{"id":22539,"date":"2025-10-03T17:42:05","date_gmt":"2025-10-04T01:42:05","guid":{"rendered":"https:\/\/lefsetz.com\/wordpress\/?p=22539"},"modified":"2025-10-03T17:42:25","modified_gmt":"2025-10-04T01:42:25","slug":"the-lowdown","status":"publish","type":"post","link":"https:\/\/lefsetz.com\/wordpress\/2025\/10\/03\/the-lowdown\/","title":{"rendered":"The Lowdown"},"content":{"rendered":"<p>FX\/Hulu trailer:<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/cE9bq37W3Qo?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>I was mesmerized for about half an hour, and then&#8230;<\/p>\n<p>We&#8217;d been unable to find a satisfying series. Well, we watched &#8220;The Empress,&#8221; which is an interesting Netflix show about the Habsburg dynasty and the magical Empress Elisabeth married to the young Emperor Franz&#8230; I was trying to remember some of the facts from Modern European History, the AP course I took in high school, but the teacher was boring and so was the book and after applying to college&#8230;I can&#8217;t say that I took it seriously.<\/p>\n<p>&#8220;The Empress&#8221; was intriguing, although not fast-paced. If you&#8217;re looking for a lot of dialogue, this is not your show. But the sets were utterly amazing! And the history&#8230;the details may be fiction, but basically it&#8217;s all true.<\/p>\n<p>Then we tried the highly recommended Mexican series &#8220;The Dead Girls&#8221; on Netflix and for the first fifteen minutes it mesmerized me even more than &#8220;The Lowdown,&#8221; but then&#8230;it had a tone problem. Was this a gritty series or a farce? We haven&#8217;t watched further to find out.<\/p>\n<p>But the settings of both &#8220;The Dead Girls&#8221; and &#8220;The Lowdown&#8221; are similar in that they&#8217;re off the beaten path. &#8220;The Dead Girls&#8221;&#8230;I love these shows outside the city in Mexico and South America. The streets may not be paved, there may be an outdoor food stand\/restaurant on the corner, it&#8217;s extremely visceral. As for &#8220;The Lowdown&#8221;&#8230;it&#8217;s set in the outskirts of Tulsa&#8230;that&#8217;s right, &#8220;livin&#8217; on Tulsa time.&#8221; And the makers of this show are aware of Tulsa&#8217;s musical history, the first episode ended with Leon Russell&#8217;s &#8220;Stranger in a Strange Land.&#8221;<\/p>\n<p>So&#8230;<\/p>\n<p>What we&#8217;ve got here is Ethan Hawke as a self-styled &#8220;truthstorian&#8221;&#8230;<\/p>\n<p>Other than the images, which were so rich in hi-def, this was the other element that drew me in, because I know people like this. In that if you enter their lives into a ledger, there&#8217;s not much to show, but they&#8217;re far from stupid and they truly believe in their ideas and their future. I mean everybody need a code to survive, a belief in a path forward, otherwise you\u2019re just sitting somnambulantly on the couch watching television.<\/p>\n<p>You come to Los Angeles to make it. It&#8217;s different from New York City in that there&#8217;s no admission fee, no criteria, no C.V. needed to play. You could have dropped out of college for all people care. This is not finance requiring a college degree, L.A. is the land of hustlers, and some make it, most don&#8217;t, and then there are others that manage to keep their heads above water in the business, and the business is entertainment.<\/p>\n<p>On the way up everybody&#8217;s got a story. Usually puffed-up. They&#8217;re selling themselves, their ideas. And most of them are full of sh*t, but that doesn&#8217;t mean they don&#8217;t tell a good story.<\/p>\n<p>And if you live in the hinterlands, where there&#8217;s no delineated game, you make up your own&#8230;with your own playing field and rules. That is what Ethan Hawke is doing as Lee Raybon. He&#8217;s all about divining the truth and laying it down, meanwhile running a rare bookstore that never seems to make a sale. Oh, he&#8217;s got an ex and a kid, and the kid, &#8220;Francis,&#8221; is fantastic&#8230;an early teen with just enough savvy not to have the wool pulled over her eyes, she&#8217;s paying attention, she wants to participate, she wants to be involved.<\/p>\n<p>As for her mother, Samantha&#8230;she&#8217;s had to learn the score, had to learn that as good a tale as Lee tells, he&#8217;s not to be trusted, and his dreams are just that, dreams. Samantha is not a femme fatale, but a survivor.<\/p>\n<p>As for Jeanne Tripplehorn as Betty Jo&#8230; I thought she was out of action for a while, I certainly hadn&#8217;t seen her, but I checked online and she&#8217;s been acting&#8230;this is no longer the seventies when you&#8217;re aware of and have probably seen everything an actor has done.<\/p>\n<p>And Tripplehorn leans into the plot. And this is where &#8220;The Lowdown&#8221; starts to falter. Because the plot is somewhat traditional. Good vs. bad, righteous vs. evil. If only a more innovative plot could have been devised.<\/p>\n<p>So, as you watch you realize every episode has a formula. Ethan\/Lee pokes his nose where it shouldn&#8217;t be and ends up in deep trouble, which he escapes from in the end. It becomes predictable and ultimately laughable. The jeopardy, the tension&#8230;you&#8217;re just wondering how Ethan\/Lee is going to be saved, not whether he will be.<\/p>\n<p>And as real as some of the characters are, others are so two-dimensional as to be cartoons. The two ex-cons providing security for the bookstore&#8230;nobody is this dumb, even dumb people.<\/p>\n<p>The images are fantastic, and so is Hawke. Until&#8230;he gets himself in these situations. He&#8217;s got a lot of personality, which he trades on&#8230;the educated loser, but then he starts playing too broad with the stupid comedy and&#8230;<\/p>\n<p>We only pulled up &#8220;The Lowdown&#8221; because we couldn&#8217;t find another full series to watch. My policy is binge only, I refuse to be subjected to the week by week dribble&#8230; what, are we living in the 1980s? Is this &#8220;L.A. Law&#8221;? Or &#8220;thirtysomething&#8221;?<\/p>\n<p>Then again, I was thinking about &#8220;thirtysomething&#8221; while watching &#8220;The Lowdown,&#8221; because in that eighties show the tone was consistent. Striving baby boomers, dealing with relationships, marriage, children, careers&#8230; &#8220;thirtysomething&#8221; felt real. The more &#8220;The Lowdown&#8221; plays out, the less real it appears.<\/p>\n<p>Will we watch the ensuing episodes?<\/p>\n<p>We would have if they were all available now, but this show is not good enough to have me yearning to see them, to see what happens, which is clear anyway&#8230;ETHAN HAWKE\/LEE RAYBON TRIUMPHS! It&#8217;s as predictable as a sitcom. Whereas remember when Gary died in &#8220;thirtysomething&#8221;? There was no way you could see that coming.<\/p>\n<p>So, &#8220;The Lowdown&#8221; has the elements, it&#8217;s just the way they&#8217;re put together that is unsatisfying. It&#8217;s got interesting characters, but their interaction is so predictable&#8230;<\/p>\n<p>Yes, this is FX, and they get kudos for producing higher brow fare, but &#8220;The Lowdown&#8221; could be higher, but it&#8217;s not. When you strip away the images and the character actors you&#8217;ve got a retread plot, and what fun is that?<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>FX\/Hulu trailer: I was mesmerized for about half an hour, and then&#8230; We&#8217;d been unable to find a satisfying series. Well, we watched &#8220;The Empress,&#8221; which is an interesting Netflix show about the Habsburg dynasty and the magical Empress Elisabeth married to the young Emperor Franz&#8230; I was trying to remember some of the facts [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-22539","post","type-post","status-publish","format-standard","hentry","category-television"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p96vPs-5Rx","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/22539","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/comments?post=22539"}],"version-history":[{"count":2,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/22539\/revisions"}],"predecessor-version":[{"id":22541,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/22539\/revisions\/22541"}],"wp:attachment":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/media?parent=22539"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/categories?post=22539"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/tags?post=22539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}