{"id":8442,"date":"2014-04-18T16:32:07","date_gmt":"2014-04-19T00:32:07","guid":{"rendered":"http:\/\/lefsetz.com\/wordpress\/?p=8442"},"modified":"2014-04-18T16:32:07","modified_gmt":"2014-04-19T00:32:07","slug":"rhinofy-foghat-primer","status":"publish","type":"post","link":"https:\/\/lefsetz.com\/wordpress\/2014\/04\/18\/rhinofy-foghat-primer\/","title":{"rendered":"Rhinofy-Foghat Primer"},"content":{"rendered":"<p><strong>I JUST WANT TO MAKE LOVE TO YOU<\/strong><\/p>\n<p>The Willie Dixon cover that got no love in the &#8220;sophisticated&#8221; New York market.<\/p>\n<p>I learned about this track from my college buddy John Hughes, it was all over the radio in his hometown of Kansas City during the summer of &#8217;72. That&#8217;s the way it used to be, music was local, before the Internet truly turned us into a global village.<\/p>\n<p>I didn&#8217;t know and I didn&#8217;t care. Savoy Brown never flew on my radar, did I really need to pay attention to the remnants?<\/p>\n<p>YES!<\/p>\n<p>Then the band released three more albums, none of which gained much traction, despite the second, &#8220;Rock and Roll,&#8221; featuring a brilliant literal cover photograph by Robert Downey (Senior, not Junior, you know, the man responsible for &#8220;Putney Swope&#8221;!)<\/p>\n<p>Then, on their fifth LP, &#8220;Fool For The City,&#8221; the band hit pay dirt.<\/p>\n<p><strong>SLOW RIDE<\/strong><\/p>\n<p>TAKE IT EASY!<\/p>\n<p>Eight minutes and fifteen seconds long and FM radio played the whole thing, incessantly.<\/p>\n<p>It&#8217;s the kind of track you hate at first and then you come to love.<\/p>\n<p>It hooks you when it breaks from the opening chorus into&#8230;<\/p>\n<p><em>I&#8217;m in the mood<\/em><br \/>\n<em> The rhythm is right<\/em><br \/>\n<em> Move to the music<\/em><br \/>\n<em> We can roll all night<\/em><\/p>\n<p>There&#8217;s that dancing bass guitar, making you nod your head, especially if you&#8217;re in a Camaro, and then that electric guitar STRUM!<\/p>\n<p>It feels so good, even though it&#8217;s not supposed to!<\/p>\n<p>And when the track slows down four and a half minutes in, you&#8217;re hooked. You find yourself singing along, even though you don&#8217;t want to.<\/p>\n<p>You can induct Patti Smith into the R&amp;RHOF, you can lionize Lou Reed, but it&#8217;s stuff like &#8220;Slow Ride&#8221; that is the backbone of seventies rock and roll. PLAY IT!<\/p>\n<p><strong>FOOL FOR THE CITY<\/strong><\/p>\n<p>I actually prefer this to &#8220;Slow Ride.&#8221;<\/p>\n<p>I&#8217;d lived in Vermont, Salt Lake City, I&#8217;d finally relocated to Los Angeles, where you could buy a burger at midnight and there were GIRLS!<\/p>\n<p>The magic is about the energy and the crunchy guitars and that bridge&#8230;<\/p>\n<p><em>I&#8217;m like a fish out of water I&#8217;m just a man in a hole<\/em><br \/>\n<em> The city lights turn my blues into gold<\/em><br \/>\n<em> I ain&#8217;t no country boy, I&#8217;m just a homesick man<\/em><br \/>\n<em> I&#8217;m gonna hit the grit just as fast as I can<\/em><\/p>\n<p>The track&#8217;s been screaming along and then it takes a left turn, as if you pulled off the Interstate into a rest stop to contemplate your life and ogle the wildlife.<\/p>\n<p>And then it breaks down completely&#8230;<\/p>\n<p><em>I&#8217;m tired of laying back, hanging around<\/em><br \/>\n<em> I&#8217;m gonna catch that train, then I&#8217;ll be city bound<\/em><\/p>\n<p>And then the track starts to scream again! He&#8217;s singing about a train, but nothing could accelerate this fast.<\/p>\n<p>It&#8217;s the time changes, the soloing, the almost understated vocal&#8230; &#8220;Fool For The City&#8221; will never win any awards, but it&#8217;s there to ride shotgun with you every single day.<\/p>\n<p><strong>DRIVIN&#8217; WHEEL<\/strong><\/p>\n<p>And this is from the follow-up, it&#8217;s the opening cut on &#8220;Night Shift.&#8221;<\/p>\n<p>The chorus is simple, but infectious.<\/p>\n<p>YOU&#8217;RE MY DRIVIN&#8217; WHEEL!<\/p>\n<p>And then the guitar rips off a riff and you get whiplash from the changes and it&#8217;s a ride so good you can&#8217;t help but take it again.<\/p>\n<p><strong>STONE BLUE<\/strong><\/p>\n<p><em>When I was stone blue<\/em><br \/>\n<em> Rock and roll sure helped me through<\/em><\/p>\n<p>Ain&#8217;t that the truth. If you haven&#8217;t got an e-mail from a fan saying your music saved their life, you&#8217;re not a rock star.<\/p>\n<p>Life is complicated, and we count on our music to grease the wheels, to get us through.<\/p>\n<p><em>Oh, let me ride on the mystery train<\/em><br \/>\n<em> Ride through the night in the pourin&#8217; rain<\/em><\/p>\n<p>Listen to that slide guitar! Brings you right back to Memphis and the original fifties mystery.<\/p>\n<p><em>Laid off work and I can&#8217;t be free<\/em><br \/>\n<em> I need some rock &#8216;n&#8217; roll therapy<\/em><\/p>\n<p>These aren&#8217;t professionals, the fans of Foghat are hourly workers, blue collar, those who need a beer at the end of the day to get them through.<\/p>\n<p><em>Put on a 45 and let the needle ride<\/em><br \/>\n<em> Jukebox jumps and I&#8217;ll be satisfied<\/em><\/p>\n<p>That&#8217;s what&#8217;s wrong with too many of those critics&#8217; favorites, they appeal to your brain, to your intellect, but not to your gut, to your genitals, where rock has spoken to its true fans since the days of Elvis.<\/p>\n<p>&#8220;Stone Blue&#8221; will definitely help you through.<\/p>\n<p><strong>BOOGIE MOTEL<\/strong><\/p>\n<p>My personal favorite. Because of the twinkly guitar sound, the riff, but most especially this lyric, which I can never get out of my brain&#8230;<\/p>\n<p><em>Boogie Motel<\/em><br \/>\n<em> Boogie Motel<\/em><br \/>\n<em> May be sleazy<\/em><br \/>\n<em> But it&#8217;s cheap and it&#8217;s easy<\/em><\/p>\n<p>What a great rhyme! Simple, yet so right.<\/p>\n<p>Admit it, there&#8217;s an appeal in sleaze. Especially when it comes to doing the do&#8230;we keep selling luxury, but what we really want is the basics&#8230;<\/p>\n<p><em>Desk clerk&#8217;s heart beats like a hammer<\/em><br \/>\n<em> Got a smile like a beat-up piano<\/em><br \/>\n<em> Gives a nudge and a wink as you sign in<\/em><br \/>\n<em> &#8216;I got a room you can have a good time in!&#8217;<\/em><\/p>\n<p>It&#8217;s funny, it&#8217;s sexy, it&#8217;s stupid, but IT FEELS SO RIGHT!<\/p>\n<p>So how did I discover Foghat, how did I become such a devoted fan?<\/p>\n<p>BECAUSE KLOS WOULDN&#8217;T STOP PLAYING THEM!<\/p>\n<p>It was the midseventies, and I&#8217;d be driving around on a Saturday night and they&#8217;d be playing these songs, over and over and over again. And at first I pushed the button, but then I came to love them!<\/p>\n<p>Pooh-pooh Foghat. Tell me you&#8217;re a devoted fan and I didn&#8217;t point out any deep cuts. But what I&#8217;m truly hoping to do here is to turn on those who weren&#8217;t alive back then, have them drop the needle, press play on this music which seemed so obvious back then but is positively revelatory today!<\/p>\n<p>P.S. You&#8217;ll want to play the live versions of &#8220;Fool For The City&#8221; and &#8220;Slow Ride&#8221; from the 1977 live album, KLOS did!<\/p>\n<blockquote><p><a title=\"Rhinofy-Foghat Primer\" href=\"http:\/\/spoti.fi\/1hNGwtw\" target=\"_blank\">Rhinofy-Foghat Primer<\/a><\/p><\/blockquote>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>I JUST WANT TO MAKE LOVE TO YOU The Willie Dixon cover that got no love in the &#8220;sophisticated&#8221; New York market. I learned about this track from my college buddy John Hughes, it was all over the radio in his hometown of Kansas City during the summer of &#8217;72. That&#8217;s the way it used [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6],"tags":[],"class_list":["post-8442","post","type-post","status-publish","format-standard","hentry","category-the-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p96vPs-2ca","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/8442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/comments?post=8442"}],"version-history":[{"count":3,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/8442\/revisions"}],"predecessor-version":[{"id":8445,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/8442\/revisions\/8445"}],"wp:attachment":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/media?parent=8442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/categories?post=8442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/tags?post=8442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}