It’s no longer about getting paid, it’s about getting noticed.

Party like a rock star? What IS a rock star?

A rock star was someone who danced to the beat of his own drummer, who did what felt good in his heart, did not follow trends, but his own vision. He didn’t give a fuck about the establishment, he was ANTI-ESTABLISHMENT! Those rock stars might return. But the people we call rock stars now, the famous twits known for their partying more than their music, they’re done. Because no one is paying attention anymore. Why should they? It’s not like people have to listen to the music to know which way the wind blows.

EMI has cried "uncle". Eventually the rest of the major label groups will too. The Tommy Mottola mold, and if he didn’t invent it, he perfected it, of overexposure in all media known to man, spending a lot to sell a lot, is history. Because no one is paying attention anymore.

They’re not paying attention to "American Idol". Oh sure, the ratings dwarf those of the shows on the other networks, but that just proves that the writers strike is the best thing that ever happened to the Internet. Why do you need a $100 a month cable bill? What’s so good on the tube that you can’t find something better online, whenever you want to watch it? "American Idol" is truly sinking because the audience no longer believes it creates stars. Believe me, if Jordin Sparks were burning up the sales chart, people would be watching. But the bloom is off the rose. It’s "Star Search" with more flamboyant personalities. Doesn’t matter whether Simon is nice or they lose the celebs, the heart of the show is gone, built by Kelly Clarkson and Carrie Underwood, the perception that this truly was great talent, that the best would out. If Jordin Sparks is the best, then I’ll just sit at home and play Rock Band, it’s a hell of a lot more stimulating.

What kind of fucked up world do we live in where kids would rather play a video game than follow and go to the shows of new artists? One in which the creativity encased in the game exceeds that in the grooves of the new records. Music has lost its way, its essence. But that isn’t its biggest problem. Its biggest problem is the lack of attention, the fact that not only do people not care, those acts that are cared about garner very few eyeballs.

MTV… Plays no music.

Music radio… Drumbeat of a generation? No, a financial scam run by fat cats featuring automatons spinning researched records in between a ton of commercials.

How do you research a Jimi Hendrix? You don’t. Research can’t predict the future. Furthermore, research can’t even predict the winner of the New Hampshire primary. All the old institutions, they’ve lost touch, we’re all flying by the seat of our pants.

But that does not mean there’s no good music. That just means it’s very difficult to break new acts.

Breaking an act. Artist development. That has come to mean taking a John Mayer from clubs to arenas in a little over a year. That’s not artist development, that’s ALBUM development, oftentimes no more than SINGLES development. To create something lasting, of value, that will pay off like a slot machine, TAKES TIME!

You’ve got to find the act. The act must be original. You can’t think of the audience first, but the music. Most great acts of yore didn’t sound like anybody else. The audience found them, via radio exposure, touring and word of mouth.

Word of mouth is king today. Because no one trust the filters, the media. Everybody’s whored out (including the bands!) The public wonders who is getting paid. And if you’re getting paid, you play by the rules, you say nothing against your sponsor. And once you quiet yourself, you can no longer be a rock star. So you’re working against yourself.

Industryites HATE all of the above. They’re looking for an easy way out. Hitch a ride on a corporation. But unless you’ve got a huge fan base to begin with, selling out will get you noticed, but will not deliver a career.

You’ve got to make it about the music, and only the music. People have to find this music and tell their friends. It’s not about convincing the PD, nor the booker at the late night TV show. About the only thing you have control over is the music. So when people WANT your music, GIVE IT TO THEM!

Don’t lock up your music, if someone wants it, give them the tools to spread the word. It’s your only hope. If the Tommy Mottola system still worked, you’d still see his name in the gossip pages, he’d still have some power. You can no longer goose things. And, if you do, you’ve just shortened the act’s career.

Radio, television…they should be an AFTERTHOUGHT! Like when AM picked up on an FM track a year later. The fans thought this was cool as opposed to a sell-out. And it’s all about the fans. Treat each one like gold. Don’t hold him at arm’s length, give him more than he wants.

The old game is done. What stars have been built this century who can consistently sell out arenas? Maybe the aforementioned Mr. Mayer, who is sui generis. Or maybe Mr. Mayer is inventing the paradigm. He’s so out there, so sold out to everybody, that people say he must be making the decisions. Recipes on his Website? Defending his old girlfriend? What’s the upside?

Rock stars don’t worry about every single move. If it feels good, they do it. They’ll take a political stance, they’ll laugh off a drug bust, they’re ABOVE THE SYSTEM, if not the law. That’s what a musician does, provide a beacon.

So fuck all the old players, the salesmen, the radio promotion guys. They’re so inured to the old ways that they can’t see the new ways.

As for the old guard…there’s not enough money in the new game for them to care.

It’s open season. For musicians and businessmen. Become a manager. Find an act (the hardest thing to do). Believe in that act and build a fan base one by one. Don’t jam the music down people’s throats, use permission marketing. If someone is on your mailing list don’t only tell them about the gig, send them an MP3. Ask their opinion. Be involved with them. THIS is your sales team. You can convince every media gatekeeper in the country, but that won’t give you a fan base. And without a fan base, you’ve got no career.

Play to the fans first. Know that they’ve got a shit detector nonpareil. They need honesty. They need to know they’re in line ahead of Volkswagen. They need the good seats at the gig. They need free live shows distributed on your Website. They’ll buy t-shirts, they’ll pay for concert tickets. They might even buy a vinyl album. But first and foremost they’ll tell everybody they believe in you. The zeal in their voices will come straight from the heart. Their only goal is to show others the light, that what they’re into saves lives.

And music will save your life. It’s religion. Treat it that way.