{"id":206,"date":"2005-10-28T17:35:14","date_gmt":"2005-10-29T00:35:14","guid":{"rendered":"http:\/\/lefsetz.com\/wordpress\/index.php\/archives\/2005\/10\/28\/manifesto\/"},"modified":"2005-10-28T17:42:47","modified_gmt":"2005-10-29T00:42:47","slug":"manifesto","status":"publish","type":"post","link":"https:\/\/lefsetz.com\/wordpress\/2005\/10\/28\/manifesto\/","title":{"rendered":"Manifesto"},"content":{"rendered":"<p><strong>1. More Music For More People<\/strong><\/p>\n<p>That&#8217;s the promise of the Internet.\u00c2\u00a0 Instant low cost distribution allows <br \/>this.\u00c2\u00a0 The key is to make everybody a PAYING music consumer.\u00c2\u00a0 With everyone <br \/>paying less and everyone owning more.<\/p>\n<p \/>\n<p><strong>2. iTunes<\/strong><\/p>\n<p>iTunes replicates the physical CD formula.\u00c2\u00a0 The only advantage it provides is <br \/>cheap distribution.\u00c2\u00a0 Unfortunately, it comes at a cost.\u00c2\u00a0 Lower audio quality <br \/>and copy protection.\u00c2\u00a0 In other words, the public pays more and gets less.\u00c2\u00a0 <br \/>Sure, you get to purchase a track at a time, but this sucks for the record <br \/>labels.\u00c2\u00a0 Their profits are based on selling a bundle, i.e. an album.\u00c2\u00a0 Ten tracks for <br \/>ten times the price.\u00c2\u00a0 Unless you can get buyers to cough up this price, <br \/>you&#8217;re going to end up with less money.\u00c2\u00a0 Especially in an iTunes distribution <br \/>world.\u00c2\u00a0 Which is why labels have to deliver more tunes for the buck to more people. <br \/>So they end up with the same amount of MONEY!\u00c2\u00a0 Then again, so few people are <br \/>regular music consumers that if you get EVERYBODY in for low dough, you&#8217;ll <br \/>end up with A LOT more.<\/p>\n<p \/>\n<p><strong>3. Rhapsody\/Napster\/Yahoo<\/strong><\/p>\n<p>An interesting idea if the original Napster never happened.\u00c2\u00a0 If people hadn&#8217;t <br \/>become inured to owning MP3s.\u00c2\u00a0 Any formula that leaves out ownership is a <br \/>no-go marginal failure at this point.\u00c2\u00a0 Furthermore, the to-go feature of these <br \/>services doesn&#8217;t work.\u00c2\u00a0 In a world where the iPod and iTunes work seamlessly to <br \/>expect the public to be frustrated by a hostile environment and like it is to <br \/>bump up against the rules of human nature.<\/p>\n<p>However, these services perform a great role.\u00c2\u00a0 You can SAMPLE music.\u00c2\u00a0 Thirty <br \/>second snippets on iTunes are not enough to know whether you like something.\u00c2\u00a0 <br \/>Then again, if you can download a track and THEN decide whether to keep it you <br \/>have the best of both worlds.\u00c2\u00a0 Which is what P2P presently offers.\u00c2\u00a0 P2P <br \/>should be monetized.<\/p>\n<p>As for being able to purchase copy protected tracks for a buck at these <br \/>services&#8230;this is just the iTunes Music Store model replicated.\u00c2\u00a0 But with an <br \/>incompatible format that does not work with the market dominating iPod.<\/p>\n<p \/>\n<p><strong>4. P2P<\/strong><\/p>\n<p>Reality.\u00c2\u00a0 Rail all you want, but despite the RIAA lawsuits, usage has just <br \/>gone up.\u00c2\u00a0 The lawsuits are about as effective as the nation&#8217;s drug policy.\u00c2\u00a0 Put <br \/>down your joint and THINK ABOUT IT!<\/p>\n<p>Legalize P2P.\u00c2\u00a0 What&#8217;s the societal cost?\u00c2\u00a0 You can stop railing about how kids <br \/>don&#8217;t know the value of music by ALLOWING them to pay for it.\u00c2\u00a0 Charge a few <br \/>bucks at the ISP level.\u00c2\u00a0 Or, sell trading licenses.\u00c2\u00a0 Sure, people drive <br \/>uninsured, but most don&#8217;t because they&#8217;re fearful of the consequences.\u00c2\u00a0 Not EVERYBODY will buy a license, but the penalty for copyright infringement is SO heinous that most people will.\u00c2\u00a0 And then, suing infringers will be seen as no worse <br \/>than stopping people for speeding.\u00c2\u00a0 The RIAA will burnish its tarnished image.\u00c2\u00a0 <br \/>Making money along the way.<\/p>\n<p \/>\n<p><strong>5. Radio\/Podcasting<\/strong><\/p>\n<p>The best way to sell music is to let people hear it.\u00c2\u00a0 The RIAA companies are <br \/>doing their best to stifle this process all the while trying to buy influence <br \/>on an ever-dwindling number of terrestrial music radio stations which play an <br \/>ever-dwindling number of tracks in ever-narrowing formats.\u00c2\u00a0 There should be <br \/>compulsory licensing for usage of songs in podcasts.\u00c2\u00a0 And reasonable Internet <br \/>radio fees.\u00c2\u00a0 Sure, the individual numbers will be less than for terrestrial <br \/>radio, but there will be A LOT more stations.\u00c2\u00a0 And, more new music, of a much <br \/>wider variety, will be sold.\u00c2\u00a0 Therefore insuring better health of the industry.\u00c2\u00a0 <br \/>Will the major labels be the sole beneficiaries of these opportunities?\u00c2\u00a0 No, <br \/>which is why they&#8217;re fighting advancements.\u00c2\u00a0 But, they will make more&#8230;<\/p>\n<p \/>\n<p><strong>6.\u00c2\u00a0 Touring<\/strong><\/p>\n<p>A final ticket price.<\/p>\n<p>And a consumer&#8217;s bill of rights.\u00c2\u00a0 I challenge Clear Channel, AEG and HOB to <br \/>create and circulate such a document.\u00c2\u00a0 Which contains elements akin to the <br \/>following:<\/p>\n<p>a. Parking never to exceed ten dollars.<br \/>b. Guaranteed price of water and beer.<br \/>c. Number of toilets per attendee.<\/p>\n<p>If you treat the audience with respect, they&#8217;ll give you more of their <br \/>dollars.\u00c2\u00a0 But respect died with Robert Sillerman.<\/p>\n<p \/>\n<p><strong>7. Royalties<\/strong><\/p>\n<p>Must come back.\u00c2\u00a0 Sales can&#8217;t be hidden with Internet distribution.\u00c2\u00a0 Record <br \/>companies need to hold down advances the same way the NHL needed to hold down salaries, or risk going out of business.\u00c2\u00a0 A guaranteed share of the pie for <br \/>artists would be great.\u00c2\u00a0 Shy of that, a straight negotiated percentage royalty, <br \/>with NO deductions, should be paid.\u00c2\u00a0 And, advances should be minimal.\u00c2\u00a0 No more <br \/>than the cost of producing the record.\u00c2\u00a0 Maybe there should be incentives for <br \/>coming in UNDER budget.<\/p>\n<p>The acts don&#8217;t trust the labels.\u00c2\u00a0 By opening their books, by allowing an <br \/>independent royalty tribunal to arbitrate disagreements, fairness will come back <br \/>to the game.<\/p>\n<p>Artists should be paid based on whether the PUBLIC adores them, not <br \/>executives.\u00c2\u00a0 Sell records, make a ton of money.\u00c2\u00a0 Sell none, go back and work in the <br \/>shoe store.\u00c2\u00a0 Even if you sold a million albums the first time around and you blew <br \/>it all on iron and ice.<\/p>\n<p \/>\n<p><strong>8. Management Contracts<\/strong><\/p>\n<p>Should be walkable, just like agents&#8217;.\u00c2\u00a0 Being tied up forever without trust <br \/>hurts the artist.\u00c2\u00a0 Part of your job is satiating the artist.\u00c2\u00a0 You shouldn&#8217;t get <br \/>paid if you don&#8217;t.<\/p>\n<p>In the alternative, royalties should cease with the end of the management <br \/>agreement.<\/p>\n<p>This whole business is built on the back of the artist.\u00c2\u00a0 I don&#8217;t want to hear <br \/>what you invested, whether it be the manager, agent or label.\u00c2\u00a0 Without the <br \/>artist, you&#8217;re NOWHERE!<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>1. More Music For More People That&#8217;s the promise of the Internet.\u00c2\u00a0 Instant low cost distribution allows this.\u00c2\u00a0 The key is to make everybody a PAYING music consumer.\u00c2\u00a0 With everyone paying less and everyone owning more. 2. iTunes iTunes replicates the physical CD formula.\u00c2\u00a0 The only advantage it provides is cheap distribution.\u00c2\u00a0 Unfortunately, it comes [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-206","post","type-post","status-publish","format-standard","hentry","category-music-business"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p96vPs-3k","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/comments?post=206"}],"version-history":[{"count":0,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/206\/revisions"}],"wp:attachment":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/media?parent=206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/categories?post=206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/tags?post=206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}