{"id":15140,"date":"2019-09-01T12:42:00","date_gmt":"2019-09-01T20:42:00","guid":{"rendered":"https:\/\/lefsetz.com\/wordpress\/?p=15140"},"modified":"2019-09-01T12:42:00","modified_gmt":"2019-09-01T20:42:00","slug":"pretty-heart","status":"publish","type":"post","link":"https:\/\/lefsetz.com\/wordpress\/2019\/09\/01\/pretty-heart\/","title":{"rendered":"Pretty Heart"},"content":{"rendered":"<blockquote><p><a href=\"https:\/\/spoti.fi\/2zF5UyR\" target=\"_blank\" rel=\"noopener noreferrer\">Pretty Heart<\/a><\/p><\/blockquote>\n<p>I&#8217;ve been listening to music and answering my e-mail.<\/p>\n<p>I started off listening to the Spotify Top 50, and a few songs in I wondered who this music was made for. It&#8217;s all surface with no soul, made to be played in the background. As for the vaunted Taylor Swift&#8230;this is what all the critics are raving about? It seemed like she was busy studying the business trying to figure out how to make a strategic strike. As for working with Jack Antonoff&#8230;he&#8217;s not only a producer, he&#8217;s a writer and Taylor&#8217;s not the only one to use him, so uniqueness is difficult. As for these tracks, Taylor&#8217;s voice is not in service to them, it&#8217;d be like having Judy Collins making a record with Max Martin. And so what you end up with is something catchy that does not penetrate, it&#8217;s not made to do that, it&#8217;s made to satiate the crowd, whereas Taylor triumphed originally by connecting one to one, opening her heart to the equally wounded, who adopted her first.<\/p>\n<p>So I switched to Release Radar, and the first track was an amalgamation of artists as disparate as Andra Day, Gary Clark, Jr. and&#8230;CHUCK D? And Sheryl Crow. Sounds atrocious doesn&#8217;t it? BUT IT&#8217;S NOT!<\/p>\n<p>I&#8217;ve got a love\/hate relationship with Sheryl Crow. I was not a fan of &#8220;Tuesday Night Music Club,&#8221; but everyone said she couldn&#8217;t do it all by her lonesome, but eventually she triumphed with &#8220;The Globe Sessions,&#8221; where she was totally in charge and it was great, sales were boosted by highly produced videos, but the music was totally listenable.<\/p>\n<p>And then &#8220;Soak Up The Sun&#8221; was just too obvious. And I guess I had a problem with the facelift. She was selling honesty, I figured it would be best to age naturally. But she did have a hit, and then the bottom fell out not only for Sheryl Crow but the sound she was selling, anybody who was not rapping, to the point where you can release a new album and we don&#8217;t even know about it. Hell, Sheryl put out a live album last year and I just found out about it when I went to her page on Spotify, see what I mean?<\/p>\n<p>Oh yeah, one more thing, &#8220;Safe and Sound,&#8221; premiered in Jimmy Iovine&#8217;s 9\/11 concert, when we were all ensconced in our homes afraid to go anywhere. When you &#8220;get&#8221; a song the first time through you know it&#8217;s something special, when you can sing it to yourself after hearing it only once, when you wait for it to come out on wax&#8230;actually I had to steal the file on Macster, that&#8217;s how much I had to hear it.<\/p>\n<p>But that was nearly two decades ago, before the streaming revolution, before it became all hip-hop all the time, before you could tour playing your old hits but the crowd went to the bathroom when you played something new.<\/p>\n<p>Now there&#8217;s been a ton of print hype on Sheryl&#8217;s new record, about the collaborators, her saying it&#8217;s her last&#8230;yeah, right, even Sinatra could not retire, players don&#8217;t give up until they can&#8217;t play anymore, it&#8217;s in their blood.<\/p>\n<p>But liking &#8220;Story of Everything,&#8221; the track referenced above, I clicked over to the new album, &#8220;Threads,&#8221; and the second song, entitled &#8220;Live Wire,&#8221; with Bonnie Raitt and Mavis Staples had that roots rock, gut-punching honest sound Bonnie specializes in. It was good, even though it shouldn&#8217;t be, haven&#8217;t we heard enough of these collaboration albums before, didn&#8217;t it become a cliche? But the game with &#8220;Threads&#8221; is almost all the songs are new! A twist on the formula.<\/p>\n<p>&#8220;Tell Me When It&#8217;s Over,&#8221; featuring Chris Stapleton had the vibe, the feel of one of his tracks, you know, laid back, but penetrating, the kind that starts your head nodding and&#8230;<\/p>\n<p>Joe Walsh wails on &#8220;Still The Good Old Days.&#8221;<\/p>\n<p>I can&#8217;t say that Sheryl&#8217;s vocal always fits the track, but I&#8217;m nearly stunned. What should be nostalgic crap is anything but. Sure, she&#8217;s a brand name, but that&#8217;s what gets you attention in today&#8217;s world. If you&#8217;re a dyed-in-the-wool rocker, ever liked Sheryl Crow, you should check &#8220;Threads&#8221; out. It suffers from digital reproduction, it&#8217;d be best on vinyl, but crank it up and feel it.<\/p>\n<p>But back to the e-mail. I came across a missive from my number one country guru, the guy who got me into modern country, the subject line said: &#8220;New Track -Its gonna be big&#8221;<\/p>\n<p>And it will be.<\/p>\n<p>I pulled up Parker McCollum&#8217;s &#8220;Pretty Heart,&#8221; released only two days ago, and as soon as it hit the chorus, I got it, this was definitely gonna be a hit.<\/p>\n<p>This is what too many musicians don&#8217;t understand, they want acclaim, they want an audience, they believe the system is rigged against them, but the truth is they don&#8217;t know how to write a hit.<\/p>\n<p>What makes &#8220;Pretty Heart&#8221; a hit is the chorus. It gets into your system immediately. After that the groove resonates, as do the lyrics.<\/p>\n<p>I tried to do research on Parker, but there was not much info. I couldn&#8217;t figure him out. He&#8217;d put out indie albums previously and&#8230;<\/p>\n<p>I went back to the e-mail, and it said:<\/p>\n<blockquote><p>He will sell 3000 tickets tonight in Waco, TX<br \/>\nHe has 128,000 followers on twitter<br \/>\nThis was all built before the label got involved<br \/>\nThis is 1st Universal Records Signing release<\/p><\/blockquote>\n<p>Ah, I&#8217;ve got it now, it sounds like a major label record, it&#8217;s not gonna change the world, but I had a yearning to find out what garnered Parker McCollum so much attention. I went to Spotify and played &#8220;Hell of a Year,&#8221; with 8,362,572 streams, and it&#8217;s the opposite of &#8220;Pretty Heart,&#8221; it&#8217;s much less produced, and totally genuine, you can resonate. And &#8220;Meet You In The Middle&#8221; was just as strong. So this guy is for real, he&#8217;s writing his own songs, he decided to do it himself, and he built his own fan base, illustrating it doesn&#8217;t only happen in hip-hop.<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Pretty Heart I&#8217;ve been listening to music and answering my e-mail. I started off listening to the Spotify Top 50, and a few songs in I wondered who this music was made for. It&#8217;s all surface with no soul, made to be played in the background. As for the vaunted Taylor Swift&#8230;this is what all [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6],"tags":[],"class_list":["post-15140","post","type-post","status-publish","format-standard","hentry","category-the-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p96vPs-3Wc","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/15140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/comments?post=15140"}],"version-history":[{"count":3,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/15140\/revisions"}],"predecessor-version":[{"id":15143,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/posts\/15140\/revisions\/15143"}],"wp:attachment":[{"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/media?parent=15140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/categories?post=15140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lefsetz.com\/wordpress\/wp-json\/wp\/v2\/tags?post=15140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}