Why do I know this stuff?<\/p>\n
The new version of iTunes, just updated today to 7.0.1., has a feature entitled "Cover Flow", that allows you to scroll through your library by album cover.\u00c2\u00a0 If you purchase tracks from the iTunes Store, covers are automatically included, but if you’ve stolen the tunes, or ripped them, the software will search the iTunes database and download the appropriate covers, assuming you’ve entered the name of the album properly and the cover is in the database.<\/p>\n
At least that’s the way it’s supposed to work.\u00c2\u00a0 But the initial version only downloaded a small fraction of the art for my tunes, and very slowly.\u00c2\u00a0 So, I decided to insert the artwork myself.\u00c2\u00a0 At least that was the plan until I realized the cost would be carpal tunnel syndrome.<\/p>\n
Remember how you used to love alphabetizing your albums?\u00c2\u00a0 How it refamiliarized you with all your purchases?\u00c2\u00a0 How you visited them like children, remembering when you bought them, how you listened to them?\u00c2\u00a0 That’s what it was like.<\/p>\n
First you have to make sure you’ve got the right album title.\u00c2\u00a0 And then you go to Amazon or AMG and drag over the artwork.\u00c2\u00a0 And you end up being able to flip through the covers, it’s such a cool effect, kind of like combing the bins of an old record store.\u00c2\u00a0 It single-handedly might keep the idea of a collection alive.\u00c2\u00a0 After all, the covers represent an album, each single doesn’t have its own cover, but now maybe it should, with this feature.<\/p>\n
But what stunned me was I knew all the albums.\u00c2\u00a0 Some artists I had fifty tracks of, and almost all, I knew what LP they came from, even though they were released decades ago.\u00c2\u00a0 Ask me about today’s music, the ten or twelve tracks on an album, and I’m probably clueless.<\/p>\n
But it’s not only me.\u00c2\u00a0 We boomers are coasting on the smoke of a long gone generation, when music was king, when music drove the culture, when you needed to know this stuff.<\/p>\n
I now know this kind of stuff about computers.\u00c2\u00a0 I can not only run you through the history of Apple Computer, each and every model, both successful, like the Apple II, and unsuccessful, like the Lisa, named after Steve Jobs’ first child and ultimately renamed the Mac XL, but each iteration of the Intel chips used in what used to be known as IBM-compatible computers and then were referred to as Wintel machines and are now known just as PCs.<\/p>\n
I didn’t take a college course, I didn’t study this stuff, there was no effort involved, I accumulated this depth of knowledge because I was interested.\u00c2\u00a0 There are not enough people interested in knowing music to this depth today.<\/p>\n
The exception is hip-hop.\u00c2\u00a0 I envy the music’s fans.\u00c2\u00a0 That they’re that interested.\u00c2\u00a0 In who created the beats, who did the rhyming, the history of the producers and the acts.\u00c2\u00a0 They believed just that much, the music was that important to them, they built up this knowledge through pure desire.\u00c2\u00a0 Not that the mainstream business was hip to this for eons.\u00c2\u00a0 And once execs did realize and understood the culture, they bastardized it, removing the essence that got people interested to begin with.\u00c2\u00a0 Hip-hop wasn’t about booty-shaking girls in videos on MTV surrounding a rapper uttering inanities, it was a direct expression of life in the inner city, the black person’s plight, and it was this raw honesty that attracted not only those of similar circumstances, but white suburbanites too, because of its tuning fork veracity.<\/p>\n
There’s ONLY honesty in computers.\u00c2\u00a0 Because they’re based on math.\u00c2\u00a0 And there’s only one answer in the 0’s and 1’s digital world.\u00c2\u00a0 But there’s no soul.\u00c2\u00a0 There’s only soul in what comes OUT of the machines.\u00c2\u00a0 Music comes out of Pro Tools rigs all over the world, yet most of it just doesn’t affect people the way it used to.<\/p>\n
Now I don’t think we can go back to the sixties, or even the seventies, when a young person was limited to expressing himself in music.\u00c2\u00a0 Sure, musicians were interested in getting laid and rich, but the process was so much more basic.\u00c2\u00a0 You had to know how to play.\u00c2\u00a0 And you had to write resonant material.\u00c2\u00a0 And you were successful only on this basis.\u00c2\u00a0 There was no television exploitation.\u00c2\u00a0 You made it on your talent and wits.<\/p>\n
Eventually "Rolling Stone" gathered critical mass and the younger generation made some of the best movies of all time, but when corporate America started paying attention, there was implosion.\u00c2\u00a0 We ended up with corporate rock, and then disco.\u00c2\u00a0 And it’s never been the same since.\u00c2\u00a0 Music was an outsider’s medium, a revolution.\u00c2\u00a0 MTV only worked if it was considered mainstream.\u00c2\u00a0 That’s what TV demands, a lot of eyeballs.<\/p>\n
And movies were changed by the "Jaws"\/"Star Wars" effect, wherein the goal became solely about topping the weekly box office chart.<\/p>\n
And now these businesses both exist, music and movies, but they’re not where it’s at, where it’s happening, and people aren’t paying attention.\u00c2\u00a0 Oh, I know that’s an overstatement.\u00c2\u00a0 But the shift in public attitude is important.<\/p>\n
The music business used to be like the Internet.\u00c2\u00a0 Everybody was forming bands, there was a new act from the U.K. seemingly every week, there was no formula.\u00c2\u00a0 Now we’ve only got formula.\u00c2\u00a0 The essence has been lost.<\/p>\n
It can’t be regained under the present system.\u00c2\u00a0 The corporate owners of the labels won’t allow it.\u00c2\u00a0 These are cash-generating businesses that report to Wall Street.\u00c2\u00a0 This is not Herb Alpert and Jerry Moss deciding to plow all their revenue back into A&M Records.\u00c2\u00a0 It’s certainly not Chris Blackwell smoking ganja and turning a Jamaican reggae musician into a worldwide rock star through sheer will.\u00c2\u00a0 The people element is gone from the business.\u00c2\u00a0 It’s no longer seat of the pants, but a consult Excel business.<\/p>\n
It’s not about stopping P2P theft, it’s not even about discovering new acts.\u00c2\u00a0 The business is missing an element that makes everybody stand up and say wow.\u00c2\u00a0 It was the Beatles, then Led Zeppelin, then MTV and finally Napster.\u00c2\u00a0 Napster was killed and so went the business.\u00c2\u00a0 Because Napster allowed one to not only get tons of music for free, but download live takes of your favorite bands.\u00c2\u00a0 There was a sense of discovery, an excitement, which you can get on YouTube right now.\u00c2\u00a0 Before the copyright police have their way.<\/p>\n
Music online has been hobbled by copyright issues.\u00c2\u00a0 I’ve got sympathy for rights holders.\u00c2\u00a0 But in the name of everybody getting paid, of there being a contract for every transaction, the excitement has drained out, people have stopped paying attention.<\/p>\n
But it’s not as simple as allowing everything in the vaults to be available for a pittance.\u00c2\u00a0 It’s about a whole culture, of creativity, that makes people want to be involved, as opposed to treating the whole business with disdain.<\/p>\n
Music will be around forever.\u00c2\u00a0 But boomers lived through the Renaissance.\u00c2\u00a0 When the stars aligned.\u00c2\u00a0 Painting continued, but there was only one Renaissance, just like there was only one Beatles and never a new Dylan.\u00c2\u00a0 I’m not hopeful for the future.\u00c2\u00a0 If there’s any excitement, if there’s anything worthy of attention, it won’t emanate from the usual suspects, just like Capitol initially passed on releasing the first Beatle album in the U.S.\u00c2\u00a0 We need rule-breakers, challengers, not a Pete Doherty getting arrested every week, but someone who commits crimes in his mind, against the stagnant, calcified world music has become.<\/p>\n
We haven’t had that spirit here since 1969.<\/p>\n
There’s a reason the Eagles can still sell out today.\u00c2\u00a0 They reflected our culture back to us.\u00c2\u00a0 Unfiltered, without corporate America watching.<\/p>\n
Keep doing those endorsement deals.\u00c2\u00a0 Keep raising ticket prices.\u00c2\u00a0 Keep driving this business off a cliff.<\/p>\n
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