{"id":22890,"date":"2026-02-01T21:00:51","date_gmt":"2026-02-02T05:00:51","guid":{"rendered":"https:\/\/lefsetz.com\/wordpress\/?p=22890"},"modified":"2026-02-01T21:00:51","modified_gmt":"2026-02-02T05:00:51","slug":"americana-tribute-to-neil-young","status":"publish","type":"post","link":"https:\/\/lefsetz.com\/wordpress\/2026\/02\/01\/americana-tribute-to-neil-young\/","title":{"rendered":"Americana Tribute To Neil Young"},"content":{"rendered":"<p>On the other hand&#8230;<\/p>\n<p>I mean I&#8217;m sitting there at Musicares&#8230; All those label people? They don&#8217;t attend anymore, that&#8217;s not where the money is, it&#8217;s all in live. And Mariah Carey was honored and it was weird, because everybody involved in breaking her was not there. Donnie Ienner worked me hard on &#8220;Vision of Love,&#8221; and needless to say Tommy Mottola was in a relationship with Mariah, married her&#8230;<\/p>\n<p>So it made me feel old. Like the music world had passed me by.<\/p>\n<p>And then I went to the Troubadour last night.<\/p>\n<p>Sitting up in the bleachers I had a long conversation with David Macias, whose Thirty Tigers is the bleeding edge of quality distribution. What I mean is&#8230;if he&#8217;s involved, it&#8217;s worth paying attention&#8230; All the acts the majors no longer invest in, he&#8217;s the man&#8230; Like with Lucinda Williams. He&#8217;s even got an Amy Grant album coming out.<\/p>\n<p>And David started philosophizing, about today&#8217;s music being regressive, that&#8217;s the word he used. How it was looking backwards, he wanted to put out records that were something new, that pushed the envelope, and he&#8217;s working on that.<\/p>\n<p>But ultimately the show began.<\/p>\n<p>I mean get old enough, and you start to feel removed.<\/p>\n<p>But last night&#8217;s show reinvigorated me, illustrated that the problem was not me, but the music being purveyed by the big time industry.<\/p>\n<p>There were no hard drives. People played their instruments. The music was alive and it breathed.<\/p>\n<p>And rather than dancing queens, we got endless ladies who showed how far women in music have come.<\/p>\n<p>All I can say is you have to see Rhiannon Giddens to get her. The passion&#8230;she was in the moment, she melded with the music, it was riveting.<\/p>\n<p>Sierra Hull performed the one song I was hoping to hear, &#8220;Look Out for My Love,&#8221; which Linda Ronstadt covered so exquisitely on her &#8220;new wave&#8221; album &#8220;Mad Love.&#8221; Check it out if you don&#8217;t know this version, it amps up the song, gives it added gravitas.<\/p>\n<p>Chris Pierce? I&#8217;d never heard of the guy, but he channeled Paul Robeson doing &#8220;Ol&#8217; Man River,&#8221; only in this case it was &#8220;Southern Man,&#8221; which Pierce slowed down to a dirge and bellowed&#8230;it was like watching a movie, it was more than the song, more than a performance, it was a PRESENCE!<\/p>\n<p>Margo Price&#8230; Speaking of Ronstadt, Margo did &#8220;Love is a Rose&#8221; and evidenced such charisma that when she was gone you could feel the absence, she is a star.<\/p>\n<p>Molly Tuttle made me like a song I never did. She took &#8220;Helpless&#8221; out of the ether with a more full-bodied version than the original. And she picked a few notes to boot. Everybody could play. Sierra Hull&#8230;<\/p>\n<p>Maggie Rose belted the choruses of &#8220;Down By the River,&#8221; and urged those in attendance to join along, and I don&#8217;t know about everybody else, but I could not hold myself back.<\/p>\n<p>Katie Pruitt I&#8217;d never heard of, but she picked the notes in &#8220;Ohio&#8221;&#8230; And even though it&#8217;s over half a century old, I felt the spirit of Minneapolis in the room.<\/p>\n<p>Young the Giant? I never got them, but they sang a powerful version of &#8220;Old Man&#8221; that had me reflecting on my own life, where I&#8217;d been, who I am now&#8230; That&#8217;s what we want from music, to set our minds free, so they can float down the river of thought..<\/p>\n<p>Jesse Welles, the man of the moment, did &#8220;After the Gold Rush&#8221; and didn&#8217;t walk off immediately, so I thought he was going to break into his anti-ICE song, but alas, that did not happen.<\/p>\n<p>Grace Potter evidenced more spirit, more of the rock and roll ethos than any woman I saw on the Grammy telecast. You could tell it was coming from deep inside, her soul, she was a rock chick, there was nothing calculated about her performance whatsoever.<\/p>\n<p>And there was Sara Watkins and the Milk Carton Kids and even more, but all I can tell you is I started off the show at a distance, but about a third of the way in I was totally involved, I became one with the music&#8230; No, it was more than that, it was the atmosphere, the vibe, like David Byrne once sang, it was the same as it ever was.<\/p>\n<p>Yet it wasn&#8217;t old farts, but young &#8216;uns. Just when I thought the formula was lost, I found that it had been channeled by a younger generation, removed from the vapid, cringe-worthy mainstream, keeping it alive and extending it. These people could play and sing and there was no dancing involved&#8230; It was about the music, pure and simple, nothing more was necessary, and it touched every single person in the place.<\/p>\n<p>At dinner we were talking about how hard it is to get us out. Because we&#8217;ve seen all the acts, in their heyday, and the new ones&#8230;<\/p>\n<p>When I left the Troubadour last night there was a bounce in my step. I felt not only did the people and the music still have it, but SO DID I! I may be closer to death, but everything that excited me, that drew me to the sound, was still there, alive and cooking.<\/p>\n<p>I only wish you were there.<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>On the other hand&#8230; I mean I&#8217;m sitting there at Musicares&#8230; All those label people? They don&#8217;t attend anymore, that&#8217;s not where the money is, it&#8217;s all in live. And Mariah Carey was honored and it was weird, because everybody involved in breaking her was not there. Donnie Ienner worked me hard on &#8220;Vision of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3,6],"tags":[],"class_list":["post-22890","post","type-post","status-publish","format-standard","hentry","category-live-shows","category-the-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p96vPs-5Xc","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/22890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/comments?post=22890"}],"version-history":[{"count":1,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/22890\/revisions"}],"predecessor-version":[{"id":22891,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/22890\/revisions\/22891"}],"wp:attachment":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/media?parent=22890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/categories?post=22890"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/tags?post=22890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}