{"id":52,"date":"2005-06-17T09:52:50","date_gmt":"2005-06-17T16:52:50","guid":{"rendered":"http:\/\/lefsetz.com\/wordpress\/index.php\/archives\/2005\/06\/17\/behind-blue-eyes\/"},"modified":"2005-06-17T09:53:40","modified_gmt":"2005-06-17T16:53:40","slug":"behind-blue-eyes","status":"publish","type":"post","link":"https:\/\/lefsetz.com\/wordpress\/2005\/06\/17\/behind-blue-eyes\/","title":{"rendered":"Behind Blue Eyes"},"content":{"rendered":"<p>It&#8217;s almost impossible to find a CD in my house.<\/p>\n<p>Driving down Chautauqua just shy of midnight, down from Will Rogers, where <br \/>I&#8217;d gone hiking to clear my mind, we spoke on the phone.\u00c2\u00a0 As I cruised up PCH, <br \/>back towards Santa Monica, the conversation elated me, everything was right in <br \/>the world.<\/p>\n<p>After stopping at the Ralphs on Barrington for coffee yogurt and <br \/>decaffeinated Coke, I piled back into my ancient machine and fired up the XM.\u00c2\u00a0 <br \/>And that&#8217;s when I heard it, &quot;Pure and Easy&quot;.<\/p>\n<p>Pete Townshend has none of the dexterity of Clapton, he&#8217;s a far cry from <br \/>Hendrix, but what he wrings out of his guitar is just as precious.\u00c2\u00a0 We try it on <br \/>like jewelry.\u00c2\u00a0 We don&#8217;t want to watch, we want to get INVOLVED!\u00c2\u00a0 In a world <br \/>created by an outcast with a big nose who strums his guitar with testosterone, <br \/>but sings his sensitive lyrics in a high-pitched voice.\u00c2\u00a0 Yes, the first version <br \/>of &quot;Pure and Easy&quot; we were exposed to did not feature Roger Daltrey, but Pete.<\/p>\n<p>I don&#8217;t travel without &quot;Who Came First&quot;.\u00c2\u00a0 I need &quot;Let&#8217;s See Action&quot;, &quot;<br \/>Sheraton Gibson&quot; and&#8230;&quot;Pure and Easy&quot;.\u00c2\u00a0 I know it so well, I can sing every note.\u00c2\u00a0 <br \/>But this version they were playing on Deep Tracks, it was DIFFERENT!\u00c2\u00a0 It was <br \/>like the HANUKKAH version&#8230;it went ON AND ON AND ON!\u00c2\u00a0 It&#8217;s only a five and a <br \/>half minute song.\u00c2\u00a0 But by time I parked in front of my house, it was STILL <br \/>GOING!\u00c2\u00a0 Just when it should have faded out, Pete started noodling on the guitar, <br \/>not in a showoff way, but in a PLAYFUL WAY, like he was ENJOYING playing, like a <br \/>kid in the backyard, not the wannabe bluesman grimacing as he squeezes out <br \/>the notes, it was INSPIRATIONAL!\u00c2\u00a0 After sitting there in my stationary car for <br \/>minutes more, till the track finally ended, I rushed inside and fired up my <br \/>Powerbook and tried to download it.\u00c2\u00a0 But I couldn&#8217;t find it.<\/p>\n<p>Then, I settled in at my desktop, researching, downloading other versions, <br \/>and none was the one.\u00c2\u00a0 So I e-mailed Earle Bailey, and ASKED HIM, what was the <br \/>version of &quot;Pure and Easy&quot; he played at MIDNIGHT?<\/p>\n<p>He said it was from &quot;Lifehouse Elements&quot;.<\/p>\n<p>I own &quot;Lifehouse Elements&quot;.\u00c2\u00a0 But, it&#8217;s in one of those slipcases, you know, <br \/>the kind with no spine, could I FIND IT?<\/p>\n<p>I fired up my flashlight, I got down on my knees, I started combing the <br \/>stacks, looking for two jewel boxes that didn&#8217;t quite fit together, that might hold <br \/>a wisp of a package between them.\u00c2\u00a0 And, REMARKABLY, after going through six <br \/>stacks of seventy five CDs, I found it.\u00c2\u00a0 And I&#8217;ve been playing this eight and a <br \/>half minute version of &quot;Pure and Easy&quot; ever since.\u00c2\u00a0 When I haven&#8217;t been <br \/>playing &quot;Behind Blue Eyes&quot;.<\/p>\n<p>You see, I had to rip &quot;Pure and Easy&quot;.\u00c2\u00a0 And seeing there was a take of <br \/>&quot;Behind Blue Eyes&quot; entitled &quot;new version&quot; on the CD, I had to take that too.\u00c2\u00a0 And <br \/>that&#8217;s where my adventure began.<\/p>\n<p>There are arbiters of truth.\u00c2\u00a0 Rock critics who somehow seem clued in on the <br \/>true meaning, the true derivation of famous tracks.\u00c2\u00a0 If I write about the <br \/>Beatles or any other legendary act, I get e-mail telling me my interpretation of a <br \/>song is wrong.\u00c2\u00a0 That it wasn&#8217;t about what I thought at all.\u00c2\u00a0 To the point <br \/>where I&#8217;m trepidatious about going on record as to the meaning of any classic <br \/>track, for fear of looking uncool.\u00c2\u00a0 But the truth is, music isn&#8217;t owned by the <br \/>creator, it&#8217;s owned by the consumer, the listener.\u00c2\u00a0 Oh, there&#8217;s a joy in <br \/>creation, but the true joy comes from others&#8217; reactions.\u00c2\u00a0 An artist in a vacuum is <br \/>tortured, just ask Van Gogh.\u00c2\u00a0 And that&#8217;s why Dylan will never explain his songs.\u00c2\u00a0 <br \/>They&#8217;re yours.\u00c2\u00a0 They mean whatever you think they do.\u00c2\u00a0 And sometimes&#8230;the <br \/>listener even has insight the author did not, because the greatest music is <br \/>written in a trance, with all synapses firing, running on instinct, the creator <br \/>isn&#8217;t analyzing, isn&#8217;t truly in charge of all his faculties, rather, he&#8217;s an <br \/>electrical storm, just firing off riffs and lines, which somehow end up as a <br \/>completed masterpiece.<\/p>\n<p>Most musicians never listen to their records after they&#8217;re released.\u00c2\u00a0 Their <br \/>work is done.\u00c2\u00a0 Now, you own them.\u00c2\u00a0 They unfold in your brain.\u00c2\u00a0 I&#8217;ve been <br \/>listening to &quot;Behind Blue Eyes&quot; for almost thirty five years and I&#8217;m still figuring <br \/>it out, I&#8217;m still gaining insight.\u00c2\u00a0 And a burst came through Tuesday night.<\/p>\n<p>I&#8217;m not absolutely sure what makes &quot;Behind Blue Eyes&quot; so great.\u00c2\u00a0 But I&#8217;m sure <br \/>it wouldn&#8217;t be the masterpiece it is without the change, the bridge, the part <br \/>deep into the song where it turns, where notes and words are played and sung <br \/>that have not come before.\u00c2\u00a0 You think you&#8217;ve got the song completely figured <br \/>out, and then&#8230;it changes on you.<\/p>\n<p>And I&#8217;ve loved this part forever, but it was only Tuesday night, in this &quot;new <br \/>version&quot;, that I finally understood the lyrics.\u00c2\u00a0 I thought Pete was singing <br \/>something about his &quot;best friend&quot;&#8230;\u00c2\u00a0 Oh, what came thereafter didn&#8217;t quite <br \/>make sense, but so many song lyrics don&#8217;t.<\/p>\n<p>Turns out I was wrong.\u00c2\u00a0 Pete&#8217;s not singing about a friend at all, he&#8217;s <br \/>singing about his FIST!\u00c2\u00a0 Yes, when his fist CLENCHES!<\/p>\n<p><em>When my fist clenches, crack it open<br \/>Before I use it and lose my cool<br \/>When I smile, tell me some bad news<br \/>Before I laugh and act like a fool<\/em><\/p>\n<p>Maybe it&#8217;s the artistic temperament.\u00c2\u00a0 I&#8217;m not in control of my emotions.\u00c2\u00a0 My <br \/>whole act is based on just channeling what&#8217;s in my brain.\u00c2\u00a0 Laying it down <br \/>without contemplation.\u00c2\u00a0 If I think about it, if I change it after I write it, I <br \/>ruin it.<\/p>\n<p>But this is not how people act in society.\u00c2\u00a0 They assess situations, they make <br \/>judgments, they PLOT!\u00c2\u00a0 Oh, people think with all the vitriol I spill that I&#8217;m <br \/>one of those devious assholes, out to get them when they least expect it.\u00c2\u00a0 <br \/>They don&#8217;t realize that what I feel inside&#8230;is what they read on the page.\u00c2\u00a0 <br \/>There&#8217;s nothing more, that&#8217;s it.\u00c2\u00a0 No rumors behind the news.\u00c2\u00a0 No unexpressed <br \/>anger.\u00c2\u00a0 Rather, there tends to be calm.<\/p>\n<p>But real life isn&#8217;t like writing.\u00c2\u00a0 You wouldn&#8217;t last long at the corporation <br \/>if you constantly told people what you felt.\u00c2\u00a0 And although I can get away with <br \/>it on the printed page, I&#8217;ve got trouble in real life.\u00c2\u00a0 Can I really say what <br \/>I feel, won&#8217;t there be trouble?<\/p>\n<p>Oh, life is a game.\u00c2\u00a0 And if I told you I played it well, I&#8217;d be lying.<\/p>\n<p>I can do this.\u00c2\u00a0 Not much more.\u00c2\u00a0 Well, maybe ski the zipper line in the bumps <br \/>when my back doesn&#8217;t hurt, but that&#8217;s about it.\u00c2\u00a0 And this makes it tough to <br \/>fit in.\u00c2\u00a0 I&#8217;m included because I do this, but I&#8217;m not sure how to play.\u00c2\u00a0 So <br \/>usually, I just shut up, enjoy being a member of the group, fearful if I let out <br \/>what I truly feel inside, there will be trouble.<\/p>\n<p>But there&#8217;s a problem with this strategy.\u00c2\u00a0 I get frustrated, I get angry.\u00c2\u00a0 <br \/>I&#8217;m not who I want to be, I&#8217;m not myself.<\/p>\n<p>But myself doesn&#8217;t like to play any games, myself likes to get hot, get into <br \/>a creative streak and surf the zeitgeist, burn the candle on both ends, till <br \/>it&#8217;s extinguished, till it flames out and I collapse.\u00c2\u00a0 And, I don&#8217;t think <br \/>anybody can truly understand this trance, so when I&#8217;m in it, I avoid contact, I <br \/>won&#8217;t pick up the phone, I won&#8217;t interact.\u00c2\u00a0 But today I did.<\/p>\n<p>Oh, my fist was clenched.\u00c2\u00a0 I used it, and I lost my cool.<\/p>\n<p>And now I don&#8217;t know how to feel about it.\u00c2\u00a0 I tried to explain, but the <br \/>points of reference don&#8217;t add up to others, they&#8217;re not easily understandable.\u00c2\u00a0 I <br \/>need to be alone, don&#8217;t bother me till&#8230;I need you?<\/p>\n<p>But what if they need ME?\u00c2\u00a0 What if I need them and THEY&#8217;RE not available.<\/p>\n<p>I want to be nice.\u00c2\u00a0 I want to be who everybody wants me to be.<\/p>\n<p>But sometimes, I just can&#8217;t. <\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>It&#8217;s almost impossible to find a CD in my house. Driving down Chautauqua just shy of midnight, down from Will Rogers, where I&#8217;d gone hiking to clear my mind, we spoke on the phone.\u00c2\u00a0 As I cruised up PCH, back towards Santa Monica, the conversation elated me, everything was right in the world. After stopping [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1,6],"tags":[],"class_list":["post-52","post","type-post","status-publish","format-standard","hentry","category-life","category-the-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p96vPs-Q","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/52","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/comments?post=52"}],"version-history":[{"count":0,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/52\/revisions"}],"wp:attachment":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/media?parent=52"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/categories?post=52"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/tags?post=52"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}