{"id":225,"date":"2005-11-15T10:03:34","date_gmt":"2005-11-15T17:03:34","guid":{"rendered":"http:\/\/lefsetz.com\/wordpress\/index.php\/archives\/2005\/11\/15\/why-the-70s-were-better\/"},"modified":"2005-11-15T10:13:25","modified_gmt":"2005-11-15T17:13:25","slug":"why-the-70s-were-better","status":"publish","type":"post","link":"https:\/\/lefsetz.com\/wordpress\/2005\/11\/15\/why-the-70s-were-better\/","title":{"rendered":"Why The 70s Were Better"},"content":{"rendered":"<p><strong>1. A&amp;M and Island Records<\/strong><\/p>\n<p>Yes, in the early seventies Steve Ross consolidated Warner, Atlantic and <br \/>Elektra into one company.<\/p>\n<p>But not every label with hits was owned by a corporate behemoth.<\/p>\n<p>Pound for pound, A&amp;M and Island had the best records.\u00c2\u00a0 After all, Island <br \/>delivered Bob Marley to the masses.\u00c2\u00a0 What has that boasting prick who runs J <br \/>Records ever added to the culture in the last twenty five years?<\/p>\n<p>Chris Blackwell and Jerry Moss were mavericks.\u00c2\u00a0 Who believed first and <br \/>foremost in music.\u00c2\u00a0 Can you say the same about Andy Lack?<\/p>\n<p>As for Warner&#8230;\u00c2\u00a0 Steve Ross was famous for leaving his label heads alone.\u00c2\u00a0 <br \/>Whereas all we hear about today is all the corporate pressure the labels&#8217; <br \/>employees are under, to deliver short term results.<\/p>\n<p \/>\n<p><strong>2. Independent Concert Promoters<\/strong><\/p>\n<p>Things are different when your livelihood directly correlates with your <br \/>batting average.\u00c2\u00a0 It was about RELATIONSHIPS!\u00c2\u00a0 Investing in new bands knowing the agent would be loyal in the future.\u00c2\u00a0 And delivering a good experience for the <br \/>customer.\u00c2\u00a0 Meanwhile, Michael Rapino is busy managing debt.<\/p>\n<p \/>\n<p><strong>3. Radio<\/strong><\/p>\n<p>Lament Lee Abrams&#8217; Superstars format, but in contrast to what we have today, <br \/>Superstars was a GODSEND!<\/p>\n<p>Then again, compared to what came before, Superstars was the beginning of the <br \/>end.\u00c2\u00a0 As Superstars took hold, we got corporate rock.\u00c2\u00a0 And then disco.\u00c2\u00a0 And <br \/>then the whole thing imploded.<\/p>\n<p>But before that.\u00c2\u00a0 Before consultants ruled.\u00c2\u00a0 When FM radio stations were <br \/>religion more than profit centers, listeners were devoted and bands were broken.<\/p>\n<p>You trusted the radio the way today&#8217;s evangelicals trust Jesus.\u00c2\u00a0 You tuned <br \/>into the radio to find out about not only the new music, but the news that <br \/>applied to you.\u00c2\u00a0 The deejay was your friend.\u00c2\u00a0 He played what HE wanted to, <br \/>what HE thought was good.\u00c2\u00a0 It was a skilled position.\u00c2\u00a0 And, you could reach <br \/>him and request tracks.\u00c2\u00a0 Not only stuff on a tight playlist.<\/p>\n<p>The way it is on Lee Abram&#8217;s XM today, in fact.\u00c2\u00a0 When XM reaches twenty <br \/>million subscribers maybe the early seventies will return, because it&#8217;s based on <br \/>the same principles.\u00c2\u00a0 NOT Mel Karmazin&#8217;s principles.\u00c2\u00a0 Not Steve Blatter&#8217;s <br \/>principles.\u00c2\u00a0 But, the principle of choosing the best man for the job and letting him <br \/>DO IT!<\/p>\n<p \/>\n<p><strong>4. Vinyl<\/strong><\/p>\n<p>Why bother to make a warm-sounding acoustic record, it&#8217;s just going to sound <br \/>like shit when transferred to CD.<\/p>\n<p>Forget the religion.\u00c2\u00a0 Of placing the needle in the groove.\u00c2\u00a0 If anybody <br \/>reading thinks CDs sound as good as vinyl, they just haven&#8217;t heard the latter.\u00c2\u00a0 You <br \/>know the only thing that sounds good on CD?\u00c2\u00a0 Hip-hop.\u00c2\u00a0 Maybe that&#8217;s why it <br \/>dominates the airwaves.<\/p>\n<p \/>\n<p><strong>5. Prices<\/strong><\/p>\n<p>David Krebs told me that Aerosmith&#8217;s accusation that he stole from them in <br \/>the seventies was false.\u00c2\u00a0 That they didn&#8217;t remember that ticket prices were <br \/>under ten dollars thirty years ago.\u00c2\u00a0 Sometimes WAY under ten dollars.\u00c2\u00a0 Even hit <br \/>bands weren&#8217;t canvassing the country and making the kind of money the Stones do <br \/>today.\u00c2\u00a0 Hell, the STONES didn&#8217;t make that kind of money.\u00c2\u00a0 Which may be why <br \/>they&#8217;re still touring today.\u00c2\u00a0 And there were no ticket fees.\u00c2\u00a0 No facility fees.\u00c2\u00a0 <br \/>The price was the price, and you knew it.\u00c2\u00a0 And the cost was equivalent to two <br \/>first run movies.\u00c2\u00a0 You didn&#8217;t have to pick and choose the gigs you wanted to <br \/>go to as much as just decide to ATTEND!\u00c2\u00a0 You didn&#8217;t only go to see your <br \/>favorites.\u00c2\u00a0 You took chances on new acts in clubs.\u00c2\u00a0 Music was a pastime, not an EVENT that only comes once a year, like a birthday.<\/p>\n<p>And you could AFFORD multiple albums&#8230;<\/p>\n<p \/>\n<p><strong>6. Clubs<\/strong><\/p>\n<p>Sure, the record companies kept them in business.\u00c2\u00a0 But seeing someone with <br \/>HUNDREDS of people instead of thousands cemented the bond.<\/p>\n<p>And there was a culture of opening acts.\u00c2\u00a0 You WANTED to see the new bands.\u00c2\u00a0 <br \/>You still believed they would be good.\u00c2\u00a0 You weren&#8217;t pissed you&#8217;d have to sit <br \/>through some lame act appearing as a favor.<\/p>\n<p \/>\n<p><strong>7. Live music<\/strong><\/p>\n<p>Yup, no tapes.\u00c2\u00a0 Not until ELO in the latter seventies.\u00c2\u00a0 You revered Yes <br \/>because they could PLAY!<\/p>\n<p \/>\n<p><strong>8. Attitude<\/strong><\/p>\n<p>Sure, bands still have attitude today.\u00c2\u00a0 It&#8217;s just a different kind of <br \/>attitude.\u00c2\u00a0 It&#8217;s PRESS attitude.\u00c2\u00a0 An image for a magazine, or TV.\u00c2\u00a0 Bands back then <br \/>WEREN&#8217;T ON TV, not most of them.\u00c2\u00a0 And there was no fawning celebrity press.\u00c2\u00a0 You <br \/>could BELIEVE in the acts.\u00c2\u00a0 You can&#8217;t believe in the acts today.<\/p>\n<p \/>\n<p><strong>9.\u00c2\u00a0 The Acts<\/strong><\/p>\n<p>They wanted to be musicians.\u00c2\u00a0 Today&#8217;s acts want to be stars.<\/p>\n<p>Oh, of course there are exceptions.\u00c2\u00a0 It&#8217;s just that these exceptions, who <br \/>won&#8217;t play along, don&#8217;t get major label deals, aren&#8217;t on the radio, never mind <br \/>TV.\u00c2\u00a0 And this is good for their careers, but in the seventies second level bands <br \/>got more than a modicum of exposure.<\/p>\n<p \/>\n<p><strong>10. The Culture<\/strong><\/p>\n<p>Video games?\u00c2\u00a0 The secret society?\u00c2\u00a0 The addiction?\u00c2\u00a0 The revenue?\u00c2\u00a0 That&#8217;s the <br \/>way it used to be in music, until the fat cats mainstreamed the acts, sold them <br \/>out to mainstream culture.<\/p>\n<p \/>\n<p><strong>11. Infrastructure<\/strong><\/p>\n<p>We were making it up as we went along.\u00c2\u00a0 The music more important than <br \/>anything.\u00c2\u00a0 Today, music is a job.\u00c2\u00a0 With a fat paycheck you use to purchase the perks. Used to be you were PRIVILEGED to work in the business.\u00c2\u00a0 Today you&#8217;re <br \/>privileged to work at Apple Computer.\u00c2\u00a0 In the seventies the most desirable gig was <br \/>one at a record store.\u00c2\u00a0 Just go to Tower or Best Buy today.\u00c2\u00a0 These are the high <br \/>school dropouts who can&#8217;t sell electronics.<\/p>\n<p \/>\n<p><strong>12. No Hit Mentality<\/strong><\/p>\n<p>All that mattered was good.\u00c2\u00a0 It wasn&#8217;t about the single, but the whole body <br \/>of work.\u00c2\u00a0 Some of the best records of all time didn&#8217;t have a track released as <br \/>a 45, and were never played on AM radio.\u00c2\u00a0 Ever heard &quot;Free Bird&quot; on AM radio?<\/p>\n<p \/>\n<p><strong>13. Competition<\/strong><\/p>\n<p>Today the goal is to sell MORE\u00c2\u00a0COPIES than the next guy.\u00c2\u00a0 Back then it was <br \/>to make better RECORDS!<\/p>\n<p \/>\n<p><strong>14. Diversity<\/strong><\/p>\n<p>Music was presented as a whole.\u00c2\u00a0 You could like Cat Stevens, James Taylor, <br \/>Carole King AND Led Zeppelin and the Allman Brothers and nobody would bat an <br \/>eyelash.\u00c2\u00a0 After all, wasn&#8217;t it all MUSIC?<\/p>\n<p \/>\n<p><strong>15. No MTV<\/strong><\/p>\n<p>Overexposure kills acts.\u00c2\u00a0 Consider this one of the Ten Commandments.\u00c2\u00a0 Break <br \/>it at your peril.<\/p>\n<p \/>\n<p>If things are as good today, how come other than the Dave Matthews Band, no <br \/>new act can sell out a stadium?\u00c2\u00a0 Sure, there are great acts.\u00c2\u00a0 But they must be <br \/>nurtured by people who CARE, about the MUSIC, not the MONEY!\u00c2\u00a0 And they must be <br \/>developed slowly.\u00c2\u00a0 Is anybody interested in the trainwreck or police pursuit <br \/>all over TV the following WEEK, never mind YEAR?\u00c2\u00a0 Think about it&#8230;<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>1. A&amp;M and Island Records Yes, in the early seventies Steve Ross consolidated Warner, Atlantic and Elektra into one company. But not every label with hits was owned by a corporate behemoth. Pound for pound, A&amp;M and Island had the best records.\u00c2\u00a0 After all, Island delivered Bob Marley to the masses.\u00c2\u00a0 What has that boasting [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,6],"tags":[],"class_list":["post-225","post","type-post","status-publish","format-standard","hentry","category-music-business","category-the-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p96vPs-3D","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/comments?post=225"}],"version-history":[{"count":0,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/225\/revisions"}],"wp:attachment":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/media?parent=225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/categories?post=225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/tags?post=225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}