KT Tunstall

How come we can’t break acts like this in the U.S?

Sure, the U.K. gave us "American Idol".  But it also seems to give us the only acts focused on music, not fame.

Now it’s not impossible for a musical act to be good-looking.  Talk to the truly beautiful.  They’re crippled by their looks.  They live a life quite different from the rest of us.  So, I feel sorry for the few genetically blessed.  And, if they sang about it, I might be interested.  Instead old men in suits glom on to the beautiful but barely talented and turn them into "STARS"!

That’s what we’ve got over here, stars.  Not talents.

Talent is something that comes from inside.  And I’m not talking about the melisma insanity of Mariah Carey.  Talent is an inner mounting flame that we, the listening public, want to get CLOSER to.

Go to: KT Tunstall  Click on "Album".  Then go down to number 4.  Click on the SECOND version of "Black Horse & The Cherry Tree".  The LIVE one.

Unfortunately, the video is in the dreaded Windows Media format.  And there’s not enough bandwidth, the frame keeps freezing.  But watch this.  You’ll experience magic.  A U.S. label wouldn’t even sign this pixie in dire need of a stylist.  With a form-less haircut and the uniform of a college freshman.  U.S. execs believe people want someone ABOVE THEM!  Someone not only coiffed, but altered surgically, like the aforementioned Mariah Carey and Jessica Simpson and now her sister Ashlee.

But those days are through.  Everybody knows who’s had plastic surgery.  Everybody wants somebody real, whom they can RESPECT!  People don’t respect the "artists" on today’s hit parade.  Which is why the business is in the dumper.  The business doesn’t want anybody real, just somebody who’ll play the game.  Who’ll say how hard they’re working going from interview to television show and won’t go on record about anything controversial.

Sure, part of KT’s performance here is canned.  But she’s not HIDING IT!  She’s employing new technology to deliver her message.  You assemble the pieces to FREE yourself from the burden of others, you can be YOUR OWN BAND!  Which KT is.

Oh, the way she holds the pick in her teeth.  THAT’S the kind of girl I want.  Someone who isn’t doing what she’s SUPPOSED to, but what’s expedient, what’s NATURAL!  You can hear not only Tommy Mottola but Clive telling this girl that’s crude, and that she can stick the pick on the mic stand.  But that’s not how she does it at home.  And the way KT claps and sings…SHE’S GOT THE MUSIC IN HER!  She’s POSSESSED!  You believe she’d be just this into it if she were in her BEDROOM and NOBODY was watching!

This is not my favorite song on the album.  But its performance makes me fall in love with KT.  And that’s what we used to do.  Fall in love with the artists.  Even if we were both male.  They exuded a coolness.  They were outsiders.  Playing by their own rules.

Then again, that’s no longer the American way.  We’re not even ENCOURAGING our youth to be challenging outsiders.  The FUCKS who run the companies think THEY’RE the artists and break the will of those they sign, if these no-talents are not complicit to begin with.  Shit, a true artist would tell the label head to FUCK OFF!

But if you tell the label head to fuck off today, that you want to do it YOUR way, then they put you in purgatory, to teach you and the OTHER upstarts a lesson.  They won’t put out your music, and they won’t release you, just to fuck with you.

And then there are KT’s boots.  Straight out of Ziggy Stardust.  This little fillip sells you.  It shows, that KT’s a believer in the myth too.

What sold me was hearing "Suddenly I See" on XM’s Cafe.  It’s got the energy of "Meet The Beatles".  With a break that makes you want to listen to the record again and again.  (Get to the two minute mark and check it out.)

It’s Chrissie Hynde without the poise.  Not the coolest girl in the room, but someone fighting for NOTICE!  And her pure desire hooks us.  We can feel what she says in her bio: "I’ve never had a back-up plan.  I was never going to do anything else."

We’ve got to nurture artistry.  We’ve got to turn the power over to the artists.  We have to encourage people to explore, to test the limits.  Shit, if the execs were creative THEY’D be the artists.  But they’re not.  Artists don’t come from the mainstream.  They’re different.  Loners.  And that’s why we pay attention.  Being outside of us they can reflect and deliver the truth about our world back to us.

Listening to KT Tunstall one can see why the U.K. business is still healthy.  Because they still believe in the myth.  That an artist is the highest player in the hierarchy.  That he can come from nowhere and instruct the populace on life.  It’s so EXCITING!  There’s no excitement in the U.S. business.  Only statistics and lawsuits.

More like this please.

3 Responses to KT Tunstall »»


Comments

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  1. Comment by keithwolf | 2006/02/21 at 17:58:57

    Just look at the difference between MOJO and Rolling Stone, that’s all I need to know…

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  3. Comment by mattsbrown | 2006/02/21 at 19:19:38

    Well put Bob! I’ve been a fan of KT for quite a while now….all the way back to her work with Oi Va Voi. That’s some work that you should really check out.

    The Big Four labels have lost their ability to take risks. Consolidation and the fact that all these PUBLIC companies have histories in the MANUFACTURE of something has created a model that cannot shift from manufacturing to appropriate methods of intellectual property management.

    As long as the Big Four fail to shift their business models this status quo will never be effectively challenged and the 80% plus market share that these companies control will keep producing the pap that has been shoved on us for way too long!

  4. comment_type != "trackback" && $comment->comment_type != "pingback" && !ereg("", $comment->comment_content) && !ereg("", $comment->comment_content)) { ?>
  5. Comment by Richard Griffiths | 2006/02/23 at 13:12:35

    She’s great isn’t she?

    Interesting note:
     
    She has been around with the same manager for 10 years now and was passed by everyone.  Then Shabs who has a label called Relentless though EMI saw her and wanted to sign her but (EMI execs) said NO.  So Shabs signed her anyway but excluded her from his EMI deal. He made the record and started the buzz and then EMI turned round and did a deal with him to bring it into EMI!
     
    Sidebar:

    Interesting connection between the majority of UK Brit award winners last week
     
    They were passed on by every UK Major!
     
    Kaiser Chiefs end up on Indy then does glorified PnD deal with Universal.  James Blunt ends up singing to Linda Perry’s production co. in the US.  KT Tunstall as above.  Lemar passed by everyone for 7 years then gets tv exposure signs to Sony and sells 2 million albums!
     
    We are seeing a trend of the managers and Indies developing artists and then plugging in to the majors for finance, marketing and international at vastly better deals than before.  We are also seeing older artists doing extremely well.  Average age of all the above closer to 30 than 20.


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  1. Comment by keithwolf | 2006/02/21 at 17:58:57

    Just look at the difference between MOJO and Rolling Stone, that’s all I need to know…

  2. comment_type == "trackback" || $comment->comment_type == "pingback" || ereg("", $comment->comment_content) || ereg("", $comment->comment_content)) { ?>

    Trackbacks & Pingbacks »»

    1. Comment by mattsbrown | 2006/02/21 at 19:19:38

      Well put Bob! I’ve been a fan of KT for quite a while now….all the way back to her work with Oi Va Voi. That’s some work that you should really check out.

      The Big Four labels have lost their ability to take risks. Consolidation and the fact that all these PUBLIC companies have histories in the MANUFACTURE of something has created a model that cannot shift from manufacturing to appropriate methods of intellectual property management.

      As long as the Big Four fail to shift their business models this status quo will never be effectively challenged and the 80% plus market share that these companies control will keep producing the pap that has been shoved on us for way too long!

    2. comment_type == "trackback" || $comment->comment_type == "pingback" || ereg("", $comment->comment_content) || ereg("", $comment->comment_content)) { ?>

      Trackbacks & Pingbacks »»

      1. Comment by Richard Griffiths | 2006/02/23 at 13:12:35

        She’s great isn’t she?

        Interesting note:
         
        She has been around with the same manager for 10 years now and was passed by everyone.  Then Shabs who has a label called Relentless though EMI saw her and wanted to sign her but (EMI execs) said NO.  So Shabs signed her anyway but excluded her from his EMI deal. He made the record and started the buzz and then EMI turned round and did a deal with him to bring it into EMI!
         
        Sidebar:

        Interesting connection between the majority of UK Brit award winners last week
         
        They were passed on by every UK Major!
         
        Kaiser Chiefs end up on Indy then does glorified PnD deal with Universal.  James Blunt ends up singing to Linda Perry’s production co. in the US.  KT Tunstall as above.  Lemar passed by everyone for 7 years then gets tv exposure signs to Sony and sells 2 million albums!
         
        We are seeing a trend of the managers and Indies developing artists and then plugging in to the majors for finance, marketing and international at vastly better deals than before.  We are also seeing older artists doing extremely well.  Average age of all the above closer to 30 than 20.

      This is a read-only blog. E-mail comments directly to Bob.