<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: TSO</title>
	<atom:link href="http://lefsetz.com/wordpress/index.php/archives/2006/12/13/tso/feed/" rel="self" type="application/rss+xml" />
	<link>http://lefsetz.com/wordpress/index.php/archives/2006/12/13/tso/</link>
	<description>First in Music Analysis</description>
	<lastBuildDate>Sun, 20 May 2012 13:07:01 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.2</generator>
	<item>
		<title>By: David Krebs</title>
		<link>http://lefsetz.com/wordpress/index.php/archives/2006/12/13/tso/#comment-11853</link>
		<dc:creator>David Krebs</dc:creator>
		<pubDate>Mon, 18 Dec 2006 22:59:40 +0000</pubDate>
		<guid isPermaLink="false">http://lefsetz.com/wordpress/index.php/archives/2006/12/13/tso/#comment-11853</guid>
		<description>
Hi Bob

Jason and Paul had the vision to create the record.  But a record is  
just a record.  It takes years to create an entertainment superstar  
like TSO.  Here’s what really happened.  By 1998, Atlantic wasn’t  
getting enough records out and Christmas Eve and Other Stories’ sales  
fell by a third, as did radio spins on the single &quot;Christmas Eve  
Sarajevo 12/24&quot;.   Atlantic wasn&#039;t promoting TSO to radio because it  
was felt to be  some old fashioned sound put out by Jason for his  
buddy with 8 failed Savatage albums, and also, it was just a seasonal  
album. They weren&#039;t yet seeing the long term franchise potential.  I  
decided to fight the decline by switching strategy, which I did with  
the support of Jason, Ron Shapiro, Vickie Germaise, Lou Plaia and  
others, so that TSO would be show driven, not record driven.

In 1999 in order to mount the show, I had to co-promote it in three  
out of the five initial markets.  It was so successful, selling out  
four out of eight shows, that I decided that we could launch two  
touring companies in 2000.  We could do this because TSO was not  
actually a band.  In 2003, at the end of my tenth year representing  
O’Neill and TSO,  the two companies toured 70 cities doing 84 shows.   
I&#039;ve always believed in building  superstar attractions by developing  
deep roots and fan loyalty through touring.  That the strategy has  
worked is evidenced by the long term ongoing success of these bands  
and attractions.

Regards

David</description>
		<content:encoded><![CDATA[<p>Hi Bob</p>
<p>Jason and Paul had the vision to create the record.  But a record is<br />
just a record.  It takes years to create an entertainment superstar<br />
like TSO.  Here’s what really happened.  By 1998, Atlantic wasn’t<br />
getting enough records out and Christmas Eve and Other Stories’ sales<br />
fell by a third, as did radio spins on the single &quot;Christmas Eve<br />
Sarajevo 12/24&quot;.   Atlantic wasn&#8217;t promoting TSO to radio because it<br />
was felt to be  some old fashioned sound put out by Jason for his<br />
buddy with 8 failed Savatage albums, and also, it was just a seasonal<br />
album. They weren&#8217;t yet seeing the long term franchise potential.  I<br />
decided to fight the decline by switching strategy, which I did with<br />
the support of Jason, Ron Shapiro, Vickie Germaise, Lou Plaia and<br />
others, so that TSO would be show driven, not record driven.</p>
<p>In 1999 in order to mount the show, I had to co-promote it in three<br />
out of the five initial markets.  It was so successful, selling out<br />
four out of eight shows, that I decided that we could launch two<br />
touring companies in 2000.  We could do this because TSO was not<br />
actually a band.  In 2003, at the end of my tenth year representing<br />
O’Neill and TSO,  the two companies toured 70 cities doing 84 shows.<br />
I&#8217;ve always believed in building  superstar attractions by developing<br />
deep roots and fan loyalty through touring.  That the strategy has<br />
worked is evidenced by the long term ongoing success of these bands<br />
and attractions.</p>
<p>Regards</p>
<p>David</p>
]]></content:encoded>
	</item>
</channel>
</rss>

