The Grammy Ratings

Where do we start?  U2 sweeping the night?  Or Madge opening the show?

The people running NARAS are under the illusion that it’s the seventies.  When music drove the popular culture, when the biggest icons on the landscape were music stars, when bands sold out stadiums and you were lucky to get a ticket to the show.  Those days are done.  History.  Finito.

Baby boomers are ruining the movie business, the music business and legitimate theatre.  With their stranglehold on the means of distribution they’re purveying lowest common denominator crap that they believe everybody will consume in mass quantities ad infinitum.  Remembering when there were only three networks and no choice.

But today the means of production are in the hands of the proletariat.  EVERYBODY can afford the computer to make music.  Hell, Macs even come with the program, GarageBand, PREINSTALLED!  And video cameras can be copped for less than half a grand.  So we have an explosion of creativity.  People don’t dream of going to Hollywood, Hollywood now exists in their BEDROOM!  In their own HOMETOWN!

It’s kind of like when the pricks in charge talk about the midwest, the FLYOVER people.  There ARE no flyover people anymore.  With cable in Iowa as good as cable in L.A., with the Internet everywhere, EVERYBODY’S PLUGGED IN!  And knows the score.  So, the old bullshit methods of hype don’t work.  People see the manipulation behind the machine.  And reject it.

Let’s start with Madonna.

I hate to tell you this, but Madonna is FORTY SEVEN YEARS OLD!  In some areas of the country, people this age are GRANDMOTHERS!  The fact that TWENTY YEARS AGO Madonna took a nascent medium by storm, creating a new concept of a star, is INTERESTING, but best read about in history books.  Hell, hate to tell you, but MTV doesn’t PLAY any music anymore!!!

But Madonna has cred in the old system.  The one of favors and obligations.  She can sell tickets.  She’s famous for creating spectacles that garner ink.  But don’t you know that no one under twenty five CARES???

Or how about U2.  Talk about credibility.  "How To Dismantle An Atomic Bomb" is mediocre U2!  Worried about losing the franchise, in the wake of the disappointing, almost disastrous "Pop Mart" album and tour, U2 has played it safe ever since.  Shit, if kids, if PEOPLE cared about the new U2 album, it wouldn’t have had the sales arc it did.  Which is over a YEAR ago, before CHRISTMAS, it sold like hotcakes, and then despite endless hype, endless videos, endless touring, it’s barely sold since.  If it was that good, wouldn’t people still WANT IT?  So, not only do people not want to tune in to hear "Vertigo", a hit in excess of a year old, when this band of almost fiftysomethings wins all the awards the Grammys lose all credibility.

And then there’s Bruce Springsteen.  He’s older than Madge AND U2!

And Paul McCartney.  He IS a grandfather!

Who BUILT this show?  With every has-been star of the baby boomer generation, even down to a brain dead Sly Stone.

Even Mariah.  The younger generation started paying attention with the Backstreet Boys and ‘N Sync.  Mariah is over thirty, she’s OLD!  God, the Beatles had BROKEN UP by the time they were thirty!

As for Kanye…  I truly believe this is a critic’s hype.  Needing something to believe in, this guy has been anointed.  I love what he said about Bush at the Katrina benefit.  But if this is a superstar, we’re FUCKED!

And Kelly Clarkson.  That’s a great track.  But if you think ANYBODY believes in Kelly Clarkson you’re sorely mistaken.

This show was so misguided as to be a disaster from the inception.

The game is to get viewers.  Viewers that COUNT!  Viewers under the age of thirty five.

So, what do you?

Create interactive features.  Appear to be on the cutting edge, rather than be dead.

Vote for worst dress.  Worst speech.  Best dress.  Best speech.  Yup, dial in and vote and we put the results on the screen, which they even do in FOOTBALL TELECASTS!

Text message your feedback.  Put up the best on screen prior to commercial breaks.

Make the whole show INTERACTIVE!  Send everybody to the Website.  Where they can vote on the foregoing, where they can PARTICIPATE!  Doesn’t ANY MOTHERFUCKER AT NARAS USE A COMPUTER?

Generations have COMPLETELY changed.  It’s no longer about being a star, but BEING A MEMBER OF THE GROUP!  NARAS should have built a COMMUNITY around the awards.  Put up a Website where people could get free MP3s.  Download live performances JUST AFTER THEY HAPPENED!  Create GAMES to play as the show continued.  Shit, hasn’t anybody read the press, that people now have wireless networks in their homes and surf the Web on their laptops WHILE they’re watching TV?  It’s been all over the "Wall Street Journal", doesn’t ANYBODY at NARAS read?

One of the reasons "American Idol" works is because people MAKE FUN of celebrities and others on TV.  They watch not to ROOT for the contestants, but to LAUGH AT THEM!  Tell me all day long you want the Grammys to be dignified, but I’ll tell you if nobody’s watching they’re IRRELEVANT!  MTV built irreverence into the VMAs FIFTEEN YEARS AGO!  Ever notice how nobody cares who wins on that show?  THAT’S the new paradigm.  We’re all in it together.  THAT’S why we laugh at Mariah…she needs it so BAD!  She’s so out of TOUCH!

And the other reason "Idol" works is because of Simon Cowell.  He says what we all think.

God, even Suzy Kolber will ask the losing coach tough questions on the sideline at halftime.  Where are the tough questions for the artists at the Grammys?  Don’t tell me they won’t answer.  The football coaches know it’s part of the deal.  It comes with the money.  Shit, if you don’t want to be questioned, DON’T SHOW UP!

God is this business fucked up.  Those in charge have raped and pillaged, eliminated all that was special about music and as a result the younger generation just doesn’t give a shit about it.

First, the acts must have talent.

Mariah might be able to sing, but nobody believes she wrote that record.

People can marvel at a great guitarist, a great songwriter.  They don’t marvel at what’s been pushed down their throat by a marketing machine, THEY REACT AGAINST IT!

Second, the acts can’t whore themselves out EVERYWHERE!  In this scorched-earth sales trip/marketing juggernaut they end up being sold out soulless cartoons that the public derides.  LET THE MUSIC DO THE TALKING!

Third, we need new, credible acts, under the age of thirty.  Oh, we’ve got a few.  And plenty most people have never heard of.  But most kids believe a music star is someone good-looking who sells his soul to the company man in order to get good drugs, good pussy and free drinks at the Palms Hotel.

God, can’t the screen even look like Fox?  With all that data while you’re watching the game?  Young kids are able to multitask.  Give them straight music on TV, and they’re BORED!

The Grammys had no SIZZLE!  No EXCITEMENT!  Nothing UNEXPECTED!  It wasn’t a SHOW!  It was positively old school.  Performed by old school players.  Give the Oscars credit, they got Jon Stewart, they tried out Chris Rock.  They know without the younger generation they’re dead.  But music continues to whistle by the graveyard.  Soon the old players will be IN the graveyard.  Put there by their own ineptitude and the rising power of young kids with tools who deliver what their peers really want.

"American Idol" crushes Grammys in ratings

DAVID BAUDER

Associated Press

NEW YORK – Some humbling news for professional musicians like Madonna and U2: By a wide margin, TV viewers prefer the amateurs.

Nearly twice as many people – 28.3 million – watched "American Idol" than watched the Grammy Awards – 15.1 million – when the two music programs went head-to-head in prime time Wednesday, according to Nielsen Media Research.

In large part due to the "American Idol" competition, it was the least-watched Grammy Awards in Nielsen records dating back to the 1970s.

It certainly wasn’t what CBS, Grammy producers or the struggling music industry anticipated after packing the show with star-studded performances. Kanye West, Paul McCartney, Bruce Springsteen, Kelly Clarkson, Mariah Carey, Jay-Z and Christina Aguilera all performed, and the show also featured a colorful appearance by reclusive star Sly Stone.

During the 8 to 9 p.m. EST hour, when the Grammys competed directly with "American Idol," the awards show featured Madonna, John Legend, Coldplay and U2 – with the Irish rock band’s duet with Mary J. Blige arguably the evening’s most thrilling moment.

After "Idol" went off the air, the Grammys picked up a little steam. For its full three-and-a-half hours, the Grammy Awards’ average viewership was 17 million people.

The least-watched Grammy telecast was in 1995 when the show was watched by 17.2 million people. Last year’s show was seen by 18.8 million people, with 26.3 million viewers in 2004.

Former "American Idol" winner Kelly Clarkson won two Grammys, but didn’t mention the Fox show in her tearful acceptance speeches.
The music pros can take a little comfort in at least slowing the "American Idol" momentum. It was the first time in seven telecasts this season that "Idol" was seen by fewer than 30 million people.

The industry’s top music awards slipped from 2005 levels (12.3/19 vs. 13.2/20) early numbers show.

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  1. Comment by Dan Backhaus | 2006/02/11 at 11:53:12

    U2? That album came out almost 15 MONTHS ago, didn’t it? November 2004?  Iwork in music and I don’t understand why it’s still eligible… What does the average person think? I understand the difference between "record" and "album", but if you asked 100 people on the street how many do you think would? The Grammy’s make sense to about 100 bigwigs… The same bigwigs who can’t load their own iPod, let alone backup their computer.

    (I can’t comment on if the album is actually good or not. I’m a HUGE U2 fan but I’ve never heard the record.  See, it was the last CD I ever purchased. I PURCHASED it… But for some reason it would never rip into my iTunes correctly… The only CD I’ve ever had a problem with.  And because it isn’t on my iTunes it may as well not exist… I’ve never heard it.)

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  3. Comment by Steve Rosenblatt | 2006/02/11 at 11:56:54

    I was at the Grammies last night and left after about an hour, so boring. I picked up some Indian food and went home where my kids were watching the show (long drive back to the 818 during rush hour and a long wait at the Indian place so it took about two hours!). The funny thing is as they were watching the show my kids kept saying (my girls are 12 and 15 years old) how old the performers were. It reminded me when I was a kid watching the Grammies and I thought the show was full of old singers who had no relevance to me. I used to wonder why the Beatles or The Stones or the Who weren’t on it, as I got older I wondered where was the Clash, Elvis Costello or the Jam. The show has always been completely out of touch with what is really happening. It’s run by a bunch of old people who think they are hip and it’s always been a turn off to young people. My kids only watched to diss the artists and wait for Green Day, unfortunately I sent them to bed before Green Day won ( isn’t that record TWO years old already!).

    Love your ideas about making the show inter-active and yes my kids can’t watch TV without being on their lap tops as well. It’s funny having two daughters people always ask if they are on the phone all the time. The answer is almost never, they are never on the phone yet they communicate with their friends more then I ever did with instant message, my space, etc. They are always in touch with their friends but they hardly ever speak to them using something as old school as a phone.

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  5. Comment by Shaun Mason | 2006/02/11 at 11:57:15

    You’re absolutely right.  No one gives a flying shit about the fucking grammies, nor should they. Record companies are selling us corn cobs to wipe our asses with and telling us it’s Cottenelle, then givng themselves awards for biggest cob, roughest cob, best white cob, best black cob, best hispanic cob, best new cob, and apparently most stoned cob, given to Sly Stone.  That may have been the saddest thing I’ve seen on TV outside the New Orleans Superdome after Katrina.

    Fucking Chapelle wasn’t even funny.

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  7. Comment by anonymous | 2006/02/11 at 11:57:40

    I completely and utterly disagree with you. I am a 23 year old female who works in the music industry.  I spend countless hours on myspace, on music blogs, downloading new music, going to shows 3 4 times a week, doing whatever I can to expose myself to new music.  Normally, I don’t watch the Grammys. They are ridiculous and boring. Most of the musicians look drugged performing, and the ones who are nominated are hardly credible.

    But this year it was amazing! Mary J. Blige made Bono look like a choirboy (as my friend Amy says),  Kanye is marvelously talented, and Madonna is an inspiration to all women! And although poor Sly is on crack, at least it exposes the youth to an old yet revolutionary kind of music that they are not currently aware of.

    It doesn’t seem like you have an idea what in the hell you are talking about when it comes to youth.  Go to any high school in southern california and all those kids will prove you wrong.  Myspace helps these kids get into music they wouldn’t have normally gotten into. Trust me. As the older sister, I am the one driving them to the shows, where they buy TONS of MERCH including CDs.  Even if the way they listen to the music, or support the music, or what they listen to is not appealing to you, kids are still just as impassioned about an artist as we were when we were young.  Everyone in the industry reads you, so I think you should be a little more educated about what you are talking about.  I am tempted to start my own version of the Lefsetz letter.  One that better represents youth and young people in the music industry.

    If you use this e-mail, please make it anonymous.

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  9. Comment by Name withheld | 2006/02/11 at 11:58:01

    I worked on the show for more than 30 years – part of the NARAS team. That’s one of the reasons I left – could’t stand the bullshit, the hypocrisy,the non-music people, interested in one thing only – SELF PRESERVATION AT ANY COST.


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  1. Comment by Dan Backhaus | 2006/02/11 at 11:53:12

    U2? That album came out almost 15 MONTHS ago, didn’t it? November 2004?  Iwork in music and I don’t understand why it’s still eligible… What does the average person think? I understand the difference between "record" and "album", but if you asked 100 people on the street how many do you think would? The Grammy’s make sense to about 100 bigwigs… The same bigwigs who can’t load their own iPod, let alone backup their computer.

    (I can’t comment on if the album is actually good or not. I’m a HUGE U2 fan but I’ve never heard the record.  See, it was the last CD I ever purchased. I PURCHASED it… But for some reason it would never rip into my iTunes correctly… The only CD I’ve ever had a problem with.  And because it isn’t on my iTunes it may as well not exist… I’ve never heard it.)

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    1. Comment by Steve Rosenblatt | 2006/02/11 at 11:56:54

      I was at the Grammies last night and left after about an hour, so boring. I picked up some Indian food and went home where my kids were watching the show (long drive back to the 818 during rush hour and a long wait at the Indian place so it took about two hours!). The funny thing is as they were watching the show my kids kept saying (my girls are 12 and 15 years old) how old the performers were. It reminded me when I was a kid watching the Grammies and I thought the show was full of old singers who had no relevance to me. I used to wonder why the Beatles or The Stones or the Who weren’t on it, as I got older I wondered where was the Clash, Elvis Costello or the Jam. The show has always been completely out of touch with what is really happening. It’s run by a bunch of old people who think they are hip and it’s always been a turn off to young people. My kids only watched to diss the artists and wait for Green Day, unfortunately I sent them to bed before Green Day won ( isn’t that record TWO years old already!).

      Love your ideas about making the show inter-active and yes my kids can’t watch TV without being on their lap tops as well. It’s funny having two daughters people always ask if they are on the phone all the time. The answer is almost never, they are never on the phone yet they communicate with their friends more then I ever did with instant message, my space, etc. They are always in touch with their friends but they hardly ever speak to them using something as old school as a phone.

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      1. Comment by Shaun Mason | 2006/02/11 at 11:57:15

        You’re absolutely right.  No one gives a flying shit about the fucking grammies, nor should they. Record companies are selling us corn cobs to wipe our asses with and telling us it’s Cottenelle, then givng themselves awards for biggest cob, roughest cob, best white cob, best black cob, best hispanic cob, best new cob, and apparently most stoned cob, given to Sly Stone.  That may have been the saddest thing I’ve seen on TV outside the New Orleans Superdome after Katrina.

        Fucking Chapelle wasn’t even funny.

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        1. Comment by anonymous | 2006/02/11 at 11:57:40

          I completely and utterly disagree with you. I am a 23 year old female who works in the music industry.  I spend countless hours on myspace, on music blogs, downloading new music, going to shows 3 4 times a week, doing whatever I can to expose myself to new music.  Normally, I don’t watch the Grammys. They are ridiculous and boring. Most of the musicians look drugged performing, and the ones who are nominated are hardly credible.

          But this year it was amazing! Mary J. Blige made Bono look like a choirboy (as my friend Amy says),  Kanye is marvelously talented, and Madonna is an inspiration to all women! And although poor Sly is on crack, at least it exposes the youth to an old yet revolutionary kind of music that they are not currently aware of.

          It doesn’t seem like you have an idea what in the hell you are talking about when it comes to youth.  Go to any high school in southern california and all those kids will prove you wrong.  Myspace helps these kids get into music they wouldn’t have normally gotten into. Trust me. As the older sister, I am the one driving them to the shows, where they buy TONS of MERCH including CDs.  Even if the way they listen to the music, or support the music, or what they listen to is not appealing to you, kids are still just as impassioned about an artist as we were when we were young.  Everyone in the industry reads you, so I think you should be a little more educated about what you are talking about.  I am tempted to start my own version of the Lefsetz letter.  One that better represents youth and young people in the music industry.

          If you use this e-mail, please make it anonymous.

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          1. Comment by Name withheld | 2006/02/11 at 11:58:01

            I worked on the show for more than 30 years – part of the NARAS team. That’s one of the reasons I left – could’t stand the bullshit, the hypocrisy,the non-music people, interested in one thing only – SELF PRESERVATION AT ANY COST.

          This is a read-only blog. E-mail comments directly to Bob.