Have you seen "U23D"?\u00c2\u00a0 You should!\u00c2\u00a0 Can’t think of a better concert film.\u00c2\u00a0 But the vibe is even better.\u00c2\u00a0 Shot in South America, in soccer stadiums, you get the feeling of danger, of being outside the law, of being in a nation built by rock and roll.<\/p>\n
That’s how it felt last night.<\/p>\n
If one person had yelled FIRE, many would have been trampled.\u00c2\u00a0 You not only had to wait in line to get into the gate, you had to wait in line to enter the tunnel to your seat. And when you got there, the sea of humanity was both inspiring and frightening.\u00c2\u00a0 All colors, not every age.\u00c2\u00a0 Even though the Black Eyed Peas opened, the younger, bump your hips in the club to get laid and the barely pubescent I want to be like Fergie crowd was not in attendance.\u00c2\u00a0 This was the last bastion of the population that believed rock and roll could truly save your life.\u00c2\u00a0 A bunch of baby boomers, but really fortysomethings.\u00c2\u00a0 They caught on with "Boy", and "Joshua Tree" was the soundtrack to their college years.<\/p>\n
So why did U2 begin with the new album?<\/p>\n
The Claw is far from impressive in real life.\u00c2\u00a0 After all the hype, it seemed like something created on a whim as opposed to a military operation conceived and erected by the greatest minds in the business.<\/p>\n
Let me be clear.\u00c2\u00a0 It was the Claw itself that was the problem.\u00c2\u00a0 What was beneath it, the stage, the ring, the video screen, the rotating ramps, they were MESMERIZING!<\/p>\n
But the music was not.<\/p>\n
Until "I Still Haven’t Found What I’m Looking For".<\/p>\n
I have run<\/span> Tell someone under twenty one that you sat at home with the TV on all day, waiting to see your favorite video, and they’ll look at you dumbfounded.\u00c2\u00a0 We live in an on demand world.\u00c2\u00a0 There may be community online, but it’s inherently niche.\u00c2\u00a0 Whereas everyone with ears, everyone who grew up with the Beatles and younger was addicted to MTV.<\/p>\n And sure, there were notable transcendent moments, breakthroughs that changed the business forever.<\/p>\n First came the Duran Duran videos.\u00c2\u00a0 A fortune spent on them, the band became a household world.<\/p>\n U2 came next.\u00c2\u00a0 With "Sunday Bloody Sunday" from Red Rocks.\u00c2\u00a0 If the air had been clear, would the video have been as classic?\u00c2\u00a0 To see Bono run around with that flag, in the mist, was to believe that rock and roll could triumph.<\/p>\n Michael Jackson danced his way into America’s heart.<\/p>\n But there was a parallel story.\u00c2\u00a0 It was great that MTV became a big tent, but rock and roll did not die.\u00c2\u00a0 We had U2 marching the streets of Las Vegas, singing "I Still Haven’t Found What I’m Looking For".\u00c2\u00a0 An exquisite concoction of electric and acoustic elements, who can forget Edge walking amongst the neon lights strumming his guitar?\u00c2\u00a0 This was the joy, the triumph, the power that allows Bono to talk to heads of state.\u00c2\u00a0 U2 led an army of listeners, all based upon these records, these tracks.\u00c2\u00a0 They believed that via music we could have a better life, a better world.<\/p>\n Is this still possible?<\/p>\n Music is not leading the way.\u00c2\u00a0 Steve Jobs and Sergey Brin are bigger rock stars than anybody on the hit parade.\u00c2\u00a0 Still, U2 soldiers on.\u00c2\u00a0 And we follow, because we want to believe.<\/p>\n That’s what last night was.\u00c2\u00a0 A celebration of who we used to be.\u00c2\u00a0 With the hope that we could still be something more.<\/p>\n But the new album has not connected with fans.\u00c2\u00a0 Most people in attendance seemed to be clueless.\u00c2\u00a0\u00c2\u00a0 Instead of physical writhing, when U2 hit the stage to a slew of new tunes, the audience stood stock still.\u00c2\u00a0 I was grooving during "Magnificent", I love that track, but with a million copies of "No Line On\u00c2\u00a0 The Horizon" sold in the U.S., how many of this 100,000 in attendance had bought it?<\/p>\n We live in an attention economy.\u00c2\u00a0 And U2 fucked up.\u00c2\u00a0 They didn’t get their audience’s attention.\u00c2\u00a0 The album should have come free with the ticket.\u00c2\u00a0 Doesn’t matter if you make new music, you’re a has-been in the eye of the public if your new tracks don’t catch on.<\/p>\n So, last night the set progressed in fits and starts.<\/p>\n And, picking and choosing from almost every era of the band as opposed to just playing greatest hits, the audience never completely caught fire.<\/p>\n Let’s be clear.\u00c2\u00a0 They were playing to 100,000.\u00c2\u00a0 Manipulating that many is difficult.\u00c2\u00a0 Is Bono up to the task?\u00c2\u00a0 Absolutely!\u00c2\u00a0 But when Paul McCartney wants to work in new material, he starts off with "Drive My Car", he gets heads exploding first.<\/p>\n Don’t get the wrong idea.\u00c2\u00a0 There were peaks.\u00c2\u00a0 "Mysterious Ways".\u00c2\u00a0 And the ultimate crowd triumph was "Where The Streets Have No Name".\u00c2\u00a0 But the rising hands, the unity of the audience during that number, the feeling that you were part of one large, writhing ocean, was absent for most of the rest of the show.<\/p>\n But you could see just fine.\u00c2\u00a0 Bono was in fine voice.\u00c2\u00a0 And when the ramps swung around seemingly with a mind of their own, your jaw dropped.\u00c2\u00a0 And when the video screen expanded, dropped, you said to yourself I’VE SEEN NOTHING LIKE THIS BEFORE!<\/p>\n But it still comes down to the music.<\/p>\n I LOVED hearing "Until The End Of The World".\u00c2\u00a0 "Achtung Baby" is my favorite U2 album.<\/p>\n "Get On Your Boots" had a different feel live.\u00c2\u00a0 Less experimental, more straight ahead rock.\u00c2\u00a0 But if you didn’t love it already, you wouldn’t be closed.<\/p>\n And we had the recent hit "Vertigo", but we wanted to hear "Pride (In The Name Of Love)".\u00c2\u00a0 "New Year’s Day".\u00c2\u00a0 Maybe even "I Will Follow".\u00c2\u00a0 Last night should not have been an exhibition demonstrating that U2 is still relevant, it should have been a celebration of their career, a restatement of the bond between band and audience, a few more classics and no one would have gone out for a beer, everybody would have sung along, there would have been momentum, the whole Rose Bowl would have levitated.<\/p>\n They’ve got a chance.\u00c2\u00a0 They can use innovative new ways to get the new music to the live audience.\u00c2\u00a0 They can restructure the set so there are fewer dead spots, so the audience is riveted, along for the ride the whole time.\u00c2\u00a0 Playing a stadium is different from doing your act in an arena.\u00c2\u00a0 Even with 20,000, you can have everybody in the palm of your hand.\u00c2\u00a0 But once you start singing to forty or fifty thousand plus, you’ve got to throw out the old rules, you’re working with a different paradigm.\u00c2\u00a0 In other words, the stage was not enough.\u00c2\u00a0 It all depended upon the music.<\/p>\n But when the music was right… Live rock and roll, when done right, strips away your regular life, school, work, even relationships.\u00c2\u00a0 The band is on stage, you’re in the audience, and the music hovers between you, an oil, a lubricant, that allows a certain freedom, a movement that you heretofore did not know you possessed.\u00c2\u00a0 You’re standing, moving like Gumby, not caring what others think of your moves, even if you’re as bad a dancer as Elaine on "Seinfeld".<\/p>\n But I still haven’t found what I’m looking for<\/span> I was looking for transcendence.<\/p>\n We can’t get it from sold out politicians.<\/p>\n We can’t get it from tools of the corporate music trade like the Black Eyed Peas.<\/p>\n We depend on a certain breed of artist, not beholden to anyone but themselves. Either so poor or so rich that they just don’t care.<\/p>\n I want Bono to lead us out of the wilderness.\u00c2\u00a0 I want to tell you that I saw God last night.<\/p>\n I saw God at the Fillmore East, when the Who performed "Tommy" from start to finish.<\/p>\n I saw God at Flipper’s roller disco, when Prince performed "Dirty Mind".<\/p>\n I saw God at the Sports Arena in 1992, when U2 toured "Achtung Baby" indoors.\u00c2\u00a0 The visual assault, with lights in Trabants, with TV screens blasting more information than our brains could process, set the stage for the music.\u00c2\u00a0 It was a band on stage.\u00c2\u00a0 They were a cohesive unit.\u00c2\u00a0 Too many times last night, band members were almost furlongs away from each other.\u00c2\u00a0 Playing to a last row that they just couldn’t seem to reach emotionally.<\/p>\n Good attempt.<\/p>\n Imperfect execution.<\/p>\n I want to believe.<\/p>\n Make me a believer.<\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" Have you seen "U23D"?\u00c2\u00a0 You should!\u00c2\u00a0 Can’t think of a better concert film.\u00c2\u00a0 But the vibe is even better.\u00c2\u00a0 Shot in South America, in soccer stadiums, you get the feeling of danger, of being outside the law, of being in a nation built by rock and roll. That’s how it felt last night. 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I have crawled<\/span>
I have scaled these city walls<\/span>
These city walls<\/span>
Only to be with you<\/span><\/p>\n
I have spoke with the tongue of angels<\/span>
I have held the hand of a devil<\/span>
It was warm in the night<\/span>
I was cold as a stone<\/span><\/p>\n
But I still haven’t found what I’m looking for<\/span>
But I still haven’t found what I’m looking for<\/span><\/p>\n