The VMAs

So can we all agree that MTV ruined music?  Changed it from something you hear into something you see?  From aural to visual?  From life force to entertainment?

You know how you know MTV is done?  THE PAINT IS NO LONGER DRIPPING OFF THE LOGO!  The original team fought for that, it was their cheekiness, their evidence of revolution, the flickering flame of the irreverent sixties.  But that era is truly done.  This show couldn’t be more whored out.  Is Verizon V-Cast a band?  God, I didn’t know you could suck a cell phone company’s dick, but MTV is doing its best.  To think we used to revere bands, not brands.

Speaking of Brands…  Russell is not for this audience.  He’s too smart for these dumb blowhards.  At least those in the audience.  These dolts have watched so much television that their synapses are fried, they can no longer think for themselves.

As for the show being at Paramount…  It reminds me of nothing so much as "Our Gang", with Spanky, Alfalfa and Darla putting on a show. Everybody looks so small on the big screen.  We’re not watching this on our mobile phones, but fifty inchers, and you just look desperate and small, like you’ll do ANYTHING for the money.  If your manager doesn’t tell you to STAY OFF TV, FIRE HIM!

In an era of YouTube, of user-generated content, this show is an anachronism that makes one weep.  Twenty five years?  It’s time to can it.  The VMAs used to be the countercultural event of the year, the hipsters’ award show.  Now, it’s so establishment, so lame, as to have fallen to the bottom of the heap.  At least people are drunk and go off script on the Golden Globes.

Speaking of scripts…  I hope that opening with Britney and Jonah Hill was improvised, for that wouldn’t even qualify as an SNL outtake.  Then again, SNL’s been lame for decades.

Britney looked fabulous, but giving her an award is like honoring Doris Day.  A has-been who’s completely irrelevant, unless you live in Perez Hiltonville.  Hell, this show should have been canceled and put on the Web.  Certainly better than the Paramount lot…

What, do they think it’s 1950?  That kids revere the rock, the one in the Paramount logo?  Viacom owns both, MTV and the movie studio…  Even little kids know this.  But I think the real reason they didn’t have this in a real venue is they’re afraid they wouldn’t be able to sell it out, or in the alternative, the audience would be uncontrollable, wouldn’t exclaim on cue.

What was up with the Jonas Brothers playing acoustic?  This isn’t Crosby, Stills & Nash wooden music, but a camp singalong by amateurs.

Katy Perry looks like a TV confection, and didn’t even get to sing her whole song.

I would ignore this whole damn show if it wasn’t evidence of how out of touch those steering mainstream media companies are.  How they have contempt for their audience, think everybody watching is fucking dumb.

But that’s the story of the Internet.  How smart people actually are.  How they want to play.  Voting for Video of the Year is not playing, it’s ripping the audience off for the texting fee.

The future will not be televised.  The revolution is happening now.  And this whole Top Forty, dancing fool SoundScan concoction will be engulfed by the earth like an old building being engulfed by blowing sand.

Not a moment too soon.

I’m switching to "Entourage".

Nine Inch Nails At The Forum

You get me closer to God

I saw them bust a bootlegger.

One of the problems with feeling safe is that you’re not.  Unless, maybe, you never leave  your house.

After swerving around a black Nissan with steam pouring from under its hood, I ascended the freeway ramp leading to Randy’s Donuts, Manchester Boulevard and ultimately the Forum, previously known as the Great Western Forum, and before that the Fabulous Forum.

Actually, it’s not so fabulous anymore.  Kind of run down. Forty years old and soon to be hit by the wrecking ball, when the value of the land finally appreciates.

But back on the freeway off-ramp, I’m engulfed by bootleg t-shirt vendors.  They start pounding on my car.  I’ve locked it, but the sunroof is open.  It’s not like I can go anywhere.  If they want me, I’m theirs, I’m toast, I’m gridlocked in place, and I don’t think they take credit cards.

After the first wave passed, obviously not afraid of the decelerating cars, their economic futures not bright, I pondered the concept of merch.  The new bands, the Disney Channel wonders, boast of their dollar per head figures.  But a decade from now nobody will be wearing their Miley Cyrus t-shirt.  It’s got months of usability, at best.  Whereas a classic act’s t-shirt’s wearability all comes down to DURABILITY!  Actually, the older the better.  It shows you were there way back when, before the hoi polloi got the memo.

But I don’t think the hoi polloi ever did get the memo.  Except for the viewers of the band’s bizarre videos during the nineties on MTV.  Nine Inch Nails has existed outside the mainstream.  I’d say that’s the act’s appeal, but Trent doesn’t work it.  But he does refuse to pick up on the opportunities, that all those people boasting of stratospheric per head merch numbers say you MUST take!

Nine Inch Nails’ breakthrough moment came in ‘94.  At the imitation Woodstock.  Where Trent entranced the audience and pulled the largest audience of the festival.  David Letterman wanted Nine Inch Nails on his show.  He said so every night.  Even BRUCE SPRINGSTEEN finally did Letterman.  Dave was hip.  He, himself, was one step removed from the establishment.  He had attitude.  But Trent wouldn’t only not appear, he wouldn’t respond.  Because Nine Inch Nails is not fodder for the machine, it’s an artistic outlet for Trent and is only for those who truly care.

Which didn’t include this bootlegger on Manchester Boulevard, three blocks from the Forum.  A black and white came racing around the crawling cars, two officers jumped out, threw his cache of t-shirts on the ground, spun the man around, handcuffed him and threw him in the back of the police car.  You’d think he’d committed a crime against the state.  And I’m against bootlegging.  It’s bullshit.  But I do wonder what all these purveyors do for work during the daytime.  And is this the best deployment of police assets?  Furthermore, the audience attending a Nine Inch Nails show KNOWS these are bootleg t-shirts.  It’s not either/or.  Actually, it’s cheap and evanescent along with $35 authorized.  I saw people exiting the building with both.

The audience.

It wasn’t clean-scrubbed, but it wasn’t scary.

This wasn’t an audience there solely so it could tell its coworkers on Monday morning.  You know how I know?  NO ONE LEFT!  The show was two hours and ten minutes, and EVERYBODY stayed until the encore was done.  If you’ve ever been to ANY event in Los Angeles, you know this is a HUMONGOUS achievement.  I can’t tell you how many people I know who left Dodger Stadium BEFORE Kirk Gibson hit his legendary home run, to beat the traffic.

They were mostly twentysomethings and thirtysomethings.  Basically 25-35.  If they weren’t so dedicated, you would be fearful Trent’s audience is aging out.  But these people NEEDED to be there.  Whether it be the two guys hanging by the soundboard in NIN jumpsuits.  Or the girls in full goth regalia.  Or the lumpy-bodied outsiders.  These were not America’s insiders.  Not its conventional winners.  This wasn’t the TMZ/PerezHilton crowd. It wasn’t about flash, but what’s on the inside.  This is the generation stealing your business, taking all your money with their computer excellence while you while away your hours getting plastic surgery and going to lunch.

The biggest celebrity I saw was Tony Hawk.  Who stood and shimmied and mouthed EVERY WORD!  Well, up until the very last number, when he disappeared, probably fearful of being mobbed.

And it was surprising how tall Tony was.  And how entrancing Trent’s music is.

Can’t say that I’m a huge fan.  It’s not something I put on when I get home.  But after bullshitting with Rick Mueller, after standing in the back of the auditorium, taking it all in, I found myself moving forward.  And as someone who’s been squished and has a healthy respect for GA crowds, you know this is not a course of action I take lightly.

It’s like you’ve been injected with a serum.  That is testing your joints.  Your head rolls from side to side.  Your limbs pop and lock.  You need to get ever closer.

And that’s what truly hooked me, about twenty minutes into the set, "Closer".

The drum drop-kicks.  The bass pounds.  The synth starts to pop.  The wall of lights as large as the Grateful Dead’s sound system starts to gyrate and Trent leans into the mic and sings…

HELP ME
I broke apart my insides
HELP ME
I’ve got no soul to sell
HELP ME
The only thing that works for me
Help me get away from myself

That’s what we’re looking for.  HELP!  To make sense of this confusing world within which we live.  The media says one thing, but we feel another. We want understanding and release.  Trent delivers both.

I want to fuck you like an animal
I want to fuck you from the inside
I want to fuck you like an animal
My whole existence is flawed
You get me closer to God

You’d think something as inside, as powerful and almost violent as Nine Inch Nails, would be a guy thing.  But the ratio was at least 50/50.  You should have seen the women WRITHING!  As if possessed by a spirit.  Each and every one was in a trance.  Popping and locking, swiveling almost involuntarily.

I kept needing to get closer.  There were no video screens.  No giant images of the band so those in the upper deck could get a glimpse of the singer’s face.

But, suddenly, they did lower a hi-def screen.  And the band installed itself in front of it.  And as it played, stripped down, flame-like bubbles encased them on the screen.  You almost weren’t sure whether they were BEHIND the screen.  The images MERGED!

I needed to get closer.

Then they were behind the screen.  And there was this amazing rain effect.  Then, after that, with Trent playing almost solo, there was this weird computer-generated effect, like you were on a foreign planet where the topography had power and you might never make it back.

Actually, this was the only point at which Trent’s visage was blown up.  But it was almost indecipherable.

This wasn’t throwing money at the stage.  This wasn’t superstar production.  This was performance art.  This wasn’t some tech guy saying what was available, what he could sell the band, but a creation, an INSPIRATION, straight from the artist.

It’s twelve hours later, and I’m still not right.  My life’s been changed.  By a guy who refuses to play by everybody else’s rules.  Who’s pushing the envelope instead of trying to close it.  This is not something you see only once.  This is an act you’re devoted to, you have to go to each and every show, to see what Trent comes up with next.

He didn’t speak until just before the encore.  The show was the thing.  The only political commentary was an image of Bush morphing into McCain. Same as it ever was.

And that’s why the music business is so fucked up.  Because, just like in that famous Talking Heads song, it’s the same as it ever was.  But if you think you’ve seen it all, if you think no one is testing limits, that everybody’s a sold out whore, check out Nine Inch Nails live.  Or maybe you shouldn’t. It’s not for the faint of heart, the casual user.  You’ve got to be in touch with your needs, your desires, you’ve got to be open to letting go, you’ve got to keep your mind open and go with the flow.  To a place heretofore unknown that will open an unmapped sector of your brain.

More Chinese Democracy

Following please find an e-mail thread between Eric Garland, CEO of BigChampagne, and myself:

From: Eric Garland
Subject: Re: More Irving/Leaks
Date: September 3, 2008 11:12:17 AM PDT
To: bob@lefsetz.com

So often I hear "artists, labels, and publishers have the right…".  Well of course they have the right, both under law and in principle.  Is anyone you know really disputing that?

Let’s all agree:

1) Artists/owners have the right to control their creative works.
2) These rights will be habitually, and increasingly, violated (sometimes by your most loyal fans).
3) As these rights are violated, of course artists can avail themselves of legal remedies.
4) However, this will not impact the ongoing, chronic, and mass violation of those rights.  See #2, above.

What is there to argue about?  Your work has been illegally wrested from your control.  Hey, that’s not right!  Agreed.  Now you have a simple strategic decision to make: pursue criminal or civil relief, or don’t.

But let’s be very clear about the facts and the numbers.

Arresting the GNR leaker has had a measurable impact on GNR piracy.  It has increased it, necessarily, by drawing a lot of attention to it.  News cycles do that every time.  

All of the leaked tracks continue to be easily obtained from a wide variety of the most popular destinations on the web.  Google, for one.  Same as it ever was.

From: Bob Lefsetz
To: Eric Garland
Sent: Wed Sep 03 18:14:59 2008
Subject: Re: More Irving/Leaks

Can you provide me with statistics as to the increase after the  
leak, after the lawsuit, etc?

From: Eric Garland
Subject: Re: More Irving/Leaks
Date: September 4, 2008 12:41:13 PM PDT
To: bob@lefsetz.com

Well, only the leaker (nd now the FBI) knows for sure how many people grabbed the tracks directly from his own blog before he was shut down, but nothing like the more than 60,000 people (and counting) who have snagged it since the story of his arrest hit.

Most people learn about these leaks in the press.  The bigger the news cycle, the bigger the leak.

From: Bob Lefsetz
Sent: Thursday, September 04, 2008 1:23 PM
To: Eric Garland
Subject: Re: More Irving/Leaks

But how many downloaded it before the story about the arrest hit?

From: Eric Garland
Subject: Re: More Irving/Leaks
Date: September 4, 2008 1:39:18 PM PDT
To: bob@lefsetz.com

Sorry, should have been clearer: almost no one on torrent sites, as the initial downloading was directly from his blog.  The news story broke five days later and the torrent downloading has been going gangbusters ever since.

Guns n’ Roses’ “Chinese Democracy” Leaker Gets FBI Visit

From: Bob Lefsetz
To: Eric Garland
Sent: Fri Sep 05 11:29:02 2008
Subject: Re: More Irving/Leaks

Just so I’m clear, and maybe you have the statistics…

How big was the jump after the arrest?

Thanks.

From: Eric Garland
Subject: Re: More Irving/Leaks
Date: September 5, 2008 10:16:09 AM PDT
To: bob@lefsetz.com

Since the news cycle broke, almost all of the public (torrent) downloading has taken place, as the increased media attention created awareness. 90+% of torrent activity has been since the story broke.  But what’s more important is that people are _still_ downloading it apace and it is more public than it was when it was only on the leaker’s blog.

Do a Google search for keywords "chinese democracy torrent."

Loudon At Largo

What a magical evening.

I come back from buying a bottle of water and who’s sitting in my seat?  VAN DYKE PARKS!

Does Felice know Van Dyke?

No, but he then tells a story of eating dinner with Mo Ostin and her dad at Chasen’s…  Van Dyke’s revealing history, his tenure at Carnegie Tech, working for Mo at Warner Brothers making secretarial wages but only having to report to one guy.  Van Dyke was doing the score for "Two Jakes" and Mo thought Felice’s dad could provide some insight.

But Van Dyke Parks was only a sideman this evening.  Playing piano and accordion.

Actually, he got a solo…  He played "Orange Crate Art".  Everybody got a solo…  Joe Henry and Loudon’s daughter Lucy too.  It was that kind of evening…  Something from the seventies.  THE 1870’s!  Like we’d all rallied around the barn on a Saturday night and the local talent was going to give a show.  Back before the era of not only iPods, but ELECTRICITY!

But the performers provided their own heat, their own energy, you could have added their power to the grid.  It emanated from deep inside, who they were as opposed to what the music industry had tacked on to them.

I’d heard "Dead Skunk".  Novelty track.

I’d read about Loudon Wainwright…  But how many albums could one person buy?

Then, as a result of the miracle of the Internet, I download his new album, "Recovery" and find out he’s a genius, often working in miniature, nailing the human experience.

The movies are a mother to me
There’s nothing like a good movie
To mother me back to sanity
When I have gone insane

The extravaganzas projected at multiplexes are not movies.  They’re business concoctions, carefully cast and scripted to rain coin all over the world. Making a movie isn’t about making a statement, but making money.  It’s not how good your film is, but its gross.  Whereas films used to be an escape, but not pure fantasy, rather they made you feel part of the human race, experiencing the stories of others.  The lights would go down, you might be in the theatre alone, but suddenly you were wrapped in a whole environment, peopled with characters who were now your best friends.

I’ve never heard a song about this experience.  The movies may have changed, but life hasn’t.  We all feel so alone, we need to connect.  That’s why social networking is the rage.  But prior to the Internet, we used to feel a member of the group via music, before MTV whored it out and it became just like the movies, vapid.

Loudon played all my favorites, everything I needed to hear.  "Be Careful There’s A Baby In The House", "Motel Blues", "Muse Blues" and "Say That You Love Me"…  I couldn’t help but stand and applaud when "Say That You Love Me" was done.  This is the essence of being a music fan.  Music isn’t for winners, it’s not sports.  Music is for losers.  The socially awkward.  The dreamers.  The music soothes them, makes them powerful.  Makes them take risks, like telling the object of their affection that they love them.  But that doesn’t always work.  And when you’re rejected, you come home and play your records some more.  Getting consoled by your favorite acts, gaining insight from what they’ve got to say.  Which is more than slap your booty into mine!  We’re going to the club and have a good time!  Oftentimes the most dedicated music fan CAN’T EVEN GET INTO THE CLUB!

Not that Loudon is a loser.  But his music represents all 360 degrees of life.  And if you don’t have losses, you’re delusional, you’re not telling the truth.

There was a raucous version of "Man Who Couldn’t Cry", with all six players raving up.  Maybe not quite the Who, then again, Loudon name-checked Townshend in his song about smashing his guitar, buying a replacement and then having this new instrument instantly stolen.  Karma, he said.

But the highlight was "In C".

Don’t look for it in iTunes, don’t comb Loudon’s catalog, it’s never been released.  But it’s a gem.

So by now it’s clear to hear I know
I don’t play a lot of piano
But sometimes a fella has to sit
Just to sing about the heavy shit

Loudon apologized.  Well, not really, he’s always got that mischievous look in his eye and inflection.  And said he felt embarrassed sitting at the keys, where living legend Van Dyke Parks had been residing.  And you thought this was going to be a humorous number, child’s play, banging on the keys uttering little more than nonsense.

But it was the heaviest song of the night.  Loudon started to sing truth.  About broken families.  Ones he’d been a member of.

Lucy Wainwright Roche might have been on stage with him, but Loudon’s relationship with Rufus has been notoriously strained.  You start off fresh-scrubbed, you enter the game and suddenly you’ve been married and divorced multiple times.  Even the Republican VP nominee has a pregnant teenage daughter.  Life never goes as planned.  You just try to cope.

And the great unknown’s a hurricane
With howling winds and floods and driving rain
You might make it through, but you don’t know
If right behind it there’s a tornado

Do you get married?  Do you have kids?  It’s so scary.  And after escaping injury in the gauntlet of life, suddenly you hit a brick wall, you encounter another crisis.  It doesn’t end until you do.

Playing music is not something you do on a journey to somewhere else.  It’s not a stepping stone to a clothing line, to endorsements.  Playing music is something innate, that you must do, as necessary as drinking water, as breathing.  Which is why the greats, the true believers, never give up. Forget the Stones, yesteryear’s stars.  What about those who never really broke through?  Shouldn’t they be giving up and going to law school?

Some do, but most don’t.  And some who do come back.  Because they’re just not happy.  If they must be starving artists, so be it.  Actually, if you’re not willing to starve, you’re not an artist.  You worship money more than creation, your priorities are not commensurate with the artistic temperament.

Loudon Wainwright III has hung in there.  He never broke through.  Got lucky a few times, with "Dead Skunk", "MASH" and "Knocked Up", but he’s not a household word.

Which is probably why Largo at the Coronet was not full.

This stunned me.  I thought it would be a tight ticket.

To me it was, we got there early, having heard it was open seating.

I needed to be close.  I needed to be there.  For this one time only show.  Just after the new record came out.  When he’d play all its new/old tunes, with a full band.

It’s not about hiring a limo to drink wine with your buddies as haggard oldsters play renditions of their decrepit hits.  That’s not the live music experience.  That’s entertainment at best.  Whereas live music, when done right, is life itself.

In the 1970’s, my heart palpitated when I saw my favorite act was coming to town.  Sometimes they’d only produced one album.  But I was hooked.  I needed to go.  Often alone.  Why try to convince someone who won’t appreciate it?

And I’d sit there, as the music washed over me, telling myself there was no place I’d rather be.

There’s no place that I’d rather be than seeing Loudon Wainwright at Largo last night.  I’m hoping this Internet era will allow his magic, his might, to spread far and wide.  That people will go to see him for thirty bucks and know that you can avoid that whole TicketMaster game and have even a better time, a life-fulfilling experience.

Now if you go on YouTube, you can find a clip of "In C".  That’s what Loudon told me the name of the song was, even though here it’s listed as "Another Song In C".

And if you listen through, and you should, because you’re human and if you can’t identify with this experience already, take notes, because soon you will, you’ll hear the following lines:

And if families didn’t break apart
I suppose there’d be no need for art

Art comes out of pain.  Of change.  Of the dilemma of having more questions than answers.  If you’ve got it all down, you don’t need art.  But if you wonder sometimes how you got here, what you’re doing here, if the pain you’re feeling has ever been felt by anyone before, you’re a candidate for art.

We’ve come far from Woodstock.  We’ve got to get back to Joni Mitchell’s garden.  We now have the power.  We’ve wrested it from the old men, who never learned to type, who aren’t computer literate.

The clock has been reset.  Don’t learn to dance, don’t hire the ghostwriter, look deep down into your heart and let your truth out.  You are not alone. If you speak honestly, others will resonate.