgeport, Connecticut, but when his dad died the family was broke, he had to take care of his mom.

But my dad fought his way out. And insisted we do so too. Come home with bad grades and not only would you be grounded, your life was in jeopardy. It was all about education, preparing yourself for the future.

As a result, I’m prepared pretty well.

But most people are not.

The biggest crime you see in Los Angeles is “Keeping up with the Joneses.” Leasing a fancy car and moving into a desirable neighborhood because everybody else is. Suze says you have no idea what goes on behind closed doors, that those who smile outside might be fighting and unable to sleep inside.

And not only must you live within your means, you must have an emergency fund, of eight months. And with so many of my baby boomer brethren out of work with their unemployment benefits having run out, eight months is not much. But people call Suze every week eager to spend.

Which America wants you to do.

And once you open your eyes to this it’s frightening. There was a story in last week’s “New York Times” delineating the different responsibilities of those selling products at the bank as opposed to certified financial planners. The latter have a fiduciary duty, the former do not. And I know the difference in responsibility, having gone to law school, but I did not know the difference between a bank’s investment brokers and licensed certified financial planners.

If only Suze were taught in school. If only everybody in America was forced to listen to her words. Sure, America runs on consumer spending, but if you want to get ahead you’ve got to manage your money wisely, you’ve got to plan, you’ve got to be realistic.

And the show is good television because it’s absent the tropes of the networks. The people call in weeping about bad decisions and after describing their problems a sponsor does not swoop in and make them whole. No, Suze dispenses truth and then they’re left to their own devices. Suze just told a cashless couple to sell their house after the husband ran up credit card debt the wife was unaware of. They balked, they cannot do it, their image can’t take the hit. But is image what it’s really about?

And then there are the people who want to buy frivolous items when they’ve still got credit card debt, at inflated interest rates. The government is never gonna crack down hard enough, the financial industry keeps legislators alive, you’ve got to help yourself.

But what makes Suze’s show so riveting is the no b.s. truthful advice that we all want to hear that we never get. It’s kind of like Simon Cowell on “American Idol.” The acts all want to be successful, their hearts are in it, the other judges are encouraging, but Simon says no way.

Ain’t that America, where it’s illegal to piss on your hopes and dreams. But the truth is life is tough. And the way you succeed is through knowledge, that you gain from authorized, approved sources, which are often pooh-poohed by the hoi polloi the same way the ignorant educated refuse to get their kids vaccinated because it makes them feel less powerful, less in control if someone else has the answers, if someone else knows more.

But someone else always knows more than you. And someone else is always looking to take advantage of you. Yup, go try to buy a car, the salesman will have you leasing something you can’t afford that you’re unsure of the price of because you don’t want to be seen driving a Toyota that’s paid for.

Kind of like the auto I drive. It gets terrible gas mileage, certainly for its size. But it’s paid for. It makes no sense to trade it in. Just like it makes no sense to lease a hybrid that doesn’t return its premium for six years.

But you want it.

But we all cannot have what we want.

My father told me this.

“Before the Advice, Check out the Adviser”

The Suze Orman Show

You’re On Your Own

You either know how to research or you don’t, you either know how to find the answers or you don’t.

My iPhone arrived. And despite a seamless backup from the cloud, in this case iCloud, I’ve got questions and the only place to find answers is online.

That’s why I stay with a Mac, never mind an iPhone. Because if I’ve got a problem, someone else does too, and I can go online and delve into what they’re saying.

Once upon a time computers were like cars, in their infancy that is. At the turn of the last century, car owners were hobbyists, who could lift the hood and fix their automobiles themselves. As were those utilizing computers in the eighties. This is how many learned how to think, how to analyze, how to solve problems. You’d be sitting there flummoxed, trying this or that, working towards a solution. Oftentimes having to go for a walk or to sleep to uncover an answer.

But that does not mean I give up, that I can tear myself away from my devices when I hit a roadblock.

Like last night. Yearning to get on the stationary bike, I went to hook up my Bluetooth headphones to my new iPhone 6 and they were not discoverable. In the sixties, you’d bring your problem to the shop, where some old guy with wisdom or some young guy who was brusque, but competent, would take your device from you and when you returned a week later it would work, it would be fixed. Today not only do these people not exist, almost no one exists, you’re on your own, baby.

Which is why the baby boomers missed out on the Napster revolution.

You mean I’ve got to download a program and…

That’s why the iPod and the iTunes Store burgeoned, because it solved the problem of the oldsters, who suddenly testified to the greatness of digital music when the truth is their progeny got there four years before and were excited about iPods, but had no intention of paying for music. Which the oldsters couldn’t understand! The CD was so easy! As were the iPod and iTunes Store!

But digital music was easy to the youngster from the get-go. The generation that grew up on videogames without manuals knew that you had to walk into the wilderness alone and figure it out. Baby boomers are still loath to figure it out.

Which is why youngsters always embrace new social media platforms first. Because not only do they hear about them, they figure out how to use them. Oldsters need to be shown. And in today’s world if you need to be shown, you’re one step behind.

Now cars have improved dramatically in my lifetime. I cannot remember the last time someone canceled because of car trouble.

And OS X eliminated the crash.

But every time you get a new iPhone you have to re-enter your passwords, something doesn’t work, you have to hit Google, you have to enter the netherworld of Apple Communities.

And, once again, this is why you should buy an iPhone, because everyone else does. Sure, Android dominates, but in a million different flavors, to the point when you have a problem you’re screwed. And if you disagree with this, you’re probably a power user who can figure it all out for yourself anyway, so this does not apply.

And the truth is I hate wasting time setting up new devices. The glitches and the roadblocks.

But it keeps my mind sharp. And ready for this new world and its coming changes.

So denigrate the younger generation all you want. Tell them they’re coddled and need to be respected as individuals. But the truth is they’ve earned this status! They’ve been individuals in the digital sphere nearly from birth. They’ve had to figure things out for themselves. They know that no one is going to help you in this world, and if you don’t help yourself you’re going to be left behind.

Devices will get smarter, the transition process will become smoother. But the truth is we’ve got a double digital divide. Those without devices and those who have them but don’t know how to use them.

Sure, a new handset is a status item. But it also gains you membership into modern society. They keep upgrading and adding features, ones the kids will start using right away and the oldsters will grudgingly accept and ultimately testify about a few years later.

The Democrats beat the Republicans in 2012 because they understood the internet, they realized data was king.

In what ways are you being beaten because you too are behind the curve?

A Constellation of Vital Phenomena

An eight year old girl in war-torn Chechnya? Really?

It’s a girl’s book. I’ve never heard any guy talk about it. When it comes to the domestic sagas of overseas personages the females eat them up and the males don’t even start. Which is why I had no intention of reading Anthony Marra’s “A Constellation of Vital Phenomena.”

It started with Marc’s wife, he put her on the phone in a bar near midnight on the east coast and we started talking books. I told Abbie to read “We Are Not Ourselves” and she couldn’t stop raving about “A Constellation of Vital Phenomena,” did I know it?

It rang a distant bell. Didn’t Daniel Glass send me a copy? Gift-giver extraordinaire, Mr. Glass frequently sends hardcovers from the local store in his Washington, Connecticut weekend homeplace, the Hickory Stick Bookshop. And when I went back to my kitchen table, there it was, ready for my consumption.

But I had to finish Hampton Sides’s “In The Kingdom of Ice” first.

Mr. Sides’s book got a great write-up in the “Wall Street Journal,” and I bought it on my Kindle before my plane took off and wireless access ended and I started it and it was bone dry, but sometimes exciting. It’s akin to “The Devil in the White City,” have you read that? I won’t spoil the story, but let’s just say it’s centered around the Chicago’s World Fair of 1893. You marvel while you read, how advanced it was back then.

And the same thing in “Kingdom of Ice.” It’s a true story, so when you read about the shenanigans of the owner of the New York “Herald” you can’t help but Google the details, to see if they’re really true.

And “Kingdom of Ice” is about a search for a Northwest Passage, nearly a hundred and fifty years ago, but I had to get through a third of the book just to have the voyage begin, and it wasn’t that the book was boring, but it didn’t call out to me, I needed fiction.

That’s right, the guys read non-fiction. Mostly business books. Sometimes biographies. They want information they can use. Whereas I’ve learned story is king, and fiction takes you away and illuminates life in a way that non-fiction never can.

Like “A Constellation of Vital Phenomena.”

It’s not the easiest read. It’s the kind of book you have to read a few sentences past where you are to understand what’s going on, and I hate that. I read super-comprehensively, I want to know what everything means, I want to miss no details, and therefore I was frustrated at first.

And the story…

Turns out the girl is not the focus, but the war is. A war most Americans, including myself, know nearly nothing about.

What happens when you’re caught in the crossfire, victimized by circumstances, when everything you believe in no longer matters. Never mind your possessions, but how about electricity, and morality, and…

Everything is up for grabs.

But we all remain human and we all soldier on in the face of adversity.

Sonja basks in her self-satisfaction.

Akhmed lives for art but medicine is his profession. This is the conundrum facing so many in today’s society, do you do what’s expected of you or what you feel inside. And forget getting rich following your heart’s desire, no one’s getting rich in Chechnya, and the young girl has never seen a fat person, they don’t exist.

And I’m not going to recite the plot, not that “A Constellation of Vital Phenomena” can be ruined. I’m just saying you’re going to go down the rabbit hole, and halfway through the book will start calling out to you, you will want to sacrifice your everyday life to read it. And when it ends, you’ll be at loose ends.

That’s what I hate most, when a good book ends. Then what? Sure, there are a zillion tomes, but few pull at the heartstrings, few excite you, few are of the same quality.

Not that “A Constellation of Vital Phenomena” is the best book I’ve ever read. Once again, that’s “Anna Karenina” (depends on the translation!), and Tolstoy is referenced throughout, but “A Constellation of Vital Phenomena” is not in Leo’s league, but it’s not that far off. On an absolute scale, if “Anna Karenina” is an A, “A Constellation of Vital Phenomena” is a B. And that’s pretty damn good, because on an absolute scale “Unbroken” is a C- and so much of what’s popular today fails completely.

Not that “A Constellation of Vital Phenomena” is unpopular. But to get me to read it a constellation of factors had to align. I had to have a gifted copy lying around the house, it had to be referenced by someone as passionate about a great read as I am. And one of the reasons I gave “A Constellation of Vital Phenomena” a chance is because Abbie hates so much. I hate those who love everything, they grant no perspective, their opinion is worthless, but when someone critical says they love something, I check it out.

And you should check “A Constellation of Vital Phenomena” out. Because if you’re alive, if you can pull yourself away from your smartphone, if you know the vagaries of love, the hardship of struggle, if you question the meaning of life, if you wrestle with your sense of duty, your eyes will bug out as the rest of the world fades away and you end up with a new understanding of those who are not privileged to live in the United States and a desire to journey to their homeland to feel alive.

“A Constellation of Vital Phenomena”

Rhinofy-Peter, Paul and Mary Primer

500 MILES

Could be the first Peter, Paul and Mary track I ever heard. A staple at summer camp, it was emblematic of the folk boom, hell, we even had a folk TV show, “Hootenanny.”

Everybody knew the lyrics and longhaired girls strummed the tune on acoustic guitars and this could have been the first moment I realized the power of music to get the hormones flowing.

I probably heard this sung before I heard the recording. That was the power of songs back then, when they could be sung. And we did.

IF I HAD A HAMMER

A Pete Seeger/Lee Hays composition, it’s hard to overestimate the ubiquity and impact of this track. It went to number 10 and my mother bought the single and at this distance it stands out as a protest song, its lyrics are most meaningful, and even though this was only 1962, the youthquake had already begun, questioning authority and standing up for the rights of the underprivileged…we saw that on the news every day, the South was roiling, it was part of the conversation, no one ignored the issues of the day the way they do today, feeling helpless against the system. The system was just one more enemy to be confronted and defeated.

WHERE HAVE ALL THE FLOWERS GONE

This was another summer camp staple, a song I knew by heart that I had no idea was on Peter, Paul and Mary’s debut. It was written by Pete Seeger, there were numerous iterations, this was the era of songs being passed around and covers.

EARLY IN THE MORNING

If you’d asked me before I started writing this I would have had a hard time attaching this track to Peter, Paul and Mary, but the truth is it’s the opening cut on their 1962 debut LP and its haunting sound always made an impression upon me. Not all of Peter, Paul and Mary’s famous cuts were covers!

THIS TRAIN

Was written by Peter and Paul and it’s my favorite on the debut LP. It sounds like a western, like people had decided to separate from the status quo and journey off on a train, were we gonna come along? That’s how it was back then, you had to decide which side you were on.

Nothing like this could be a hit today. But this will probably outlast all the hits of today.

PUFF, THE MAGIC DRAGON

Forget whether it was a drug song, we didn’t even contemplate that until the latter half of the decade, but this cut was such a monster it’s hard to understand its omnipresence from the vantage point of today. It made it to number 2 on the chart, but that was when if it was on the radio, everybody was aware of it. And yes, children’s entertainers glommed on to it, but the truth is, once again, it was something sung at summer camp, and probably still is! Written by Peter and the heretofore unknown and promptly forgotten Leonard Lipton.

THIS LAND IS YOUR LAND

This Woody Guthrie song was also on Peter, Paul and Mary’s second 1962 album, “Moving.”

At this late date, Woody Guthrie is a cultural hero whose work is attached to him. But back then, he was the known writer only to those older than us.

BLOWIN’ IN THE WIND

From 1963’s “In The Wind,” this was the monster, both the track and the LP.

You’ve got to know, most people had no idea who Bob Dylan was. He and Peter, Paul and Mary shared a manager, Albert Grossman, and it was this cover that ended up shining light upon the Minnesota bard, never mind lining his pockets.

One can truly track the ignition of the mainstream protest movement back to Peter, Paul and Mary’s cover of “Blowin’ In The Wind.” We had our own anthem written by a denizen of the younger generation and this song gained its power over the wind, it was in the air, everybody knew it even though to this day I don’t think I’ve ever heard it on the radio.

That’s the power of a singable song, the public kept this alive, by performing it.

TELL IT ON THE MOUNTAIN

Let me try to explain this. If you were Jewish you went to summer camp. There was always a counselor with a guitar. And he or she would sit by the campfire and strum and we’d all sing along.

But it wasn’t only Jewish summer camp, the same ritual occurred at Boy Scout camp too. We knew a cornucopia of songs without realizing we’d learned them. Broadway infected me, but folk music sealed the deal, made me a music fan. It was the way the songs made me feel, especially when singing along. Alive. With possibilities.

STEWBALL

Oh, Stewball was a racehorse…

Some folk songs were fast, others were slow. But we knew them all.

It was about a horse, but really it was about holding hands and singing in unison.

DON’T THINK TWICE, IT’S ALL RIGHT

Neil Young still cannot get over this composition, that’s what he said on Howard Stern this week, actually, none of us ever could.

This is how we learned it, via Peter, Paul and Mary’s third album, 1963’s “In The Wind.”

Don’t think twice, it’s all right, while I sit here licking my wounds, trying to get the gumption to pick myself up and march forward, forgetting you while I still hope and pray that you come back.

THE TIMES THEY ARE A’ CHANGIN’

From 1964’s live album “In Concert,” the one that everybody bought, before music was free and you waited until an act’s popularity and influence were cemented and you could get all the hits in one place.

This collection was ubiquitous in a way their music had been previously, but no long player had been before. After all, it was still the singles era, the Beatles were just breaking, “Rubber Soul,” “Revolver” and “Sgt. Pepper” were nonexistent, never mind unfathomable.

FOR LOVIN’ ME

Written by Gordon Lightfoot long before we had any idea who he was.

This is from Peter, Paul and Mary’s 1965 collection “A Song Will Rise,” and even though it popularized this composition, the album had none of the impact of its predecessors, the British Invasion was in full swing, folk music was on the decline, and never forget acts have an arc, their popularity comes and goes, no matter how talented they might be. Sometimes it’s got nothing to do with the quality of their music, rather the scene just changes.

EARLY MORNIN’ RAIN

Another Lightfoot composition from an even more stiff follow-up LP, 1965’s “See What Tomorrow Brings.”

The band was fading fast, they no longer seemed relevant, we saw the LPs in the bin, but only diehards purchased them, they had very little cultural impact, both “See What Tomorrow Brings” and its follow-up, 1966’s “Album.”

I DIG ROCK AND ROLL MUSIC

And then came “Album 1700,” owning that designation because that was its Warner Brothers catalog number, it was literally album 1700.

This was a hit on the radio when that meant everything. It was no longer about impacting the campfire, even though the old folk hits were still sung there, but creating something indelible for Top Forty radio.

And “I Dig Rock and Roll Music” delivered.

It seemed like a cheap shot, with the Beatles reference and the modernized sound, almost akin to the classic rockers going disco at the end of the seventies, but it didn’t cross over into kitsch, “I Dig Rock and Roll Music” just sounded too good. You may not have sung it at camp, but you certainly wailed along in the car!

LEAVING ON A JET PLANE

That’s right, the album came out in 1967, but the track didn’t go to number one until 1969!

Peter, Paul and Mary were back. Everybody who paid attention before anointed “Album 1700” a return. In the album era, it was one you owned and played and knew. But Top Forty didn’t pick up on it. Back in the era when it didn’t have to be on the radio to be a hit. All those Hendrix cuts you know by heart, Cream ones too, they got so little airplay. And yes, “Sunshine Of Your Love” eventually crossed over to Top Forty, and so did “Leaving On A Jet Plane,” cementing its status as probably the most famous Peter, Paul and Mary song ever.

Written by John Denver, of course.

Everybody could relate. We’d experienced love and the disconnection therefrom.

A song that has outlived its era, and that’s hard to do!

TOO MUCH OF NOTHING

Off “Album 1700″‘s follow-up, “Late Again,” which had no impact other than this, nor did its follow-up, “Peter, Paul and Mommy.” We let you come back once, we love the pull of nostalgia, after that, you stand or fall based on the quality of your work.

Yet, there were really two comeback tracks, ironically the first one cut after the second, but released before it.

Well, “Too Much Of Nothing” was not the smash of “Leaving On A Jet Plane,” but back before we knew chart numbers, when we gauged success based on a track’s impact upon us, I was infected by “Too Much Of Nothing,” it’s the one Peter, Paul and Mary cut I still yearn to hear and therefore play, never mind spin in my mind and quote.

Say hello to Valerie
Say hello to Marion
Send them all my salary
On the waters of oblivion

Actually, in the original, it’s “Vivian,” not “Marion.”

But at this point, no one had heard the original, it was part of the infamous “Basement Tapes” which did not see the light of day until 1975. Furthermore, although Dylan wrote it, Peter, Paul and Mary nailed the performance of it, their rendition was much more ear-pleasing, as was Al Kooper and Stephen Stills’s rendition of “It Takes a Lot to Laugh, It Takes a Train to Cry,” on “Super Session.”

Heresy, I know. But although the lyrics are exquisite on both iterations of “Too Much Of Nothing,” the arrangement and sound on Peter, Paul and Mary’s shine so brightly you cannot help but wrap your brain around it.

And the hook is those lyrics above.

Too much of nothing… We thought about that back in 1968, when it was not about getting rich so much as contemplating one’s place in society. There was no internet, no Netflix, all we had was our music. Which we spun incessantly, which we knew by heart. And even though they seem to have been forgotten to the sands of time, even though no one seems to mention them anymore, Peter, Paul and Mary’s songs live on.

They’re the ones we know by heart.

Rhinofy-Peter, Paul and Mary Primer