{"id":9373,"date":"2014-12-13T09:36:46","date_gmt":"2014-12-13T17:36:46","guid":{"rendered":"http:\/\/lefsetz.com\/wordpress\/?p=9373"},"modified":"2014-12-13T09:36:46","modified_gmt":"2014-12-13T17:36:46","slug":"rhinofy-clapton-guest-appearances","status":"publish","type":"post","link":"https:\/\/lefsetz.com\/wordpress\/2014\/12\/13\/rhinofy-clapton-guest-appearances\/","title":{"rendered":"Rhinofy-Clapton Guest Appearances"},"content":{"rendered":"<p><strong>&#8220;Dirty City&#8221;<\/strong><br \/>\n<strong> Steve Winwood<\/strong><\/p>\n<p>Steve can shred quite nicely thank you, as anyone who&#8217;s seen him tear apart &#8220;Dear Mr. Fantasy&#8221; recently is aware. But despite killing it live, despite putting out one of my favorite albums of the twenty first century, &#8220;About Time,&#8221; independently, doing everything right, the man was fading in impact. So, he signed with Columbia and put out the mainstream album &#8220;Nine Lives&#8221; to almost no effect in 2008. That&#8217;s right, rather than stretching out and testing limits Winwood did it their way and few cared. However, there are two killers on &#8220;Nine Lives,&#8221; the opening cut &#8220;I&#8217;m Not Drowning&#8221; and this, where Clapton positively wails.<\/p>\n<p>Get ready to have your mind blown.<\/p>\n<p>I&#8217;m including the long version, all 7:46 of it, be sure to stay to the very end. This is music as you remember it, everything you&#8217;re yearning for. You&#8217;ll be stunned this isn&#8217;t a well-known classic.<\/p>\n<p><strong>&#8220;They Dance Alone&#8221;<\/strong><br \/>\n<strong> Sting<\/strong><\/p>\n<p>Sure, he&#8217;s made some tone-deaf statements, about tantric sex and such, but the truth is Gordon Sumner is immensely talented and &#8220;They Dance Alone&#8221; is one of the best tracks on his best solo album, &#8220;&#8230;Nothing Like The Sun.&#8221; It features not only Eric, but Mark Knopfler and Fareed Haque. You probably know it, but it sounds so good, enjoy it, you can never burn out on it.<\/p>\n<p><strong>&#8220;Go Back Home&#8221;<\/strong><br \/>\n<strong> Stephen Stills<\/strong><\/p>\n<p>Of course, Jimi Hendrix was on Stills&#8217;s solo debut too. Upon release the album was castigated for its unending guest contributions, but at this distance the album is astounding. &#8220;Love The One You&#8217;re With&#8221; was the hit, but &#8220;Go Back Home&#8221; is one of the stellar moments. And Eric was on it!<\/p>\n<p><strong>&#8220;Alacatraz&#8221;<\/strong><br \/>\n<strong> Leon Russell And The Shelter People<\/strong><\/p>\n<p>Leon&#8217;s initial solo, with &#8220;Delta Lady&#8221; and &#8220;Roll Away The Stone,&#8221; was his best, but this uneven LP was the one that cemented his legend, when he began his victory lap after &#8220;Mad Dogs &amp; Englishmen.&#8221; &#8220;Alcatraz&#8221; was one of the best cuts, it finished side one.<\/p>\n<p><strong>&#8220;Beware Of Darkness&#8221;<\/strong><br \/>\n<strong> Leon Russell And The Shelter People<\/strong><\/p>\n<p>Yes, from the same album. And, stunningly, Clapton appears on the original, from &#8220;All Things Must Pass.&#8221;<\/p>\n<p><strong>&#8220;Prince Of Peace&#8221;<\/strong><br \/>\n<strong> Leon Russell<\/strong><\/p>\n<p>From that legendary initial solo LP referenced above. Almost completely forgotten, &#8220;Prince Of Peace&#8221; will put a smile on your face if you know it.<\/p>\n<p><strong>&#8220;Romance In Durango&#8221;<\/strong><br \/>\n<strong> Bob Dylan<\/strong><\/p>\n<p>The album AFTER &#8220;Blood On The Tracks.&#8221; It got very positive reviews and a lot of ink regarding controversial tracks &#8220;Hurricane&#8221; and &#8220;Joey.&#8221; The cuts you remember are &#8220;Isis,&#8221; &#8220;Mozambique&#8221; and &#8220;One More Cup Of Coffee.&#8221; But this, with Eric, is on the album too.<\/p>\n<p><strong>&#8220;Save It For A Rainy Day&#8221;<\/strong><br \/>\n<strong> Stephen Bishop<\/strong><\/p>\n<p>From before &#8220;Tootsie,&#8221; before &#8220;Animal House.&#8221; The hit was &#8220;On and On,&#8221; but this got airplay, hell, it made it all the way to #22! How Eric ended up appearing on it I don&#8217;t know! But I do know being able to sing and write used to be important. Bishop rode these skills to the top, however briefly. Technology has put them in the backseat, unfortunately.<\/p>\n<p><strong>&#8220;If Leaving Me Is Easy&#8221;<\/strong><br \/>\n<strong> Phil Collins<\/strong><\/p>\n<p>From his blockbuster solo debut. Phil returned the favor by producing &#8220;Behind The Sun,&#8221; a return to form by Clapton, with the stellar &#8220;She&#8217;s Waiting&#8221; and &#8220;Forever Man.&#8221;<\/p>\n<p><strong>&#8220;The Challenge&#8221;<\/strong><br \/>\n<strong> Christine McVie<\/strong><\/p>\n<p>The connection is Russ Titelman, who produced both of these artists.<\/p>\n<p><strong>&#8220;Deep In Your Heart&#8221;<\/strong><br \/>\n<strong> Paul Brady<\/strong><\/p>\n<p>Legendary songwriter who never broke through big on his own. This is from Brady&#8217;s 1985 album &#8220;Back To The Centre.&#8221; Start with the Gary Katz produced &#8220;Trick Or Treat&#8221; if you want to investigate further.<\/p>\n<p><strong>&#8220;Willpower&#8221;<\/strong><br \/>\n<strong> Jack Bruce<\/strong><\/p>\n<p>With his old Cream-mate. A trifle, but the elements resonate.<\/p>\n<p><strong>&#8220;Early In The Morning&#8221;<\/strong><br \/>\n<strong> Buddy Guy<\/strong><\/p>\n<p>Two guitar sensations working it out.<\/p>\n<p><strong>&#8220;Runaway Train&#8221;<\/strong><br \/>\n<strong> Elton John<\/strong><\/p>\n<p>From Elton&#8217;s 1992 album &#8220;The One.&#8221; This is good, but if you&#8217;re interested in comeback albums, check out Elton&#8217;s 2001 LP &#8220;Songs From The West Coast,&#8221; where he recaptured the magic and not enough people cared.<\/p>\n<p><strong>&#8220;It&#8217;s Probably Me&#8221;<\/strong><br \/>\n<strong> Sting<\/strong><\/p>\n<p>The big hit off the monstrous &#8220;Ten Summoners Tales&#8221; was &#8220;If I Ever Lose My Faith In You,&#8221; when Sting seemed to be able to throw off radio-ready ditties at will. The album is near-perfect, and Eric plays on this track.<\/p>\n<p><strong>&#8220;Gonna Be Some Changes Made&#8221;<\/strong><br \/>\n<strong> Bruce Hornsby<\/strong><\/p>\n<p>Not Hornsby&#8217;s best work, but &#8220;Halcyon Days&#8221; is a return to form after &#8220;Big Swing Face&#8221; and Clapton plays on its two best tracks, this, the opening cut and&#8230;<\/p>\n<p><strong>&#8220;Candy Mountain Run&#8221;<\/strong><br \/>\n<strong> Bruce Hornsby<\/strong><\/p>\n<p>Infectious, great groove, it&#8217;s the best cut on &#8220;Halcyon Days&#8221; and Clapton is featured.<\/p>\n<p><strong>&#8220;Every Time I Sing The Blues&#8221;<\/strong><br \/>\n<strong> Buddy Guy<\/strong><\/p>\n<p>From Guy&#8217;s 2008 album &#8220;Skin Deep.&#8221; This resonates. Check it out. You&#8217;ll dig it.<\/p>\n<p><strong>&#8220;Roll On&#8221;<\/strong><br \/>\n<strong> J.J. Cale<\/strong><\/p>\n<p>Where the maestro repays the debt he owes to the man who wrote so many of his famous tracks.<\/p>\n<p>Of course Clapton played on the Beatles&#8217; &#8220;While My Guitar Gently Weeps,&#8221; but he also played on the lost Jon Astley classic, &#8220;Jane&#8217;s Getting Serious.&#8221; The above is only the tip of the iceberg when it comes to Clapton&#8217;s work, but it illustrates that not all of his playing was done on his own behalf.<\/p>\n<blockquote><p><a title=\"Rhinofy-Clapton Guest Appearances\" href=\"http:\/\/spoti.fi\/1yuGBdF\" target=\"_blank\">Rhinofy-Clapton Guest Appearances<\/a><\/p><\/blockquote>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&#8220;Dirty City&#8221; Steve Winwood Steve can shred quite nicely thank you, as anyone who&#8217;s seen him tear apart &#8220;Dear Mr. Fantasy&#8221; recently is aware. But despite killing it live, despite putting out one of my favorite albums of the twenty first century, &#8220;About Time,&#8221; independently, doing everything right, the man was fading in impact. So, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6],"tags":[],"class_list":["post-9373","post","type-post","status-publish","format-standard","hentry","category-the-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p96vPs-2rb","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/9373","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/comments?post=9373"}],"version-history":[{"count":2,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/9373\/revisions"}],"predecessor-version":[{"id":9375,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/9373\/revisions\/9375"}],"wp:attachment":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/media?parent=9373"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/categories?post=9373"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/tags?post=9373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}